The Picture

The Picture may refer to:

See also

The Picture (Ionesco play)

The Picture (French: Le Tableau) is a one-act play written by Eugène Ionesco and first published in Viridis Candela, the journal of the Collège de 'Pataphysique. The first performance was in Paris at the théâtre de la Huchette in October 1955, directed by Robert Postec and with Pierre Leproux, Pierre Chevallier, Tsilla Chelton, Maria Murano.

Characters

Plot

Le Gros Monsieur is an irresistible businessman. Le Peintre, who wants to sell him a painting, accepts to pay for renting the wall space where the picture is hanging. Alice, an old, ugly, and ill woman, is asked by her brother to lend him a hand. After the painter leaves, the brother-sister relationship is reversed and the meek creature becomes authoritarian and demanding, threatening her brother with her walking-stick. Le Gros Monsieur obeys her but, when she is not looking, he grabs a gun and shoots. A miracle happens : Alice transforms into a beautiful maid. The old and ugly neighbour comes in, and she becomes beautiful too. The painter then comes back and turns into a prince charming. Only the Gros Monsieur is sad for not being able to transform himself.

The Picture (Massinger play)

The Picture is a Caroline era stage play, a tragicomedy written by Philip Massinger, and first published in 1630.

The play was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 8 June 1629; it was acted by the King's Men at both of their theatres, the Globe and the Blackfriars. The play was published in quarto the following year; Massinger dedicated the work to the members of the Inner Temple. The play was popular and highly regarded in its own era; in 1650 Richard Washington wrote an elegy on Massinger in his own copy of the quarto of The Picture.

Massinger's sources for his plot were the 28th novel in Volume 2 of The Palace of Pleasure (1567) by William Painter, and an anonymous English translation of The Theatre of Honour and Knighthood (1623) by André Favyn.

Cast

The 1630 quarto contains an unusually full cast list of the original King's Men's production of the play:

The list is informative on the state of the King's Men company at this period. The veteran Lowin, who was likely the Iago to Richard Burbage's Othello three decades earlier, was by his early 50s tending toward senior roles. The clown Hilario, played by John Shank, is a thin-man character; the thin man was apparently a standard feature of the King's Men's dramaturgy — in the previous generation of Shakespeare and Burbage, hired man John Sinklo had filled thin-man clown roles like Pinch in The Comedy of Errors and Shadow in Henry IV, Part 2. And the female character of Queen Honoria is written for a supremely beautiful woman; she is more than once described as a "Juno" — which raises questions as to how the boy player Thompson managed the role.