The Initiation is the fifth album by rapper, X-Raided. It was released on February 27, 2001 for his new label, Mad Man Records and featured production from X-Raided, Big Hollis and James "Razor" Brown. The Initiation made it to #39 on the Independent Albums chart.
The Initiation is a 1984 American slasher film directed by Larry Stewart, and starring Daphne Zuniga, Clu Gulager, Vera Miles, and Hunter Tylo. The plot focuses on a sorority member who, after being plagued by a horrific recurring dream her whole life, is stalked along with a group of pledges during their initiation ritual in a department store after hours. The film has been noted for being star Zuniga's first leading role after her minor part in The Dorm That Dripped Blood (1983), as well as establishing a contemporary cult following as a midnight movie.
Kelly Fairchild (Daphne Zuniga) is a university student who has suffered from a recurring nightmare in which a strange man is burning to death inside her childhood home. Adding to her stress, Kelly is also about to take part in her sorority's initiation ritual which entails her and a group of pledges breaking into her wealthy father's multi-level department store after hours. Megan, head of the sorority, comes up with the idea in hopes of getting Kelly into trouble, out of jealousy. Kelly, her friend Marcia (Marilyn Kagan), and roommate Alison (Hunter Tylo) are the three main pledges.
The Initiation, the first part in a series of works entitled The Secret Circle, is a young adult novel by author L. J. Smith. Smith is famous for her other works such as The Vampire Diaries and the Night World series.
The novel follows a young girl, Cassie Blake, who moves to New Salem. She befriends a mysterious group of teenagers who run the high school. She finds out that she's part of a coven of witches, and on top of that, the boy she's destined to be with is dating her best friend.
A chance encounter brings sixteen-year-old Cassie Blake to fall for the mysterious Adam Conant. After meeting him, she rids herself of the idea of a relationship with him because she thinks they’ll never see each other again. Cassie and her mother move to New Salem, and, much to her surprise, Adam is there. At her new high school, Cassie encounters a strange group of students who rule the student population. In time, she meets Diana, the fair-haired beauty, whom Cassie comes to love like a sister. Faye Chamberlain, the voluptuous and dark puppet master, desires to turn Cassie into her plaything. After her encounters with the group of students, Cassie learns that she, along with the other students, is a witch. Cassie later finds that the boy she feels sparks with, is actually the boyfriend of Diana, leader of the coven and Cassie’s best friend.
Akir is an American hip hop recording artist, producer, songwriter activist and, teaching artist known for his complex lyrics and social-political content. His name is an acronym for "Always Keep It Real".
Akir first entered the hip hop scene as an on-air personality at the high school radio station, WNMH, from 1994 to 1996. In 1998, he ranked second out of 50 in Howard University's Verbal Armageddon, MC competition. Akir sought to improve his musical talent and began to focus on production. Collaborating with his brother and business partner SouthPaw, he co-produced one track on Immortal Technique's Revolutionary Vol. 1. Soon after, Akir released his first song, "Best Friend", on DJ N'finite's mix CD, The Blockbuster Vol. 1, through his own production company, One Enterprises.
In November 2005, Akir and ten other up and coming emcees formed the group The Reavers, and released the album Terror Firma. Soon after, One Enterprises and Viper Records joined to release Akir's debut solo album, Legacy. Soon after the release of Legacy, Akir was featured in The Source's Unsigned Hype sidebar in the January/February 2005 issue, and the "Off The Radar" spotlight in the April 2006 issue. Akir was also featured in XXL magazine's Chairman's Choice in the October 2005 issue, and Show and Prove spotlight in the June 2006 issue. In 2006, Akir appeared as a model for Mecca 5star apparel, appearing in ad campaigns in magazines and billboards.
Şakir is a Turkish name. Şakir or Sakir may refer to:
Aqir, also spelt Akir and Akkur, was a Palestinian Arab village in the Ramle Subdistrict, located 9 km southwest of Ramla and 1 km north of Wadi al-Nasufiyya (today called Nahal Ekron).
Until the early 20th century, Aqir was thought to lie at the site of the ancient Philistine city of Ekron, that has now been identified as Tel Mikne, 9 km to the south. The error seems rooted in antiquity; The Romans referred to the village as Accaron. In the 10th century, Al-Muqaddasi writes of Aqir (Ekron) as "A large village with a mosque. Its inhabitants are much given to good works. The bread here is not to be surpassed for quality. The village lies on the high road from Ar-Ramlah to Makka."Yakut called it Al Akir, and said it belonged to Ar Ramlah.
The village mosque had a construction text, made in naskhi script, and dating it to 1296-7.
In 1596, Aqir (Amir) appeared in Ottoman tax registers as being in the Nahiya of Ramla of the Liwa of Gaza. It had a population of 31 Muslim households and paid taxes on wheat, barley, and other produce.
Yo what you got for me man?
Yeah I got that red, black and green for you baby
C'mon c'mon c'mon, give it to me, I need it now
Got that good shit
C'mon, I need somethin now
Make you really right
Oooooooooooh~!
[Abiodun Oyewole:]
We were strung out, on revolution
Filled up the syringe with Mao and Marx and Malcolm and Finot
And OD'd, on the possibility of change
We could knock you out with our afros
Stop bullets with our dashikis
Beep beep, bang bang, ungawa, black powerrr
A change is comin, and nothin could stop it
We got hiiiiiiiiigh on blackness
Held our black fists up, and told the devil to suck
And made a commitment to disrupt the world
Kill a cop a day, give white girls no play
Make America pay for all her wicked ways
The shit was on, then it was gone
Just like an episode on TV
It got cancelled, and there was nothing to see
Panthers were turned into little pussycats
Revolution was commercialized, and had nothing to do with black
Crossovers in music, in clothes, in styles and sex
Became the norm, for what was comin next
But we never stopped makin babies
They came out breathin the vapors, of an aborted revolution
And all the failed capers, and the few who were escapers became stories
Some of us wanted to forget
So the sons of guns and the daughters of black order
Hopped into what was hip
And skipped over the scattered remains
Of a would-be revolution, turned into a game
Yeah, this is our legacy