Move

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The Move

The Move were one of the leading British rock bands of the 1960s from Birmingham, England. Despite scoring nine Top 20 UK singles in just five years, they were among the most popular British bands not to find any real success in the United States. Although bassist-vocalist Chris "Ace" Kefford was the original leader, for most of their career, the Move was led by guitarist, singer and songwriter Roy Wood. He wrote all the group's UK singles and, from 1968, also sang lead vocals on many songs, although Carl Wayne was the main lead singer up to 1970. Initially, the band had 4 main vocalists (Wayne, Wood, Trevor Burton and Kefford) who split the lead vocals on a number of their earlier songs.

The Move evolved from several mid-1960s Birmingham based groups, including Carl Wayne & the Vikings, the Nightriders and the Mayfair Set. Their name referred to the move various members of these bands made to form the group. Besides Wood, The Move's original five-piece roster in 1965 was drummer Bev Bevan, bassist Kefford, vocalist Carl Wayne and guitarist Trevor Burton. The final line-up of 1972 was the trio of Wood, Bevan and Jeff Lynne; together, they rode the group's transition into the Electric Light Orchestra. From 2007 to 2014, Burton and Bevan have been performing as 'The Move featuring Bev Bevan and Trevor Burton'.

The Move (Sam Fife)

The Move (also known as The Move of the Spirit or Move of God) is the unofficial name of a non-denominational charismatic Christian group that was started in the 1960s in Florida by Sam Fife, a former Baptist preacher.

In his ministry in the early 1960s, Sam Fife used elements of charismatic ministry, first at his church in New Orleans, then in his prayer group in Miami, Florida. He was a former Baptist preacher and his theology has been related to the Body of Christ movement..

At a time of searching by young people and social disruption, Fife's teachings inspired groups throughout United States, Canada and, later, other countries. Considered by some to be an apostle, under the concept of the Fivefold ministry, Fife attracted a group of ministers who believed his vision of the role of the church in the "end times". In the fall 1971, Fife began to preach what was referred to as the "Wilderness Message."

Within a few years, thousands of his followers had moved to a number of communal farms, mostly in Alaska, Canada, and Colombia. They followed various practices in combining their resources in common. Sam Fife wrote numerous booklets about his beliefs, which were distributed among members of The Move. At the age of 54, he died with three of his followers in the "Body of Christ", in a plane crash in Guatemala on April 26, 1979.

Cleveland Browns relocation controversy

The Cleveland Browns relocation controversy, sometimes referred to by fans as "The Move", was the decision by then-Browns owner Art Modell to move the National Football League (NFL) team from its longtime home of Cleveland, Ohio, to Baltimore, Maryland, for the 1996 NFL season.

Subsequent legal actions saw a unique compromise that would later set a precedent in American professional sports: A relocating franchise would keep its existing personnel, but such personnel would form (and thus become) an entirely new, separate franchise (in this case, the Browns' original personnel becoming the Baltimore Ravens). The relocated franchise's original heritage would stay in its original city, with new personnel eventually reactivating the officially suspended franchise, thus becoming the new personnel of, and officially continuing the supposedly relocated franchise.

Dissatisfaction with Cleveland Stadium

In 1973, then-Browns owner Art Modell signed a 25-year lease to operate Cleveland Stadium. Modell's newly formed company, Stadium Corporation, paid an annual rent of $150,000 for the first five years and $200,000 afterwards to the city. In exchange, the company received all revenue generated by the stadium, which amounted to far more than the Stadium Corp. would pay in rent. This represented an enormous loss for the city of Cleveland. Stadium Corp installed new electronic scoreboards and luxury suites. Renting the suites and the scoreboard advertising generated substantial revenue for Stadium Corp and Modell.

Kill the Lights (Luke Bryan album)

Kill the Lights is the fifth studio album by American country music artist Luke Bryan. It was released on August 7, 2015, through Capitol Nashville. The album's lead single, "Kick the Dust Up", was released to radio on May 19, 2015. "Strip It Down" was released as the second single from the album on August 4, 2015. The album's third single, "Home Alone Tonight", was released to country radio on November 23, 2015.

Kill the Lights garnered positive reviews from music critics. The album debuted at number one on the US Billboard 200 chart, moving 345,000 equivalent units in the week ending August 13.

Critical reception

Kill the Lights has received mostly positive reviews from music critics. At Metacritic, which assigns a "weighted average" rating out of 100 from selected independent ratings and reviews from mainstream critics, the album received a Metascore of 69/100, based on nine reviews, indicating "generally favorable" reviews.Stephen Thomas Erlewine of AllMusic rates the album four stars conveying: "Kill the Lights winds up feeling happy and generous, an inclusive record that plays to teenage desires as effectively as memories of an adolescence left behind. " The publication Billboard rates the album three and a half stars, and Jewly Hight commenting: "the fact that Kill the Lights features a pensive, black-and-white cover shot -- the rare photo in which he's not smiling even a little -- is a hint: He isn't simply going about his business-as-usual fun on this album."Brian Mansfield rates the album three stars out of four at USA Today proffering: "The hits are fine, but that's the guy who's really worth getting to know." Maura Johnston gives the album a positive review on behalf of The Boston Globe suggesting: "Bryan might have broken up with spring break, but crashing pop’s party will probably offer him just as good a time."

Move (CSS song)

"Move" is a single by CSS, it is the third released from the album Donkey. It was released on October 13, 2008. It was remixed by Cut Copy and Frankmusik. The single failed to chart everywhere, except for Italy. It is featured in the forever 21 playlist. A remix of the song was used for a jazz routine on So You Think You Can Dance season 5, which was performed by Janette Manrana and Evan Kasprzak, and later season 8 for a solo by jazz dancer Missy Morelli.

