The Rebels may refer to:
The Rebels is a 1979 made-for-television drama film/mini-series. It is based on the historical novel, The Rebels, written by John Jakes, originally published in 1975. It is second in a series known as The Kent Family Chronicles or the American Bicentennial Series.
The story mixes fictional characters with historical events and figures, to narrate the nascent United States of America during the time of the American Revolution. While it continues the story of Philip Kent, started in The Bastard, a large portion focuses on Judson Fletcher (Don Johnson), a newly introduced character, as a different rebel. In 1979, the novel was made into this television film by Operation Prime Time.
The Rebels was preceded by the The Bastard, first in the series, and followed by The Seekers, third in the series.
Philip Kent takes part in the American Revolution and the newly formed congress.
The Rebels were a rockabilly band from Dallas, Texas that recorded School of Rock 'n Roll and Straight Skirt with Gene Summers. The group consisted of James McClung (guitar), Gary Moon (drums) and Benny Williams (slap bass). They were soon joined by pianist Bill Brown who played on some of their early personal appearances. They were one of the first rock 'n roll bands to record using the name Rebels (February 1, 1958) preceding Duane Eddy's Rebels by at least six months and the "Wild Weekend" Rebels by more than two years.
The Rebels began their musical career in 1957 while in high school at Duncanville, Texas joining forces with another classmate and singer Gene Summers. They appeared together on high school assembly programs and soon were playing gigs at the Carswell Air Force Base in Grand Prairie, Texas. At one of these shows they met a country music comedian nicknamed "Cornbread" who was appearing on a TV show hosted by Neal Jones on KRLD-TV in Dallas. Cornbread was impressed with Summers and The Rebels and invited them to appear on the TV program. This led them to a regular, weekly spot on another television program, also on KRLD, called "Joe Bill's Country Picnic" in the fall of 1957. It was while appearing on this show that they were discovered by songwriter Jed Tarver. He wanted them to record some of his songs "Straight Skirt" "Nervous", "I'll Never Be Lonely", "Gotta Lotta That" and "Twixteen". With the assistance of their manager/agent, Thomas Wolverton, Tarver was able to get them an audition with Jan Records a newly formed Dallas label.
The Hook or Hookman is a classic urban legend. The basic premise involves a young couple parking at a lovers' lane. The radio plays while they make out. Suddenly, a news bulletin reports that a serial killer has just escaped from a nearby institution. The killer has a hook for one of his hands. For varying reasons, they decide to leave quickly. In the end, the killer's hook is found hanging from the door handle. Different variations include a scraping sound on the car door. Some versions start the same way, but have the couple spotting the killer, warning others, and then narrowly escaping with the killer holding onto the car's roof. The couple are later killed.
In an alternate version, the couple drive through an unknown part of the country late at night and stop in the middle of the woods, because either the male has to relieve himself, or the car breaks down and the man leaves for help. While waiting for him to return, the female turns on the radio and hears the report of an escaped mental patient. She is then disturbed many times by a thumping on the roof of the car. She eventually exits and sees the escaped patient sitting on the roof, banging the male's severed head on it. Another variation has the female seeing the male's butchered body suspended upside down from a tree with his fingers scraping the roof.
The Hook is the third studio album by guitarist Jukka Tolonen, released in 1974 through Love Records; a remastered edition was reissued in 2004.
All songs written and composed by Jukka Tolonen.
"Aurora Borealis" commences as a brass-dominated exercise in R&B, then switches to an uptempo fusion piece with analog synthesiser solos. "Starfish" is a lively, elaborate jazz composition originally written by Tolonen for the Pori Jazz Festival in 1974 which allows for extended solos on guitar, trumpet, saxophone, and synthesiser. "The Sea" is a midtempo jazz piano ballad with full band accompaniment. "The Hook" begins humorously with guitar strings detuned before launching into its whole tone scale-dominated melody. "Together" is a sensitive electric guitar and piano ballad.
The Hook was a weekly newspaper published in Charlottesville, Virginia and distributed throughout Central Virginia and the Shenandoah Valley. It was founded in 2002 by a number of former employees of another Charlottesville weekly, C-ville Weekly, including its co-founder and editor Hawes Spencer.
In 2007 and again in 2009, The Hook won the Virginia Press Association Award for Journalistic Integrity and Community Service, the VPA's highest honor.
The Hook features included the "HotSeat" (in which Charlottesville notables answered questions about everything from what is in their refrigerator to their most embarrassing moments), "4BetterOrWorse" (an often humorous summary of local and national news items), and the "Culture Calendar".
The Hook's webcam showed the streetscape of Charlottesville's Downtown Mall, a pedestrian promenade that includes the local Ice Park and Jefferson and Paramount theaters.
In addition to print, The Hook branched out into other media in 2006 with the launch of its blog and weekly podcast. In 2013 The Hook went out of business.
Seems like yesterday we were sixteen.
We were the rebels of the rebel scene.
He wore Doc Martens in the sun,
Drinking vintage cider having fun,
We were drinking vintage cider having fun.
It wasn't often, that we'd fight at all.
It wasn't often, hey...
It wasn't often, that we'd fight at all.
It wasn't often, hey...
Tut, tut tut, tut...
We wore Doc Martens in the snow.
(We will never go)
Paint our toe-nails black and let our hair grow.
(We will never grow)
What I am now's what I was then.
(We will never know)
I am not more acceptable than them.
But, I am not more acceptable than them.
It wasn't often, that we'd fight at all.
It wasn't often, hey...
It wasn't often, that we'd fight at all.
It wasn't often, hey...
It wasn't often.
Ah, ah ah ah, la la la...
Seems like yesterday we were sixteen.