Ten Commandments

The Ten Commandments, also known as the Decalogue, are a set of commandments which the Bible describes as having been given to the Israelites by God at biblical Mount Sinai. The Ten Commandments are listed twice in the Hebrew Bible, first at Exodus 20:1–17, and then at Deuteronomy 5:4–21. Both versions state that God inscribed them on two stone tablets, which he gave to Moses. According to New Testament writers, the Ten Commandments are clearly attributed to Moses (Mark 7:10, see also John 7:19).

Modern scholarship has found likely influences in Hittite and Mesopotamian laws and treaties, but is divided over exactly when the Ten Commandments were written and who wrote them.

The commandments include instructions to worship only God, to honour parents, and to keep the sabbath; as well as prohibitions against idolatry, blasphemy, murder, adultery, theft, dishonesty, and coveting. Different religious groups follow different traditions for interpreting and numbering them

Terminology

Decalogue (disambiguation)

The Decalogue is the Ten Commandments, the list of ethical principles in Exodus 20:1–17 and Deuteronomy 5:4–21.

Decalogue may also refer to:

See also

The Decalogue (TV series)

The Decalogue (Polish: Dekalog, pronounced [dɛˈkalɔk]) is a 1989 Polish television drama series directed by Krzysztof Kieślowski and co-written by Kieślowski with Krzysztof Piesiewicz, with music by Zbigniew Preisner. It consists of ten one-hour films, inspired by the Ten Commandments. Each short film explores one or several moral or ethical issues faced by characters living in an austere apartment block in modern Poland.

The series is Kieślowski's most acclaimed work, has been said to be "the best dramatic work ever done specifically for television" and has won numerous international awards, though it was not widely released outside Europe until the late 1990s. Filmmaker Stanley Kubrick wrote an admiring foreword to the published screenplay in 1991.

Production

Though each film is independent, most of them share the same setting (a large housing project in Warsaw), and some of the characters are acquainted with each other. The large cast includes both famous actors and unknowns, many of whom Kieślowski also used in his other films. Typically for Kieślowski, the tone of most of the films is melancholic, except for the final one, which, like Three Colors: White, is a black comedy, and features two of the same actors, Jerzy Stuhr and Zbigniew Zamachowski.