Turn On the Bright Lights
File:Interpol - Turn On The Bright Lights.jpg
Studio album by Interpol
Released August 19, 2002
Recorded November 2001
Tarquin Studios, Bridgeport, Connecticut[1]
Genre Post-punk revival
Length 49:02
Label Matador
Producer Peter Katis, Gareth Jones
Interpol chronology
Turn On the Bright Lights
(2002)
Antics
(2004)

Turn On the Bright Lights is the debut studio album by American post-punk revival band Interpol, released in August 2002. The album was recorded in November 2001 at Tarquin Studios in Connecticut, and was co-produced, mixed and engineered by Peter Katis and Gareth Jones. It was released on August 19, 2002 in the United Kingdom and August 20 in the United States, through independent record label Matador Records. Upon release, the record peaked at number 101 on the UK Albums Chart. It reached number 158 on the Billboard 200 in the United States, as well as spending 73 weeks in the Billboard Independent Albums, peaking at number five.

"PDA," "NYC," "Obstacle 1" and "Say Hello to the Angels" were the singles from Turn On the Bright Lights, and a video was shot for each with the exception of "Say Hello to the Angels."

The album was certified Gold by the RIAA on August 29, 2011 for shipments of 500,000 copies.[2]

Contents

Promotion and release [link]

The release of Turn On the Bright Lights was preceded by the marketing of the band's self-titled Interpol EP in June 2002, their first release for Matador. The EP contained three tracks: radio single "PDA", future single "NYC", and "Specialist". All three tracks later appeared on the album, with "Specialist" included as a bonus track in Australian and Japanese editions. Further promotion continued at the beginning of the following year, when the band played the 2003 NME Awards Tour alongside The Datsuns, The Polyphonic Spree and The Thrills.[3]

Track listing [link]

All tracks written by Interpol.

  1. "Untitled" – 3:56
  2. "Obstacle 1" – 4:11
  3. "NYC" – 4:20
  4. "PDA" – 4:59
  5. "Say Hello to the Angels" – 4:28
  6. "Hands Away" – 3:05
  7. "Obstacle 2" – 3:47
  8. "Stella Was a Diver and She Was Always Down" – 6:28
  9. "Roland" – 3:35
  10. "The New" – 6:07
  11. "Leif Erikson" – 4:00

Bonus tracks on Australian edition [link]

  • "Specialist" – 6:39

Bonus tracks on Japanese edition [link]

Two different versions exist. One version has the following bonus tracks:

  • "Interlude" – 1:02
  • "Specialist" – 6:39

The other version has the following bonus tracks:

  • "Hands Away" (Peel session)
  • "Obstacle 2" (Peel session)
  • "PDA" (video)
  • "NYC" (video)
  • "Obstacle 1" (video)

Bonus tracks on Mexican edition [link]

  • "Interlude" – 1:02
  • "Specialist" – 6:39
  • "PDA" (video)
  • "NYC" (video)
  • "Obstacle 1" (video)

Critical reception [link]

Professional ratings
Review scores
Source Rating
Allmusic 5/5 stars[4]
Drowned in Sound (9/10)[5]
NME (8/10)[6]
Pitchfork Media (9.5/10)[7]
PopMatters (9/10)[8]
Q 5/5 stars[9]
Robert Christgau C+[10]
Rolling Stone 3/5 stars[11]

Interpol's debut album gained so much critical success that not only was it hailed as one of best debuts of 2002, but is considered by some to be one of the best records of the decade. Turn On the Bright Lights made several critics' Top 10 lists of 2002.

  • Thee-O – #1
  • Michael Azerrad – #1
  • Chris Baldwin – #10
  • Greg Beets – #2
  • Eric Broome – #8
  • Dana Buoniconti – #5
  • Nick Catucci – #6
  • Paul Clements – #4
  • Dave Clifford – #4
  • Ethan Covey – #8
  • Corey du Browa – #8
  • Cyndi Elliott – #7
  • Norm Elrod – #3
  • John Elsasser – #7

The rest of the list is located at The Village Voice.

