The Hoodlum may refer to:
The Hoodlum is a 1919 silent film comedy-drama produced by and starring Mary Pickford and released through First National. The film was directed by Sidney A. Franklin and was based on the novel Burkeses Amy by Julie Matilde Lippman.
Spoiled Amy Burke (Mary Pickford) lives with her doting grandfather, ruthless business magnate Alexander Guthrie (Ralph Lewis), in his Fifth Avenue, New York City mansion. She is initially delighted when he offers to take her with him on a trip to Europe. However, as the day approaches for their departure, she changes her mind and decides to go live with her newly returned father, "sociological writer" John Burke (T. D. Crittenden), at Craigen Street, wherever that is. Unused to having his plans thwarted, Guthrie becomes cold to his beloved granddaughter.
Craigen Street turns out to be in one of the slums of lower New York, the subject of her father's study. At first, Amy is horrified by the squalor. She makes it clear to a couple of friendly young women who want to become acquainted and to Nora (Aggie Herring), her father's cook and servant, that she feels she is far above them. Deeply unhappy, she eventually takes her father's advice to treat their neighbors as equals. She fits in after several weeks. She makes friends with boy inventor Dish Lowry and young man William Turner (Kenneth Harlan), a reclusive neighbor. Amy also ends a years-long feud between Irishman Pat O'Shaughnessy (Andrew Arbuckle) and Jew Abram Isaacs (Max Davidson) through good-natured trickery.
The Hoodlum is a 1951 American film noir directed by Max Nosseck featuring Lawrence Tierney, Allene Roberts, Marjorie Riordan and Lisa Golm.
Vincent Lubeck (Lawrence Tierney) is a career criminal who has recently been released from prison. He would not have gotten out had it not been for the pleas of his elderly mother. He gets a job working at his brothers gas station. Bored and jealous of his brother, he steals his brother's girlfriend, impregnates her and refuses to get married. This causes the girl to commit suicide.
Vincent Lubeck becomes very interested in the armored car that makes regular stops at the bank across the street,and he plans a heist with some of his criminal buddies. He flirts with a secretary who works at the bank, knowing that she will provide useful information.
With the money in hand, the conspirators start to turn on Lubeck.
His criminal activities are despised by his family, and they will no longer help him. He is on his own. Eventually his own brother will stand up to him.
The Hoodlum Saint is a 1946 American drama film starring William Powell and Esther Williams.
Major Terry O'Neill (William Powell) returns to Baltimore in 1919, after the end of World War I, expecting to get his old newspaper night editor job back. However, the paper has recently changed owners, and his friend and former editor, Allan Smith (an uncredited Will Wright), has been told to cut costs. Disillusioned, Terry decides to abandon his ideals and make his fortune by whatever means necessary. Leaving the building, he runs into two less-than-savory friends, "Fishface" (Rags Ragland) and "Three Finger" (Frank McHugh). When they are arrested, it takes all his money to pay their fines and that of "Snarp" (James Gleason).
He crashes a high society wedding party in the hope of meeting businessman Lewis J. Malbery (Henry O'Neill). When a guard insists on seeing his invitation, Terry grabs guest Kay Lorrison (Esther Williams) and kisses her, much to her surprise. After the guard goes away, she slaps Terry in the face, but after his honest confession, begins to warm to him. She introduces him to her uncle, publisher Joe Lorrison (Charles Trowbridge). Terry impresses him with his ideas on how to fight a bitter foe - none other than Malbery - and lands a job. He and Kay, who works on occasion at the paper, develop a relationship.
Hail the guitar, all tuned down
In a power circle, obey the crowd
All ride a wave, crash right in
Lovers and fighters, adrenaline
The singer spits, our hearts all rise
Energy is visible, we all crush tight
All washed away, tsunami wave
Fragile human, all the same
And now, I face the sound
When all around is burning
I'm like Hermes, drifting down
I am the saint, your path into the light
I am the knife that cuts right through your life
I have found the path immortalized
I am the saint, the path into the light
Caught in a trap, the systems are down
Communication's broken, I feel underground
Weight of the storm, in sound, we all drown
You'll never understand what drives us all on
And now, I face the sound
And all around is burning
I'm like Hermes, drifting down, down, down, down
I am the saint, your path, the way, the light
I am the knife that cuts right through your life
I have found the path immortalized
I am the saint, your path, the way, the light
I am the saint, your path into the light
I am the knife that cuts right through your life
I have found the path immortalized
I am the saint, your path, the way, the light