A compilation album is an album (music or spoken-word) featuring tracks from one or more performers, often culled from a variety of sources (such as studio albums, live albums, singles, demos and outtakes.) The tracks are usually collected according to a common characteristic, such as popularity, genre, source or subject matter. When the tracks are all essentially by the same recording artist, a compilation album is often referred to as a retrospective album. Compilation albums may employ traditional product bundling strategies.

Contents

Common types [link]

Common types of compilation include:

  • Single-artist "greatest hits", "best of", or "singles collection" LPs, gathering together an artist's best-known songs. If the artist or group continues to record, compilers commonly include one or more previously unreleased tracks as an incentive for fans to buy the album, even if they already have the other material on the compilation.
  • Other single-artist compilations, such as rarities or B-side collections, albums compiled from radio sessions, songs performed by an artist exclusively for a film soundtrack or collections that combine multiple releases, such as LPs and EPs together on one or more compact discs. Such compilations generally target existing fans of the artist and have little mainstream appeal, though postmortem compilations of unreleased materials from recently deceased artists have significant popularity[citation needed].
  • Box sets, elaborate multi-disc collections often covering the entire breadth of an artist's career or the full sweep of an entire record label or genre. Many anthologies are released in this format.
  • Various artist themed compilations, e.g. love songs, Christmas songs, songs featuring a particular instrument (such as saxophone or piano), and countless other variations.
  • Various artist genre compilations, e.g. jazz, synthpop, rock, etc. These may be from the same time period (Year, decade or era, for example), or may incorporate a common theme, as a soundtrack exemplifies well.
  • Various artist hit compilations. This has been a very successful part of the album market since the early 1970s. Recent hit singles are gathered together in one place. In the 1970s, these were often single vinyl LPs with 10 to 12 tracks or more. In the 1980s, a double album with 6 or 8 tracks on each side became the norm. Now that CDs are the dominant format, these compilations are usually released on one, two, or three CDs.
  • Promotional compilations or Samplers. These are creative, successful forms of promotion for artists and/or record labels to promote their music. Generally, these types of releases are free or cost very little for the consumer or end listener. Elektra Records released the first sampler albums: in the 1950s.
  • Private label promotional compilations. Promotional compilation CDs can be private labeled for products, retail outlets, or commercial organizations or non-profit organizations. Artists and labels like to co-brand themselves with well-known brands for marketing purposes, and transversely well-known brands like to co-brand themselves with artists.
  • Business-to-business promotional compilations. Other types of promotional compilations are used within the music industry in a business-to-business capacity to promote artists to media concerns (radio stations, music supervisors for TV, film or video games for synchronization)
  • Composer/producer albums. Many hip hop and reggaeton producers will release a compilation album, which feature various artists. Every track on the album will be composed by the same producer.

Charts [link]

In the United Kingdom, The Official Charts Company compiles a weekly compilation albums chart, limited to Various Artists compilations and soundtrack compilations.[1]

Famous compilation series [link]

United States and United Kingdom [link]

1960s–1970s [link]

1980s [link]

1990s [link]

2000s [link]

Australia [link]

Japan [link]

Asia [link]

See also [link]

References [link]

  1. ^ "UK Top 40 Compilation Albums", BBC, retrieved 2012-04-01

https://wn.com/Compilation_album

MusicBrainz

MusicBrainz is a project that aims to create an open content music database. Similar to the freedb project, it was founded in response to the restrictions placed on the CDDB. However, MusicBrainz has expanded its goals to reach beyond a compact disc metadata storehouse to become a structured open online database for music.

MusicBrainz captures information about artists, their recorded works, and the relationships between them. Recorded works entries capture at a minimum the album title, track titles, and the length of each track. These entries are maintained by volunteer editors who follow community written style guidelines. Recorded works can also store information about the release date and country, the CD ID, cover art, acoustic fingerprint, free-form annotation text and other metadata. As of 25 October 2015, MusicBrainz contained information about roughly one million artists, 1.5 million releases, and 15 million recordings.

