Doris Day (born Doris Mary Ann Kappelhoff; April 3, 1922 or 1924) is an American actress, singer, and animal rights activist.
Day began her career as a big band singer in 1939, and is well known for her string of romantic comedies with leading man Rock Hudson including 'Pillow Talk' and 'Lover Come Back' in the early 1960s. Her popularity began to rise after her first hit recording "Sentimental Journey", in 1945. After leaving Les Brown & His Band of Renown to embark on a solo career, Day started her long-lasting partnership with Columbia Records, which remained her only recording label. The contract lasted from 1947 to 1967 and included more than 650 recordings, making Day one of the most popular and acclaimed singers of the 20th century. In 1948, after being persuaded by songwriters Sammy Cahn and Jule Styne and by Al Levy, her agent at the time, she auditioned for film director Michael Curtiz, which led to her being cast as the female lead in Romance on the High Seas.
Over the course of her career, Day appeared in 39 films. She was ranked the biggest box-office star, the only woman appearing on that list in the era, for four years (1960, 1962, 1963 and 1964), ranking in the top 10 for ten years (1951–52, and 1959–66). She became the top-ranking female box-office star of all time and is currently ranked sixth among the top 10 box office performers (male and female), as of 2012. Day received an Academy Award nomination for her performance in Pillow Talk, won three Henrietta Awards (World Film Favorite), and received the Los Angeles Film Critics Association's Career Achievement Award. In 1989, she received the Cecil B. DeMille Award for lifetime achievement in motion pictures. She made her last film in 1968.
Doris Elinor Hermitage Day (1873, Abbeycwmhir, Powys, Great Britain – 1966, East London, South Africa) was a British archer. She competed at the 1908 Summer Olympics in London.
Day competed at the 1908 Games in the only archery event open to women, the double National round. She took 16th place in the event with 483 points.
"Doris Day" is a song from 1982 by Dutch band Doe Maar. It was the title-track off their third album Doris Day en Andere Stukken and became their first top 10-hit.
Bass-player Henny Vrienten, lead-vocalist alongside pianist Ernst Jansz, wrote "Doris Day" as a complaint about TV-boredom (which includes the screening of a Doris Day-movie) best tackled by pressing the off-button and going out. The original lyrics also mentioned movie-expert Simon van Collem, but this was altered to "ein Wiener Operette" when he appeared to be the father of the band's new drummer Rene (1961).
"Doris Day" catapulted the otherwise thirtysomething Doe Maar into superstardom, but overexposure and creative exhaustion would split them up two years later. Vrienten, who went on to write TV- and movie-soundtracks, told Music Maker-magazine in 1985: "You can flush 'Doris Day' down the toilet anytime you like; it's the worst song I ever wrote. Rhyming for rhyming's sake, and stuff. And the worst thing of all is that it drew full crowd-participation every night".
The Last Mile may refer to:
The Last Mile is a short (15 minute) comedy-drama filmed play written by Terrence McNally for Public television's Great Performances 20th Anniversary Special (1992). The film aired on American Public television stations in October 1992. The play concerns the hopes and fears of a soprano making her Metropolitan Opera debut. Directed by Paul Bogart, it stars Bernadette Peters as the soprano and Nathan Lane as the stage manager.
Backstage at the Metropolitan Opera House a soprano (Bernadette Peters) is preparing for her debut in the opera Tosca. The stage manager (Nathan Lane) gives her encouraging advice. She is visited by her "tenor for the evening" (Paul Sorvino). Equally terrified and nervous yet excited, she thinks fondly of her brother (Tony Goldwyn), who died from AIDS. He appears to her in her dressing room as a ghostly apparition.
Daily Variety wrote that the play was "uneven", but that "Peters is a gem, with Bill Irwin terrif as a cynical conductor." The USA Today reviewer wrote: "Another grande dame, Bernadette Peters, anchors the best piece, Terrence McNally's acerbic and sentimental backstage look at a soprano nervously awaiting her Metropolitan Opera debut as Tosca. Lurking in the wings: poignant awareness of that grand-opera tragedy of our time, the AIDS crisis."
The Last Mile is a 1932 American film directed by Samuel Bischoff and starring Howard Phillips and Preston Foster. The picture is based on John Wexley's 1930 Broadway play, The Last Mile. In 1959 the play was adapted a second time into a film of the same name starring Mickey Rooney.
The movie presents the life in a prison where men are on death row. Some of them are wrongfully accused and convicted, there is nothing else in their future but the electric chair.
Richard Walters is condemned to death for crime he claims he never committed. While the drama inside the prison unfolds, his friends on the outside are trying to find evidence that he is innocent.
Doris Day (born 1922) is an American actress and singer.
Doris Day may also refer to:
I saw her wait, waitng at the bus stop
Watching as her tears dropped
Like pennies down a well
Oh well
We can drink until the sun comes up
I never let a good thing go
So I'll stay here if you're not leaving
I am on your side
This house is empty
We could cross the line
And we could make a big mistake
The silence breaks and you hear me say
"Don't go, don't go so far away"
(You don't have to go)
"Don't go, don't go so far away"
You don't have to go
I saw your man, fast car and a dark suntan
You said he's in a punk-rock band
But baby, punk-rock's dead
Oh well
We can drink till you forget about him
It's not like he waits up for you
I'm sure he'd do the same thing too
But I am on your side
This house is empty
We could cross the line
And we could make a big mistake
The silence breaks and you hear me say
"Don't go, don't go so far away"
(You don't have to go)
"Don't go, don't go so far away"
You don't have to
I knew it was a crime
I did it anyway
I tell him we're like magnets
I tell him I feel no shame
If I crawl into your blood
Can I sleep under your skin?
C'mon let me in
Don't make me wait
I am on your side
This house is empty
We could cross the line
And we could be making a big mistake
The silence breaks and you hear me say
"Don't go, don't go so far away" [x5]
You don't have to go