"The Judgment" ("Das Urteil") is a short story written by Franz Kafka in 1912, concerning the relationship between a man and his father.
The story begins with a young merchant, Georg Bendemann, sitting in his room, writing a letter to his dear friend in Russia, who had left their hometown some years prior to set up a business that, though initially successful, was now failing. Georg is writing to tell his friend, amongst other happenings, that he is engaged to and will soon marry Frieda Brandenfeld.
Georg breaks out of his reverie and decides to check on his father. He informs his father that he has just written a letter to his friend, updating him on his upcoming marriage. His father questions the existence of his son’s friend in Russia, at which point Georg changes the subject. Georg’s father accuses him of deceiving him of the happenings of the business. He claims the death of his wife (Georg’s mother) hit him harder than it did Georg.
Georg insists on having his father lie down in bed for a while. Because of this, Georg’s father claims his son wants him dead. Moreover, he admits to knowing his son’s friend. He makes Georg feel terrible, suggesting that Georg has ignored his friend ever since he moved away to Russia. The father does not appreciate Georg’s love and care, maintaining he can take care of himself. Georg shrinks back into a corner, scared of his father and his harsh words.
A judgment is a balanced weighing up of evidence to form a decision or opinion.
Judgment or judgement may also refer to:
The Judgment (Bulgarian: Съдилището) is a 2014 Bulgarian drama film directed by Stephan Komandarev. It was selected as the Bulgarian entry for the Best Foreign Language Film at the 88th Academy Awards but it was not nominated.
The film takes place in Bulgaria by the Rhodope Mountains, near the Turkish border. A widower, Mityo, needs money to forestall foreclosure on his home. He drives a milk tanker but business is slow, so he reluctantly accepts a job smuggling migrants over the border into Bulgaria. (A character in the film describes the migrants as "Gypsies, Arabs, and blacks"; many of them are presumably Refugees of the Syrian Civil War.) The work reminds Mityo of his military service in the late 1980s, assigned to the Bulgarian border guard, where his task was to prevent citizens from leaving the Eastern Bloc.
Ars nova (Latin: new art) refers to a musical style which flourished in France and the Burgundian Low Countries in the Late Middle Ages: more particularly, in the period between the preparation of the Roman de Fauvel (1310s) and the death of the composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the 14th century. For instance "Italian ars nova" is sometimes used to denote the music of Francesco and his compatriots; however, Trecento music is the more common term for music in Italy). The "ars" in "ars nova" can be read as "technique", or "style". The term was first used in two musical treatises, titled Ars novae musicae (New Technique of Music) (c. 1320) by Johannes de Muris, and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today (c. 1322). However, the term was only first used to describe an historical era by Johannes Wolf in 1904.
The term "ars nova" is often used in juxtaposition to another term, "ars antiqua", which refers to the music of the immediately preceding age, usually extending back to take in the period of Notre Dame polyphony (therefore covering the period from about 1170 to 1320). Roughly, then, the "ars antiqua" is the music of the thirteenth century, and the "ars nova" the music of the fourteenth; many music histories use the terms in this more general sense.
Early Netherlandish painting refers to the work of artists, sometimes known as the Flemish Primitives, active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance; especially in the flourishing cities of Bruges, Ghent, Tournai and Brussels. Their work follows the International Gothic style and begins approximately with Robert Campin and Jan van Eyck in the early 1420s. It lasts at least until the death of Gerard David in 1523, although many scholars extend it to the start of the Dutch Revolt in 1566 or 1568. Early Netherlandish painting coincides with the Early and High Italian Renaissance but is seen as an independent artistic culture, separate from the Renaissance humanism that characterised developments in Italy. Because these painters represent the culmination of the northern European medieval artistic heritage and the incorporation of Renaissance ideals, they are sometimes categorised as belonging to both the Early Renaissance and Late Gothic.
Ars nova is a late medieval musical stylistic period, centered in France.
Ars nova may also refer to:
[Musique: Daniel Mongrain (with the collaboration of François Mongrain)]
[Paroles: François Mongrain]
[Un cadavre repose dans son sang, une vision figée dans le temps; Profanation de l'âme d'un mourant, L'utilisation de la mort pour la gloire de l'argent. Et certains osent appeler ça de l'art.]
[DM-] A BLOODY HAND COLLAPSED
ON THE SOILED GROUND
IT`S FLUID OF LIFE STREAMING
THROUGH THE EARTH`S ENTRAILS
A GOOD ANGLE IS NOT A PROBLEM TO CATCH
THOSE EXPRESSIONS THAT WILL LAST
PERFECT MODELS FOR THE EXPOSURE
BUT IN AN ART GALLERY
WHY DON`T THEY LET THOSE CORPSES DISAPPEAR
'CAN'T CALL THIS IMMORTALITY
[DM+FM-] ARS NOVA, DESECRATION
ARS NOVA, NORMALIZATION ATTEMPT
[DM-] THEY WANT TO SEE THEMSELVES AS ARTISTS
WITH THE FINEST AESTHETIC
BUT I SEE THIS AS VANDALISM
WITH NO RESPECT FOR THE DYING
PRIVILEGE OF SOME PHOTOGRAPHIES
SACRILEGE OF WHAT THEY SEE
PRIVILEGE OF SOME ATROCITIES
DESECRATION
[Lead: Daniel Mongrain]
[DM+FM-] ARS NOVA, DESECRATION
ARS NOVA, NECROPHILLIC TEMPTATION
[DM-] PERFECT MODELS FOR THE EXPOSURE
BUT IN AN ART GALLERY
[DM+FM-] WHY DON`T THEY LET THOSE CORPSES DISAPPEAR
'CAN'T CALL THIS IMMORTALITY