End-users can use software that communicates with MusicBrainz to add metadata tags to their digital media files, such as MP3, Ogg Vorbis or AAC.

The First Noel

"The First Noel" (also written as "The First Noël" and "The First Nowell") is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier.Noel is an Early Modern English synonym of "Christmas".

In its current form, it is of Cornish origin, and it was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandys and arranged, edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God. Today, it is usually performed in a four-part hymn arrangement by the English composer John Stainer, first published in his Carols, New and Old in 1871. Variations of its theme are included in Victor Hely-Hutchinson's Carol Symphony.

The melody is unusual among English folk melodies in that it consists of one musical phrase repeated twice, followed by a refrain which is a variation on that phrase. All three phrases end on the third of the scale. It is thought to be a version of an earlier melody sung in a church gallery setting; a conjectural reconstruction of this earlier version can be found in the New Oxford Book of Carols.

Beauty and the Beast: The Enchanted Christmas

Beauty and the Beast: The Enchanted Christmas (also known as Beauty and the Beast 2) is a 1997 American animated musical direct-to-video Christmas film produced by Walt Disney Television Animation. The film is a midquel to the 1991 film Beauty and the Beast, taking place shortly after the fight with the wolves in the first film. In the film, the Beast forbids Christmas (because his transformation from the Prince occurred during that time of year) until Belle, Cogsworth, Lumiere, Mrs. Potts, and Chip convince him that Christmas is a good holiday. The film also shows the time that the enchantress put the spell on the castle in the first film in more detail.

Plot

Belle and the Prince throw a Christmas party for the local villagers at their castle. Lumiere and Cogsworth argue who brought Christmas back to the castle, while Mrs. Potts insists of explaining the true story behind Christmas' return to the castle. The film then switches into a lengthy flashback, during the events of the first film after the Beast saved Belle from a wolf pack. Belle is excited for Christmas but is shocked when the castle servants reveal the Beast has forbidden Christmas from occurring. Belle finds the Beast outside in the snow and offers to teach him ice skating, but Fife, humble minion of Forte the court composer, who was transformed into a pipe organ, interrupts their skating, causing the Beast and Belle to crash into the snow, and when Belle makes a snow angel, the Beast see his angel as a shadow of a monster. He roars, swipes at some snow and storms off inside, leaving Belle and the castle servants alone.

Podcasts:

PLAYLIST TIME:

Say You'll Be There

by: Various Artists

Say you'll be there
I'm giving you everything all that joy
can bring this I swear
Last time that we had this conversation
I decided we should be friends
Yeah,
but now we're going round in circles,
tell me will this deja vu never end? Oh
Now you tell me that you've fallen in love,
well I never ever thought that would be
This time you gotta take it easy
throwing far too much emotions at me
But any fool can see they're falling,
I gotta make you understand
I'm giving you everything all that joy can bring this I swear
(I give you everything)
And all that I want from you is a promise you will be there
Say you will be there (Say you will be there)
Won't you sing it with me
If you, put two and two together
you will see what our friendship is for (Oh)
If you can't work this equation then
I guess I'll have to show you the door
There is no need to say you love me,
It would be better left unsaid
I'm (I'm) giving you everything (I give you everything)
all that joy can bring this I swear (yes I swear)
and (and) all that I want from you (all I want from you) is a promise
(is a promise) you will be there
Yeah, I want you
Any fool can see they're falling,
gotta make you understand
I'll give you everything on this I swear
Just promise you'll always be there
I'm giving you everything (I m giving you everything)
all that joy (all that joy can bring) can bring this I
swear (yes I swear)
and all that I want from you (all that I want from you) is a promise
(I want you to promise you'll) you
will be there (always be there)
I'm giving you everything (I m giving you everything)
all that joy (all that joy can bring) can bring this I swear (yes I swear)
and all that I want from you (all that I want from you) is a promise
(I want you to promise you'll)
you will be there (always be there)




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