The Power of Love

The Power of Love or Power of Love may refer to:

Film and television

Music

Albums

Songs

The Power of Love (Charley Pride song)

"The Power of Love" is a song written by Gary Nicholson and Don Cook, and recorded by American country music artist Charley Pride. It was released in May 1984 as the first single and title track from his album The Power of Love. The song peaked at number 9 on the Billboard Hot Country Singles chart.

Chart performance

Lee Roy Parnell version

"The Power of Love" was also recorded by American country music artist Lee Roy Parnell. It was released in October 1994 as the fourth single from his album On the Road. Parnell's version peaked at number 51 on the Billboard Hot Country Singles chart.

Chart performance

References

External links

The Power of Love (Fish Leong album)

The Power of Love (New + Best Collection) (traditional Chinese: 戀愛的力量; simplified Chinese: 恋爱的力量; pinyin: Liàn’aì de Lìliang) is Malaysian Mandopop artist Fish Leong's (Chinese: 梁靜茹) first compilation album. It was released on 26 November 2003 by Rock Records in a 2CD format.

The album contains five new and 15 previously released tracks. New track "聽不到" (Cannot Hear) is co-composed by Leong and Ashin, lead vocalist of the Taiwanese rock band Mayday.

The track, "聽不到" (Cannot Hear) won one of the Top 10 Songs of the Year and Longest Number 1 Single at the 2005 HITO Radio Music Awards presented by Taiwanese radio station Hit FM.

Track listing

Dutch Golden Age painting

The Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history generally spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.

The new Dutch Republic was the most prosperous nation in Europe, and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south, and the upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art needed to reinvent itself entirely, a task in which it was very largely successful.

Although Dutch painting of the Golden Age comes in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders. Most work, including that for which the period is best known, reflects the traditions of detailed realism inherited from Early Netherlandish painting.