Brainwash Projects

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Brainwash Projects is a hip hop group formed by LA Symphony members Pigeon John and bTwice. The duo released their first album The Rise and Fall of (Brainwash Projects) on Jackson Rubio.

Releases

The Fight Song

"The Fight Song" may refer to:

See also

The Fight Song (Washington State University)

"The Fight Song" is the fight song of the Washington State University (WSU) in Pullman, Washington. The music to the tune was composed in 1919 by WSU student Phyllis Sayles with fellow student Zela Melcher penning the lyrics. Sayles, who had transferred to WSU from Northwestern University two years before composing "The Fight Song", is also responsible for arranging the 1917 edition of the Northwestern University Songbook.

A non-scientific, 1997 survey undertaken by the Spokesman-Review found few students, employees, and supporters of WSU knew the lyrics to the song, noting that "when it comes to the acid test of Cougar spirit – the ability to sing the fight song on a moment’s notice – almost everyone flunks." Nonetheless, the 1985 film Volunteers features a lyrically correct rendition of "The Fight Song" by John Candy, whose character, Tommy Tuttle, is an alumnus of the university. In the plotline of that film, "The Fight Song" is subsequently adopted by a group of Thai communist partisans as a battle cry.

The Fight Song (Marilyn Manson song)

"The Fight Song" is a song by American rock band Marilyn Manson, released in 2001. It is the second single from their fourth full-length studio album, Holy Wood (In the Shadow of the Valley of Death).

It was released in two standalone physical formats. The first, titled "The Fight Song Pt.1", was released on January 29, 2001 in the US and on February 19, 2001 in the UK. "The Fight Song Pt.1" was also released as a 12" picture disc vinyl LP on February 19, 2001 in the UK. Both feature a remix by Joey Jordison of the nu metal band Slipknot. The second, titled "The Fight Song Pt.2", was released on February 2, 2001 in the US and on March 6, 2001 in the UK.

The title is a pun on high school and college football team anthems known as Fight Songs as the song is partly a post-Columbine statement disparaging mainstream America's own glorification of violence among its youth; football is simultaneously one of the most violent sports and one of America's greatest obsessions.