The Great Waltz is a musical conceived by Hassard Short with a book by Moss Hart and lyrics by Desmond Carter, using themes by Johann Strauss I and Johann Strauss II. It is based on a pasticcio by Erich Wolfgang Korngold and Julius Bittner called Walzer aus Wien, first performed in Vienna in 1930. The story of the musical is loosely based on the real-life feud between the older and younger Strauss, allegedly because of the father's jealousy of his son's greater talent.
The Great Waltz debuted on Broadway at the Center Theatre on September 22, 1934 and ran for 289 performances. The production was directed by Hassard Short and presented by Max Gordon, with choreography by Albertina Rasch, settings by Albert Johnson and costumes by Doris Zinkeisen together with Marion Claire, Marie Burke and Guy Robertson. The musical was made into a motion picture by MGM in 1938 with a screenplay and new lyrics by Oscar Hammerstein II.
In 1949 impresario Edwin Lester hired Robert Wright and George Forrest to adapt Strauss's German lyrics and music for a production at the Los Angeles Civic Light Opera. This version was used for a London revival that opened at the Drury Lane Theatre on July 9, 1970 and ran for 605 performances. It was also used for a 1972 film remake.
The Great Waltz is a 1972 American musical film directed by Andrew L. Stone and starring Horst Buchholz, Mary Costa and Nigel Patrick and follows 40 years in the life of composer Johann Strauss and his family. It is based on The Great Waltz and was Stone's final film.
The film earned $1,650,000 in North American rentals in 1973.
The Great Waltz is a 1938 American biographical film based very loosely on the life of Johann Strauss II. It starred Luise Rainer, Fernand Gravet (Gravey) and Miliza Korjus. Rainer received top billing at the producer's insistence, but her role is comparatively minor as Strauss' wife, Poldi Vogelhuber. It was the only starring role for Korjus, who was a famous opera soprano and played one in the film.
Joseph Ruttenberg won the Academy Award for Best Cinematography. Korjus was nominated for Supporting Actress and Tom Held for Film Editing. The film was popular in Australia and was distributed largely throughout Sydney and Melbourne for two years after its initial release.
The highly fictionalised story sees 'Schani' dismissed from his job in a bank. He puts together a group of unemployed musicians who wangle a performance at Dommayer's cafe. The audience is minimal, but when two opera singers, Carla Donner and Fritz Schiller, visit whilst their carriage is being repaired, the music attracts a wider audience.
Back at that high school cotillion
Chances were one in a million
She had that angora sweater
How could I ever forget her?
She had a body you'd kill for
You hoped that she'd take the pill for
She up and said, "I'm a dancer
Don't tell me you are a Cancer"
And some sez it's true
It's all she can do
Take her or leave her
But let her get hold of you
I made my move to the floor
One lonely night left in store
I can still prove I am sure
She is what loving is for
The girl is the pride of fandango
The world takes my mind with a tango
A star in the night lights Topanga
Far from the lights of Tarzana
We dance for the chance
Of romance boy, ain't it the truth?
You take two steps forward
Take one step right back to your youth
So long ago you were a Romeo
Went back to my Alma Mater
I asked to dance with her daughter
She said if it's not a bother
First dance is just for my father
Love can make this old world tremble
Life is someone you resemble
We dance and the mood starts to tumble