Awards [link]

Personnel [link]

Chart performance [link]

Chart (2002) Peak
position
UK Albums Chart[12] 101
U.S. Billboard 200[13] 158
Chart (2003) Peak
position
U.S. Billboard Independent Albums[13] 5

Certifications [link]

Region Certification Shipments
United States (RIAA) Gold[14] 500,000

References [link]

  1. ^ "Matador Records - Interpol Biography". Matador Records official website. https://www.matadorrecords.com/interpol/biography.html. Retrieved 13 December 2009. 
  2. ^ https://www.riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database#
  3. ^ Kershaw, Richard (14 February 2003). "Review / Interpol @ Astoria, 9/02/03". Drowned in Sound. https://drownedinsound.com/gigs/658/reviews/6069-interpol-at-astoria-london-sun-09-feb. Retrieved 6 December 2009. 
  4. ^ Kellman, Andy. "Interpol: Turn On the Bright Lights > Review" at Allmusic. Retrieved 11 September 2011.
  5. ^ Frankowski, Andy (16 August 2002). "Interpol: Turn On The Bright Lights". Drowned in Sound. https://drownedinsound.com/releases/3034/reviews/4605-. Retrieved 11 September 2011. 
  6. ^ Segal, Victoria (12 September 2005). "Interpol: Turn On The Bright Lights". NME (IPC Media). ISSN 0028-6362. https://www.nme.com/reviews/interpol/6645. Retrieved 11 September 2011. 
  7. ^ Carr, Eric (18 August 2002). "Interpol: Turn On The Bright Lights". Pitchfork Media. https://www.pitchforkmedia.com/reviews/albums/4113-turn-on-the-bright-lights/. Retrieved 11 September 2011. 
  8. ^ Powers, Devon (30 August 2002). "Interpol: Turn On The Bright Lights". PopMatters. https://www.popmatters.com/music/reviews/i/interpol-turn.shtml. Retrieved 11 September 2011. 
  9. ^ Q: p. 137. August 2010. "5 Stars - Classic - '…No one does icy existential detachment better in modern rock…'" 
  10. ^ Christgau, Robert. "Interpol". robertchristgau.com. https://www.robertchristgau.com/get_artist.php?name=interpol. Retrieved 11 September 2011. 
  11. ^ Sheffield, Rob (14 August 2002). "Interpol: Turn On The Bright Lights". Rolling Stone. ISSN 0035-791X. https://www.rollingstone.com/music/albumreviews/turn-on-the-bright-lights-20020814. Retrieved 11 September 2011. 
  12. ^ Rogers, Simon (19 November 2009). "NME's top 50 albums of the decade: how high did they get in the charts?". The Guardian. https://www.guardian.co.uk/news/datablog/2009/nov/19/nme-top-albums-decade-noughties-strokes. Retrieved 13 December 2009. 
  13. ^ a b "Turn On the Bright Lights - Interpol". Billboard. https://www.billboard.com/artist/interpol/447165#/album/interpol/turn-on-the-bright-lights/542915. Retrieved 13 December 2009. 
  14. ^ https://www.riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database#

External links [link]


https://wn.com/Turn_on_the_Bright_Lights

The New 52

The New 52 is a 2011 revamp and relaunch by DC Comics of its entire line of ongoing monthly superhero comic books. Following the conclusion of the "Flashpoint" crossover storyline, DC cancelled all of its existing titles and debuted 52 new series in September 2011 with new first issues. Among the series being renumbered are Action Comics and Detective Comics, which had retained their original numbering since the 1930s.

The relaunch included changes to the publishing format; for example, print and digital comics are now released on the same day. New titles were released to bring the number of ongoing monthly series to fifty-two. Various changes were also made to DC's fictional universe to entice new readers, including to DC's internal continuity to make characters more modern and accessible. As well, characters from the former Wildstorm and Vertigo imprint were absorbed into the DC Universe.

The New 52 branding ended after the completion of the "Convergence" storyline in May 2015, although the continuity of the New 52 continued. In June 2015, 24 new titles were launched, alongside 25 returning titles, with several of those receiving new creative teams.

Podcasts:

PLAYLIST TIME:

The New Generation

by: Kid Ink

we are, we are the voice
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somebody gotta rep for us
young outcast, running from the task force
in the streets, they worry 'bout the tabloid
the statistics say i fit the category
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out with the old, in with the new
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of a new generation
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of a new generation
uh, they'll probably never understand
why, but i was made for another plan
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look in the mirror, take another glance
see you yourself, before you try to judge math
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tell 'em, come and follow me
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to say, “fuck them” when you can't do it
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but i'm still public enemy number one
we are, we are the voice
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of a new generation
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we are, we are the voice, voice




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