The Girl from Kays is an English musical comedy with music by Ivan Caryll, Paul Rubens, Wilhelm Meyer Lutz and Edward Jones, book by Cecil Cook and lyrics by Adrian Ross and Claude Aveling. The farcical story concerns a misguided kiss.
The musical was produced by George Edwardes at the Apollo Theatre in London, opening on 15 November 1902 and moving to the Comedy Theatre on 14 December 1903 to finish its run of 432 performances. Gabrielle Ray took over from Letty Lind in the show near the end of its original run. Florence Young replaced Ethel Irving in the title role, and Kitty Gordon also appeared in the musical. Despite its long run, the production lost money, which had to be recouped in provincial tours.
The Girl from Kays had a successful New York run of 223 performances at the Herald Square Theatre, beginning 3 November 1903, and successful Australian runs. Elsie Ferguson starred in New York. It was later revised as The Belle of Bond Street.
The character Max Hoggenheimer was selected by the South African cartoonist Daniël Cornelis Boonzaier to symbolise the avaricious and oppressive Randlord and mining capitalism, and frequently featured in Boonzaier's work. [1]
Contents |
Act I - Chalmers' Flat
ACT II - Grand Hotel, Flacton-on-Sea
ACT III - The Savoy Restaurant
Additional numbers
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A girl is a young female human.
Girl or The Girl may also refer to:
The Girl is a 1987 British-Swedish drama film directed by Arne Mattsson and starring Franco Nero, Bernice Stegers and Christopher Lee.
A middle-aged man becomes involved with a much younger girl, leading to a scandal.
The Girl (1939; 1978) is a novel by Meridel Le Sueur set during Prohibition and chronicling the development of a young woman from a naive small-town girl into a participant in a bank robbery.
It tells the story of a nameless girl from rural Minnesota who works in a bar in St. Paul. Clara, a fellow waitress working as a prostitute on the side, takes the girl under her wing as she learns the rudimentaries of love and sex, but also of rape, prostitution, abortion, and domestic violence. Along with the bar-owner Belle and the labor organizer Amelia, Clara and the girl watch their unemployed men self-destruct one by one under the grinding conditions of the Depression. Impregnated by her lover Butch, the girl secretly defies his demand that she get an abortion, hoping that the money from a bank robbery will enable them to get married. However, Butch and three other men are shot and killed during the crime, and the girl, dependent on state assistance during her pregnancy, is forced into a relief maternity home where sterilization after delivery is routine. Amelia rescues the girl before she has her baby, but fails to save Clara from state-mandated electric shock treatments that shatter her health and her sanity. The novel ends with the climactic conjunction of three dramatic events: a mass demonstration demanding "Milk and Iron Pills for Clara," Clara's death scene, and the birth of the girl's baby. The novel closes as an intergenerational community of women vow to "let our voice be heard in the whole city" (130). Link text
You know I have this feeling you're not like the other
ones, don't ask me why...I want to take you in my arms
and hold you till it passes, as you cry...
Don't really know what's good for you but all that I can
do is truly try...
But at the end of promises and moments, there is always
goodbye...
There is always goodbye...
And every night I dream of you, I hold your hand in
mine...
An underlying need to fill the emptiness inside...
And if you were here with me now, I'd stop the hands of
time...
This night would last forever and, we'd never say
goodbye...
Goodbye...
Enough of solitude tonight,
This time is ours and
The light, has burned away from the skies...
From the skies...
We are not who we used to be,
This time is ours, we are free...
But I see goodbye, in your eyes...
Goodbye, in your eyes...