A ladder is a runged climbing aid.
Ladder, The Ladder, or Ladders may also refer to:
The Ladder is the eighteenth studio album by progressive rock band Yes and was released in 1999.
The follow-up to 1997's tepidly-received Open Your Eyes, The Ladder was seen as a conscious return to the classic Yes sound, while maintaining a contemporary edge. It is the only Yes album with keyboardist Igor Khoroshev as a full time member, the last with guitarist Billy Sherwood (also the only one in which he did not play keyboards), and the only album of the band as a sextet.
Following guitarist/keyboardist Billy Sherwood's guidance of the last project, Yes decided to bring in an outside producer, Bruce Fairbairn, to give the music the benefit of objective ears. By the time the band had decamped to Vancouver, Canada to record The Ladder, Igor Khoroshev had become the group's official keyboardist, with Sherwood relegated to guitar duties along with Steve Howe.
Although the sessions went off successfully, with all concerned very pleased with the end results, the project ended with Fairbairn's sudden death in May 1999. Fairbairn died, according to Chris Squire, just before the completion of final vocals and mixing on The Ladder. Yes subsequently dedicated the album to their late producer upon its September release.
Mary Antoinette Perry (June 27, 1888 – June 28, 1946) was an actress, director and co-founder of the American Theatre Wing. The Tony Awards are her namesake.
Born in Denver, Colorado, she spent her childhood aspiring to replicate the thespian artistry of her aunt and uncle, both of whom were well-respected touring actors. She appeared opposite David Warfield in Music Master in 1906 when she was only 18. Her career was on the rise, yet she left the stage a star in 1909, to marry Denver businessman Frank W. Frueauff and start a family. Years later, her daughters would follow in her footsteps, likewise pursuing careers in the theatre, Elaine as a producer and Margaret as a stage manager.
Following Frank Frueauff's death in 1922, Perry returned to the stage, appearing notably in George S. Kaufman and Edna Ferber's Minick. She took up directing in 1928. In partnership with Brock Pemberton she produced several successful plays, including: Divorce Me Dear, Ceiling Zero, Red Harvest, Strictly Dishonorable, Personal Appearance (Lawrence Riley's breakthrough hit), and Kiss the Boys Goodbye. Their most famous production was probably the Pulitzer Prize-winning Mary Chase classic Harvey, which Perry directed and which enjoyed enormous success on Broadway and as a film starring James Stewart.
Yesterday we lost our lives, tomorrow we were born
Fortune smiled upon us, sacrifice the Argus
All that he might help us see
Magna eyes the track for miles
Looking for disease
Puzzled by the mountains
Tricked by the sea
And the Argus is practiced compassion
With an eye on you, as one is on me
Will the god eye grant his forgiveness
And allow he that's lived a reason to see
Counting days and building walls, bells ring so to warn
All the signs that guide us, chosen by the Argus
Tell me he has chosen you
Led by form we?ll shed our soul
Trusting like a child
See the dark face that saved us
Drink from his empty eyes
And the Argus is practiced compassion
With an eye on you, as one is on me
Will the god eye grant his forgiveness
Letting droplets of light erupt from the sea
Lying in beds of garlic and orchids
He closes an eye, which closes another
And in sleep he dreams of watching and looking
And feather clouds dancing he curls up his lid and sleeps
Swirling with visions on man's confusion
All of the work done just to appease him
The Argus he cries, though love has it's place in the sun