The red fox (Vulpes vulpes) is the largest of the true foxes and the most abundant wild member of the Carnivora, being present across the entire Northern Hemisphere from the Arctic Circle to North Africa, North America and Eurasia. It is listed as least concern by the IUCN. Its range has increased alongside human expansion, having been introduced to Australia, where it is considered harmful to native mammals and bird populations. Due to its presence in Australia, it is included among the list of the "world's 100 worst invasive species".
The red fox originated from smaller-sized ancestors from Eurasia during the Middle Villafranchian period, and colonised North America shortly after the Wisconsin glaciation. Among the true foxes, the red fox represents a more progressive form in the direction of carnivory. Apart from its large size, the red fox is distinguished from other fox species by its ability to adapt quickly to new environments. Despite its name, the species often produces individuals with other colourings, including albinos and melanists. Forty-five subspecies are currently recognised, which are divided into two categories: the large northern foxes, and the small, basal southern foxes of Asia and the Middle East.
The Red fox is a small canine.
Red Fox and Redfox may also refer to:
In music, especially western popular music, a bridge is a contrasting section that prepares for the return of the original material section. The bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section.
The term comes from a German word for bridge, Steg, used by the Meistersingers of the 15th to 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th century neo-medieval operas. The term entered the English lexicon in the 1930s—translated as bridge—via composers fleeing Nazi Germany who, working in Hollywood and on Broadway, used the term to describe similar transitional sections in the American popular music they were writing.
The Bridge may refer to:
"The Bridge" ("Die Brücke") is a short story by Franz Kafka. It was published posthumously in Beim Bau der Chinesischen Mauer (Berlin, 1931). The first English translation by Willa and Edwin Muir was published by Martin Secker in London in 1933. It appeared in The Great Wall of China. Stories and Reflections (New York: Schocken Books, 1946).
The story is told from the first person point of view. In the tale, the bridge discusses how, above the ravine, it grasps onto each end. When someone, or something, begins to suddenly place pressure on the structure, it collapses. The last sentence mentions it is breaking apart, falling upon the jagged rocks below.
The Bridge is one of many very short pieces by Kafka (flash fiction) yet it is ripe with meaning. The bridge demonstrates human characteristics so at least one interpretation is that the events described are taking place within the mind of a distressed person.
dancing with your eyes, what else could make me yell
I can feel the fur beneath your skin
I'll be sure to fallow your cause
(speaking in native language)
Im your june if you want
skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
skinwalker skinwalker
you are
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you are
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skinwalker skinwalker
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skinwalker skinwalker
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skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
red hair and green eyes, little beaty eyes
sound like a reastling pack, your lies
I am one of you now
(speaking in native language)
I can see your bare hot breath
with my goodbye to the waiting
skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
skinwalker skinwalker
you are
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you are
skinwalker skinwalker
you are
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you are
skinwalker skinwalker
you are
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you are
skinwalker skinwalker
you are
skinwalker skinwalker skinwalker
you are
skinwalker skinwalker
you are
you are
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you are
you are