Music video

There's a music video for the song directed by Keith Schofield, shot in Barcelona. It can be seen on YouTube and on CSS's official MySpace.

Track listings

  • "Move" (album version)
  • "Move" (Frankmusik's club bingo dub)
  • "Move"
  • "Move" (Metronomy remix)
  • "Move" (album version)
  • "Move" (instrumental)
  • References

  • http://www.rockfeedback.com/article.asp?nObjectID=5975
  • "Move" music video on YouTube.
  • CSS's official Myspace
  • "Move" maxi-single info at ADA-NewReleases.com
  • Move (Hiromi album)

    Move is the second album from Hiromi Uehara's Trio Project featuring bassist Anthony Jackson and drummer Simon Phillips.

    Track listing

  • Move (8:35)
  • Brand New Day (7:03)
  • Endeavor (7:25)
  • Rainmaker (7:39)
  • Suit Escapism: Reality (5:33)
  • Suit Escapism: Fantasy (6:37)
  • Suit Escapism: In Between (7:53)
  • Margarita! (7:29)
  • 11:49PM (11:30)
  • Personnel

  • Hiromi Uehara - Piano
  • Anthony Jackson - Bass
  • Simon Phillips - Drums
  • References

    Podcasts:

    Move

    ALBUMS

    m.o.v.e

    Died: 2013-03-16

    Move

    ALBUMS

    PLAYLIST TIME:

    The Square

    by: Heltah Skeltah

    [ruck whispering]
    Oooh... astonishing!
    [rock, (repz)]
    Uh-ha! what do we have here?
    Caught up in the center
    (we equal emcee squared)
    The square, every corner locked down
    Four corners, take position, four soldiers
    Every where ya turn there's one, boy
    [chorus: rock, (repz)]
    We be triple r rated, but we form a square
    (we equal emcce squared)
    Ruck and rock, representativz, ya worst nightmare
    (we equal emcee squared)
    Yo, when push came to shove, then I pushed and shoved
    (we equal emcee squared)
    Slugs in that nigga's mouth, when he show us no love
    (we equal emcee squared)
    [supreme]
    Check it, styles surrounds to pound emcee's
    Testin we, gets grooved in three
    As in the triple r, my troups get biz by far
    Supreme steams through ya team and leaves scars
    We formed the square, now there's nowhere to turn to
    Burn through crews wit troups that's nocturnal
    Writin my journal, my first mission
    Shittin on these faggot emcees, this industry's in submission
    [rock]
    Yo, who's the square there squared wit the back bender?
    I beat blood out of ya number one contender
    The representativz are, sent to ya drama
    While I sneak up behind ya to put space in ya back like a comma
    Time to battle, escape? how? trapped in four corners
    Plus the walls or closin in on ya
    Like that karate instructor in that bart simpson commercial
    I hurt ya, by droppin bombs, god's universal
    [lidu rock]
    Niggaz be actin sweet like ladies and if they try and play me
    Lidu rock will come through at wet ya block like the navy
    Display mine, on point, god, the square keep
    Label me as the nigga that smoked the grym reaper
    Undercover like a campian wearin sneakers
    Great ya wit a boot to ya face, then see ya
    Off out on the range, beware of my terrain
    Four levels of pain, you got caught, so who's to blame?
    [ruck]
    Man the battle station, as I plan to rattle a nation
    Rock, lidu rock and supreme, the team you be facin
    My mind's place in, between a rock and a hard place
    But the god's safe, rocks my man in the heart place and y'all gay
    We triple r, cripple y'all, get ya crutches
    Sparsky and dutch is, rockin mad domes, causin ruckus
    Who give a fuck if ya nice, ya get mangled and mashed
    Like dope fiends dyin off a ten, goin hash
    [chorus]
    [lidu rock]
    We be triple r rated, but we form a square
    Tranform like decept's into a cubic shape and dare
    Anyone to test this, I done roll wit the best fish
    That sam wit the sharks, against crews that mad me restless
    I bet this, here energy, you'll blow the vencinity
    And blast motha fuckas who approach me like the enemy
    I'm simply holdin my angle down, jack
    So if ya self-defence is war, then I suggest you attack
    [ruck]
    Aiyyo, we equal emcee squared, dare tempt me
    Empty shells, now ya layin where playas and pimps be
    On microphones wit hyper tones
    That's when I swipe ya bones wit knife and chromes
    See, I'm r rated, pa' hated when I made it
    In ya rap game, 'cause ya plane's been invaded
    I laced it like sneakers and funny cigarettes
    Niggaz get wet from flows they ass couldn't figure yet
    [supreme]
    Make way for the bum rush, niggaz get touched
    Ya think ya tough, bring in the drama, if ya crew's rough
    What? for motha fucks up in ya visual
    Deliver blows to foes in my peripheral
    My ill subliminal attack pety individuals
    Tired of cliches, these days who come original?
    Like criminals, and you get bust and such
    Test my triple r rated and get crushed to dust
    [rock]
    Yo, we blew through the door, I said it before
    You asked for it, who want beef? while here's war!
    We two emcee's squared, equal four rated triple r
    Leave you pretty boy playas scared, trapped in cars
    When will you pirahnas learn?
    Bitin my shit, larry, you fish burn
    Here in the square, where you runnin, g?
    You rather be trapped in a lion's den wit pork chop draws, then front on me
    [chorus x2]
    [rock]
    Make way...




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