The Irony of Fate, or Enjoy Your Bath! (Russian: Ирония судьбы, или С лёгким паром!, literally: The Irony of Fate, or With Light Steam; trans. Ironiya sudby, ili S lyogkim parom!) is a 1976 Soviet romantic comedy television film directed by Eldar Ryazanov. The screenplay was written by Emil Braginsky and Ryazanov, loosely based on the director's 1971 play Once on New Year's Eve (Russian: Однажды в новогоднюю ночь). The film was filmed in 1975 at the Mosfilm Studios. Simultaneously a screwball comedy and a love story tinged with sadness, it is one of the most successful Soviet television productions ever and remains highly popular in modern Russia.
The key subplot is the drab uniformity of Brezhnev era public architecture. This is made explicit in a humorous animated prologue, in which architects are overruled by politicians and red tape. This results in the entire country being polluted with identical, unimaginative multistory apartment buildings of the sort that can, in fact, be found in every city, town, and suburb across the former Soviet Union. These buildings are uniform right down to the door key of each apartment. The rest of the film is live-action.
The Irony of Fate 2 or The Irony of Fate: Continuation (Russian: Ирония Судьбы. Продолжение; Ironiya sud’by. Prodolzheniye) is a 2007 Russian romantic comedy film directed by Timur Bekmambetov based on a screenplay by Alexey Slapovskiy produced by Channel One and released by Mosfilm. It is a direct sequel of the first The Irony of Fate.
It was originally rumored to be put in production in a press release, dedicated to the original movie's 30th anniversary in 2005.
Irony of Fate earned $55,000,000 in total from its gross box-office release, with $49,000,000 coming from the Russian box-office alone.
The characters from the first film now have children, who have managed to get into the same situation as their parents many years ago. However, this story is not simply a remake of the original movie. Firstly, all of Lukashin's adventures were accidental, whereas here everything is done according to a plan thought up by Pavlik (a friend of Lukashin's). His idea is to help his friend Evgeniy with his loneliness. To this end, he dispatches Lukashin's son Kostya to Petersburg, where he acts in the same manner as his father 30 years ago. In flat 12 he meets Nadejda (who is actually the daughter of Nadejda from the first movie). She has a fiancé called Irakliy, a businessman. Kostantin's task is to lure Iracliy away from the flat, then wait for Nadejda's mother to come; he then makes her call Evgeniy Lukashin. Pavlik persuades Evgeniy to go to St. Petersburg. The plot becomes a story of two fights over a woman: Konstantin vs. Irakliy and Evgeniy vs. Ippolit. Finally Lukashins win the competition, because Irakliy turns out to be too dull for Nadya and Nadejda understands that she was never in love with Ippolit.
Forget our names for one day, just how will we repent unmarked graves.
Put a face to the names and that is terrorism, the world court proclaimed.
Oh no, there he goes again, accusations tear their world apart, he leaves when he gets what he wants and so grows another seed of hate.
This seed of hate then grows up only knowing death.
Civil wars and genocide become their gauge, and our memory fades.
But what happens when they think about that seed?
"USA is the one to blame for this" and "USA is the cause of all our dead" so "Seek revenge, attack them"
"Burn, how does it feel to see your loved ones die? Now you know how we feel."
The tragedy is what your policies do to us while "saving democracy", now that's the irony.