The Fader

The FADER is a New York-based music magazine launched in 1999 by Rob Stone and Jon Cohen. The FADER documents a range of emerging music, style and culture.The FADER was the first print publication to be released on iTunes. It has been credited with giving exposure to top artists ahead of mainstream recognition, including Kanye West, Bon Iver, The Strokes, Drake and The White Stripes.

The FADER won the FOLIO magazine Gold Eddie awards for "Best Consumer Entertainment Magazine" in 2011 and 2008. FADER TV won Clicker awards in 2009 and 2010, and the magazine won two OMMA awards for integrated marketing campaigns in 2010 with Nike and Levi's. It is owned by The FADER Media group, which also includes its website, thefader.com, FADER films, FADER label and FADER TV.

The FADER Fort

The FADER Fort is an annual invitation-only event at Austin Texas’s South by Southwest (SXSW) founded in 2002. The four-day party features live performances and is sponsored by Fiat. FADER Fort NYC is a party produced during the annual CMJ Music Marathon.

Fader

Fader may refer to:

Music

Fader Mixed by DZ & DJ M 2015

Other uses

See also

Fader (The Temper Trap song)

"Fader" is the third single from the Australian indie rock band The Temper Trap from their debut album Conditions.

The single was first released in Australia in December 2009, where it peaked at No. 85, marking the single highest and currently only placement in the Charts. It was also voted in at No. 21 in the 2009 Triple J Hottest 100.

The single was released digitally in the UK on 4 January 2010 where it peaked at number 76 on the UK Singles Chart later that week.

The song was featured in the 2010 Australian film Tomorrow, When the War Began and in the 2011 films The Roommate and Chalet Girl. The song was also featured in season 1 episode 6 of the hit US TV series The Vampire Diaries and in the video games MLB 11: The Show and Test Drive Unlimited 2.

Track listing

Fade (audio engineering)

In audio engineering, a fade is a gradual increase or decrease in the level of an audio signal. The term can also be used for film cinematography or theatre lighting in much the same way (see fade (filmmaking) and fade (lighting)).

A recorded song may be gradually reduced to silence at its end (fade-out), or may gradually increase from silence at the beginning (fade-in). Fading-out can serve as a recording solution for pieces of music that contain no obvious ending. Both fades and cross-fades are very valuable since they allow the engineer to quickly and easily make sure that the beginning and the end of any audio region is smooth in order to not have any prominent glitches. It is necessary that there is a clear section of silence prior to the audio. Fade-ins and out can also be used to change the characteristics of a sound, for example a fade-in is used to soften the attack, especially in vocals where very plosive (‘b’,‘d’, and ‘p’) sounds can occur. It can also be used to soften up the attack of the drum and/or percussion instruments. A cross-fade can be manipulated through its rates and coefficients in order to create different styles of fading. Almost every fade is different; this means that the fade parameters must be adjusted according to the individual needs of the mix.