The Magician (1958 film)
The Magician is a 1958 film written and directed by Ingmar Bergman. Its original Swedish title is Ansiktet, which means "The Face", and it was released theatrically as The Face in the United Kingdom, although video releases have used the U.S. title.
The film stars Max von Sydow as a traveling magician named Albert Vogler. Reading reports of a variety of supernatural disturbances at Vogler's prior performances abroad, the leading townspeople request that Vogler's troupe provide them a sample of their act, before allowing them public audiences. The scientifically minded disbelievers try to expose them as charlatans, but Vogler has a few tricks up his sleeve.
The film was distantly inspired by G. K. Chesterton's play Magic, which Bergman numbered among his favourites. Bergman staged a theatre production of "Magic" in Swedish at one point. The film was selected as the Swedish entry for the Best Foreign Language Film at the 31st Academy Awards, but was not accepted as a nominee.
The Magician (French TV series)
The Magician (French: Le Magicien) is a French animated television series created by Florian Ferrier, Gilles Adrien, and Savin Yeatman-Eiffel, the latter of whom also served as the series' story editor. It was produced by Xilam in 1997, and distributed by Gaumont. It aired on Fox in 1999, one of the very rare European shows to succeed in the US at the time.
Synopsis
A series of scientific discoveries and radical advances in technology have re-organized society. Taking advantage of widespread hope and optimism, the crime syndicates (chiefly under the mobster 'Black Jack' Malone) have discretely taken control of all important positions; but they are repeatedly defeated by protagonist Ace Cooper, a famous stage-magician and superhero, and his assistant Cosmo.
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The Magician (1898 film)
The Magician (French: Le Magicien; Star Film Catalogue no. 153.) is a 1898 French short black-and-white silent trick film, directed by Georges Méliès, featuring a wizard, a Pierrot and a sculptor in a rapid series of jump cuts. The film is, "another exercise in the art of the jump-cut," according to Michael Brooke of BFI Screenonline, "in the tradition of Georges Méliès' earlier A Nightmare (Le Cauchemar, 1896) and The Haunted Castle (Le Château hanté, 1897)."
Synopsis
A wizard conjures a table and a box out of thin air, and then vanishes as he jumps toward the box. Pierrot emerges from the box and takes a seat, when suddenly a banquet appears on the table, but it vanishes along with the table and chair before he can eat. A man in an Elizabethan doublet taps him on the shoulder and he is transformed into a Renaissance sculptor. Lifting a half finished bust onto a pedestal he prepares to set to work on it with a hammer and chisel only for it to come to life and snatch his tools from him. He attempts to embrace the sculpture only for it to disappear and reappear in a variety of poses. Finally the Elizabethan man reappears to kick him in the rump.
The Magician (Tarot card)
The Magician, The Magus, or The Juggler (I) is the first trump or Major Arcana card in most traditional Tarot decks. It is used in game playing as well as in divination. In divination it is considered by some to succeed The Fool card, often numbered 0 (zero).
Iconography
In French Le Bateleur, "the mountebank" or the "sleight of hand artist", is a practitioner of stage magic. The Italian tradition calls him Il Bagatto or Il Bagatello. The Mantegna Tarocchi image that would seem to correspond with the Magician is labeled Artixano, the Artisan; he is the second lowest in the series, outranking only the Beggar. Visually the 18th-century woodcuts reflect earlier iconic representations, and can be compared to the free artistic renditions in the 15th-century hand-painted tarots made for the Visconti and Sforza families. In the painted cards attributed to Bonifacio Bembo, the Magician appears to be playing with cups and balls.
In esoteric decks, occultists, starting with Oswald Wirth, turned Le Bateleur from a mountebank into a magus. The curves of the magician's hat brim in the Marseilles image are similar to the esoteric deck's mathematical sign of infinity. Similarly, other symbols were added. The essentials are that the magician has set up a temporary table outdoors, to display items that represent the suits of the Minor Arcana: Cups, Coins, Swords (as knives). The fourth, the baton (Clubs) he holds in his hand. The baton later stands for a literal magician's "wand".
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