Lift or LIFT may refer to:
Lift is a free and open-source web framework that is designed for the Scala programming language. It was originally created by David Pollak who was dissatisfied with certain aspects of the Ruby on Rails framework. Lift was launched as an open source project on February 26, 2007 under the Apache 2.0 license. A commercially popular web platform often cited as being developed using Lift is Foursquare.
Lift is an expressive framework for writing web applications. It draws upon concepts from peer frameworks such as Grails, Ruby on Rails, Seaside, Wicket and Django. It favors convention over configuration in the style of Ruby on Rails, although it does not prescribe the model–view–controller (MVC) architectural pattern. Rather, Lift is chiefly modeled upon the so-called "View First" (designer friendly) approach to web page development inspired by the Wicket framework. Lift is also designed to be a high-performance, scalable web framework by leveraging Scala actors to support more concurrent requests than is possible with a thread-per-request server.
"Lift" is the second single by Australian singer Shannon Noll from his second album of the same name. The boxing-themed video clip for this song was shot in an unused warehouse in Sydney's Marrickville by Australian director Anthony Rose, who also directed Noll's music videos for "Drive", "What About Me" and "Shine".
It debuted at number thirteen during the Christmas season and in its fourth week on the Australian Singles chart it peaked at number ten. Although the single was Noll's lowest charting at the time of release, sales of the single were very strong. The single became Noll's sixth single to reach Gold or Platinum sales, and also became his longest running Top 100 hit thus far.
The track has been used by various television productions as theme music. South African cricketer AB de Villiers and singer-songwriter Ampie du Preez covered the song on their album Maak Jou Drome Waar.
Hymnal is an album by Hwyl Nofio.
The Hymnal 1982 is the hymnal of the Episcopal Church in the United States of America. It is one in a series of 7 official hymnals of the Episcopal Church, including The Hymnal 1940. Unlike many Anglican churches (including the Church of England) the Episcopal Church requires that the words of hymns be from officially approved sources, making the official hymnals perhaps more important than their counterparts elsewhere. The Hymnal 1940 was originally compiled with input from the Joint Commission on Church Music of the Episcopal Church, which was founded in 1919. The Hymnal 1982 was put together based on the Joint Commission's work by the Standing Commission on Church Music. The Hymnal 1982 had a much expanded service music and chant section, which became necessary with the introduction of the 1979 Book of Common Prayer.The Hymnal 1982 was approved by both houses of General Convention, the governing body of the Episcopal Church, in 1982. It is published by The Church Pension Fund.
Diane, I am hot and I am cold
And hard and swollen, come relieve me
Kneel down beneath me
Tear me open and release me
Drop your jaws, slide on to me
Baby, slide on
I'm being taken, half way swallowed
Hair is up now, cheeks are hollow
I feel lifted, she is gifted
My legs trembled, my hand's drifted
Behind her head
I think that I might be in love
She'll give in and she'll get on it
Once she knows how bad I want it
And she'll turn herself around
My hands clamp tight around her shoulders
With one arm she'll push off the wall
And I'll bend that body over
I know once I ride up in her
She completely melts around me
She gets wetter than Seattle
Her lakes deep enough to drown me
Every man needs a Diane
Every man needs a Diane
Every man needs a Diane
Every man needs a Diane
I bit her bottom lip, she pulled my head down
Her stomach quivered, when I moved my tongue around
First the outside, around the edges
Below the belt, then behind the hedges
Then the inside, I pull her open
One hand's positioned, the other hand's groping
A slender neck, a heaving chest
Her thighs grip tighter
She tears at my flesh
I think that I might be in love
She'll give in and she'll get on it
Once she knows how bad I want it
And when she starts to come around
I push her up against the wall
I can feel my insides tightening up
I can't feel my limbs at all
I ride her harder 'til she's caving in
My blood pumps through my veins
My heart beats against her back
And then I scream out "What a shame"
Every man can't have a Diane
Every man don't know a Diane
Every man can't have a Diane