Butthole Surfers is an American rock band formed by Gibby Haynes and Paul Leary in San Antonio, Texas in 1981. The band has had numerous personnel changes, but its core lineup of Haynes, Leary, and drummer King Coffey has been consistent since 1983. Teresa Nervosa served as second drummer from 1983 to 1985, 1986 to 1989, and 2009. The band has also employed a variety of bass players, most notably Jeff Pinkus.
Rooted in the 1980s hardcore punk scene, Butthole Surfers quickly became known for their chaotic and disturbing live shows, black comedy, and a sound that incorporated elements of psychedelia, noise, punk rock and, later, electronica, as well as their use of sound manipulation and tape editing. Butthole Surfers have a well-reported appetite for recreational drugs, an evident influence on their sound.
Although they were respected by their peers and attracted a devoted fanbase, Butthole Surfers had little commercial success until 1996's Electriclarryland. The album contained the hit single "Pepper" which climbed to number one on Billboard's Modern Rock Tracks chart that year.
Butthole Surfers is the debut studio EP by American punk band Butthole Surfers, released in July 1983. It is also known as Brown Reason to Live and Pee Pee the Sailor (see "Title controversy"). All songs were written and produced by Butthole Surfers.
The album was originally released on Alternative Tentacles. Butthole Surfers and 1984's Live PCPPEP were reissued as Butthole Surfers/Live PCPPEP CD on Latino Buggerveil in 2003. The 12-inch vinyl version is still available from Alternative Tentacles, and is listed as Brown Reason to Live.
The center label on Butthole Surfers' vinyl printings invites listeners to erroneously play the record at "69 RPM," a joke referencing the famous sex position. The album's back cover features a mildly distorted image of famed Mexican luchador Santo. Kurt Cobain listed the EP in his top fifty albums of all time.
Butthole Surfers introduced themselves to the world with seven songs full of throbbing bass, crashing drums, and heavily distorted guitar topped off with largely nonsensical, barely intelligible lyrics, alternately sung by lead vocalist Gibby Haynes and guitarist Paul Leary. Haynes also plays saxophone and drums on some tracks. Unlike later Butthole Surfers albums, no electronic instrumentation is present.
The One I Love may refer to:
The One I Love (Japanese: わたしのすきなひと, Hepburn: Watashi no Sukinahito) is a romantic, slice-of-life shōjo (targeted towards girls) manga by Clamp, an all-female, manga artist team consisting of Satsuki Igarashi, Mokona, Tsubaki Nekoi, and Nanase Ohkawa. Appearing as a monthly serial in the Japanese manga magazine Monthly Young Rose from December 1993 to June 1995, the twelve stories were collected into a bound volume by Kadokawa Shoten and published in July 1995. The One I Love contains twelve independent manga stories, each focusing on an aspect of love and accompanied by an essay. Ohkawa wrote the essays while Nekoi illustrated the manga; it was the first time she primarily illustrated a manga by Clamp. Some of the stories draw on the life experiences of the women while others take inspiration from conversations they had with friends.
In 2003, Tokyopop licensed The One I Love for an English-language translation in North America, and published it in October 2004. Viz Media republished the manga in February 2015. The manga has also been translated into other languages. Reviewers have identified a few themes in the collection. They had a range of reactions to The One I Love: some considered it heartfelt entertainment, while others reviewed it less positively, as a badly done take on romance.
"The One I Love" is a popular song.
The music was written by Bronisław Kaper and Walter Jurmann, the lyrics by Gus Kahn. The song was published in 1937, and appeared in the 1938 film Everybody Sing, starring Allan Jones, Judy Garland, and Fanny Brice. In the film the song was sung by Allan Jones and reprised by Jones and Lynne Carver.
Take me
Mexican Caravan
South of
South of the Rio Grande
Take me to that amigo town
Where I can score some of that heroin brown
Take me
Mexican Caravan
South of
South of anywhere you can
Push me in through the garbage can
Teach this white boy to be Mexican
Take me
Mexican Caravan
Let's score some of that heroin
You know the way to make the white boy say
Make me Mexican
Take me
Mexican Caravan
Push me into the Rio Grande
You know the way to make the white boy say
Make me Mexican
Take me
Take me
Take me