Leave Home is the second studio album by American punk rock band the Ramones. It was released on January 10, 1977, through Sire Records, with the expanded CD being released through Rhino Entertainment on June 19, 2001. Songs on the album were written immediately after the band's first album's writing process, which demonstrated the band's progression. The album had a higher production value than their debut Ramones and featured faster tempos. The front photo was taken by Moshe Brakha and the back cover, which would become the band's logo, was designed by Arturo Vega. The album spawned three singles, but only one succeeded in charting. It was also promoted with several tour dates in the United States and Europe.
The songs in Leave Home concentrate on various themes, with the musical tones being diverse as well. Some tunes were more pop-oriented, while others, like "Gimme Gimme Shock Treatment" and "Pinhead" were loaded with distorted guitars and had a more punk rock sound. The song "Carbona Not Glue" was taken off the album because it potentially violated the trademark of the stain-removal product Carbona. The track was replaced with "Babysitter" in the United Kingdom and "Sheena Is a Punk Rocker" in the United States (prior to its inclusion on Rocket to Russia); both "Carbona" and "Babysitter" were included on the 2001 expanded edition.
Leave Home is an album recorded by The Vindictives that is a cover of the Ramones album of the same name.
"Leave Home" is a song by English big beat duo the Chemical Brothers. It was the first single released from their debut album Exit Planet Dust in 1995. It reached number 17 in the UK Singles Chart. The song contains a short sample from the Kraftwerk song "Ohm Sweet Ohm". It was used in the soundtracks to the video games SSX 3 and Wipeout 2097, and is also featured in the video game DJ Hero 2. The song was featured in the 2000 movies Gone in 60 Seconds and High Fidelity, as well as the 1997 film Dangerous Ground, the 1998 film The Acid House, the 1999 film Any Given Sunday and in episodes of The Real Hustle.
The song originally appeared on the duo's first mix album, NME Xmas Dust Up, which was produced for the NME and covermount into their Christmas 1994 issue. This was when the duo were still known as the Dust Brothers.
The recurring lyric "the brother's gonna work it out" later led to the name of their 1998 mix album of the same name.
The Men may refer to:
The Men are a punk rock band from Brooklyn, formed in 2008. The band consists of Mark Perro (vocals, guitar, keys), Nick Chiericozzi (vocals, guitar), Rich Samis (drums), and Kevin Faulkner (Bass).
The band has produced five studio albums. The Men's first two albums, Immaculada (2010) and Leave Home (2011), were noted for their abrasive, noise rock sound. The band gained recognition for their third album Open Your Heart (2012), which was released to mostly positive reviews, including a Best New Music designation from Pitchfork Media.Open Your Heart was also noted for being more accessible than the previous two albums, incorporating influences from country music and surf rock. The band's follow-up albums, New Moon (2013) and Tomorrow's Hits (2014), continued down the path set by Open Your Heart, with more melodic songs and fewer noise rock influences.
The Men was formed by Nick Chiericozzi, Chris Hansell, and Mark Perro in 2008 in Brooklyn. After recording a demo tape and a 12" EP, they self-released their first album, Immaculada, in 2010 and their first widely available album, Leave Home, on Sacred Bones Records in 2011.Leave Home received mostly positive reviews, with one critic describing the album as "[..] one of the most gut-punched and brain-addled rock records to arrive in quite some time." Later in 2011, Ben Greenberg, who engineered Leave Home, replaced bassist Chris Hansell after Hansell left the band.
The Men was an umbrella title for three crime/adventure dramas aired in the United States by ABC as part of its 1972-73 lineup.
The Men comprised Assignment Vienna, Jigsaw, and The Delphi Bureau. The common element in each of those hour-long series was that its hero was a rugged individualist, working essentially alone with little or no supervision on matters of vital significance. The program originally aired on Thursday nights, with each element appearing in a regular rotation, every third week. But when The Men was moved to Saturday nights, in January 1973, the elements began to be aired with several episodes of the same one appearing in consecutive weeks.
Unlike the similar NBC Mystery Movie wheel, the elements of The Men all came from different TV studios—Assignment Vienna, Jigsaw, and The Delphi Bureau were respectively produced by Metro-Goldwyn-Mayer Television, Universal Television (the same studio behind the Mystery Movie), and Warner Bros. Television.
While the series was a failure in the Nielsen TV ratings, its theme song—composed and recorded by Isaac Hayes—was a minor R&B hit. (A disco version of that theme was recorded by Joe Bataan in 1976 and a smooth jazz version was recorded by Gerald Albright in 2008.)
note on my door said son we got to chat
got things to chat over love mom and dad
don't mean to hurt you it's just better this way
we're awful sorry you're welcome to stay but
we're leaving home
miss mom's home cooking and dad's stupid jokes
where are they now i guess nobody knows
sunny hawaii or montego bay
when i read that note i can still hear them say
i got a postcard and you say that you're alright
birthday's ther come and go still you're no where in sight
no mother to tuck me in my bed tonight