Loretta Long
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Loretta Long (center), with Sesame Street co-stars Gordon and Oscar the Grouch (c. 1972)
Born Loretta Long
(1940-06-03) June 3, 1940 (age 72)
Paw Paw, Michigan
Occupation actor
Years active 1969–Present

Loretta Long (born June 3, 1940) is an American actress best known for playing Susan Robinson on Sesame Street, having starred on the show since its debut in 1969.

Born in Paw Paw, Michigan, she earned her Ph.D. in Urban Education in 1973 from the University of Massachusetts Amherst, while she was starring on Sesame Street. She has acted in musicals such as Guys and Dolls and appeared on the Flip Wilson Show with other Sesame Street cast members during its first season.

On Sesame Street, Long's character, Susan, along with Bob (Bob McGrath) and Big Bird/Oscar the Grouch (Caroll Spinney), is one of only three remaining cast members who were on the first show and have been played by the same actors since the show began. She has performed a couple of puppet voices on the show, including Suzetta and Roosevelt Franklin's mother.

Long, in addition to starring on Sesame Street, is a consultant and public speaker on issues of multiculturalism and education.

On February 10, 2010, Long was struck by a car as she crossed Route 130 in East Windsor, New Jersey, suffering head wounds as a result. She was listed in fair condition following the accident.[1]

References [link]

External links [link]



https://wn.com/Loretta_Long

The Grouch

The Grouch may refer to:

  • Dyskolos, a comedy by the Greek dramatist Menander; the title has been translated as The Grouch, The Curmudgeon, or The Misanthrope
  • The Grouch (rapper)
  • Oscar the Grouch, a character on Sesame Street
  • "The Grouch" (song), a song by the band Green Day
  • The Sturmpanzer IV, also known as the Grouch.
  • The Grouch (rapper)

    Corey Scoffern, better known by his stage name The Grouch, is an American rapper and producer currently based in Maui, Hawaii but grew up and spent most of his time in the Bay Area (Oakland, CA) . He is a founding member of Living Legends, an underground hip hop collective based in Los Angeles, California.

    History

    The Grouch was born in Oakland, California, where he attended Skyline High School.

    He entirely produced Felt's debut album, Felt: A Tribute to Christina Ricci, in 2002.

    He collaborated with Eligh, Evidence and Zion I on the song "Amp Live for President" in 2011.

    Discography

    Solo

  • Don't Talk to Me (1995)
  • Nothing Changes (1996)
  • Success Is Destiny (1997)
  • Fuck the Dumb (1998)
  • "You're Not the 1" (1998)
  • "Simple Man" (1999)
  • Making Perfect Sense (1999)
  • "Wish You A Good Day" (2000)
  • They Don't Have This (2000)
  • Servin' Justice (2003) DVD
  • Crusader for Justice (2003)
  • My Baddest Bitches (2005)
  • Simple Man: Beans and Rice Sampler '07 (2007)
  • Show You the World (2008)
  • "Artsy" (2008)
  • Nimrod (album)

    Nimrod (stylized as nimrod.) is the fifth studio album by the American punk rock band Green Day, released on October 14, 1997 through Reprise Records. The group began work on the album in the wake of their cancellation of a European tour after the release of Insomniac (1995). Recorded at Conway Studios in Los Angeles, the album was written with the intent of creating a set of stand-alone songs as opposed to a cohesive album.

    The album peaked at number ten on the Billboard U.S. charts and was certified double platinum by the Recording Industry Association of America (RIAA). The record was also certified triple platinum in Australia and double platinum in Canada. Upon release, Nimrod received generally positive reviews from critics, who praised Armstrong's songwriting. The album yielded the acoustic hit "Good Riddance (Time of Your Life)", which appeared in numerous pop culture events, including the series finale of the sitcom Seinfeld in 1998. To promote the album, Green Day embarked on an extensive touring schedule.

    Podcasts:

    PLAYLIST TIME:

    The Lullaby

    by: The Cat Empire

    I cannot say â'oh sweetness'
    like he could
    and I cannot play a lullaby
    like it should
    I'll give you all night movie marathon
    and a triple expresso so you can stay awake
    it might be late - but
    it's never too late for that lovin
    my sexy babe
    I used to cry but now I have to laugh
    because she's got that torment
    to a fine art
    smart like a foxy
    and craf-ty-as-a-cat
    i'm looking up
    as i'm lying on my back
    bite the beast
    if i want a big piece of the pie
    but she's taken the feast
    in the blink of an eye
    I can-not-jus-ti-fy
    what's going on
    - it feels so right
    when it seems so wrong
    like a plot hatched
    in the sweet spot of that trap
    - ask what she's schemes
    she say â'oh this and that'
    then she snaps like a camera
    in black with a flash
    puts the drum in the drama
    the hand in the clap
    she's a map with no bearings
    attached - no
    safety-in-this-match
    fire you can't catch
    then zap I was struck by that
    bolt before dawn
    then by breakfast honey
    we was signed and sworn
    I'll give you all night movie marathon
    and a triple expresso so you can stay awake
    it might be late - but
    it's never too late for that lovin
    my sexy babe
    something always telling me
    â'save prayers before dawn'
    cos what happens when I'm with you
    makes me shake my head then smile and yawn
    I'm worn out but I'm beaming
    and it seems that we are dreamy
    as we head out through that strange old morning door
    This game is no game
    but it's played all the same
    and I love it even
    if it makes me deranged
    it's like tears in the rain
    burning spears in my brain
    cause me pain sometimes
    make me drained
    but I cannot complain
    - mad the ugly good and bad
    had some happy with my sad
    and some tricks in my bag
    when it's up run a muck
    like a bull that just bucked
    when it's down it's a drag
    and you fight with no partner to tag
    - at times I would dive in the sea
    to escape from the rising
    and crashing malea
    drink tea with a fat fish
    and find a golden key
    then rise to the surface
    and open my baby
    and maybe she'd say â'we are crazy'
    the two of us together like melbourne weather
    be like balls in a maze see
    we rolling along in obcurity
    but when we meet in the middle
    say mmm it's a treat
    I'll give you all night movie marathon
    and a triple expresso so you can stay awake
    - it might be late but
    it's never too late for that lovin
    my sexy babe
    something always telling me
    â'save your prayers before dawn'
    cos what happens when I'm with you
    makes me shake my head then smile and yawn
    I'm worn out but I'm beaming
    and it seems that we are dreamy
    as we head out through that strange old morning door
    I used to laugh
    but now I have to cry
    because today my baby tell me
    that it's time to say goodbye
    ask her â'why what did I do?
    You and me we were so sly'
    then she sigh â'that's true
    we were slinky through and through
    but it's sad and it's set
    I get high then I get depressed
    and I guess when we're together
    it's that happy kind of stress'
    touching left right down
    kiss my finger I reply
    â'I can't deny you were the best
    and by the best I mean the mess you made
    I must confess I never
    met-a-more sexy maid
    that smell like me
    so bless your wayward ways
    and loving craze and crazy days
    and things you'de say
    and looks you made
    you're not the queen of hearts
    you're the queen of spades
    and you'de take my breath away
    any day that way
    so anyway is this the end?
    Is this the fifth act of the play?
    I kissed her then I turned
    and was about to walk away
    when I sense a little tingle
    that begin down from below
    then I hear her with a whisper
    â'you're the most gullible man I know'




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