The Black Rider
File:TomWaits-TheBlackRider.jpg
Soundtrack album by Tom Waits
Released September 1993
Recorded 1989, 1993
Genre Cabaret
Avant-garde
Length 56:08
Label Island
Producer Tom Waits
Tom Waits chronology
Bone Machine
(1992)
The Black Rider
(1993)
Mule Variations
(1999)
Professional ratings
Review scores
Source Rating
Allmusic 2/5 stars [1]
Robert Christgau (3-star Honorable Mention) [2]
Rolling Stone 4/5 stars [3]

The Black Rider is an album by Tom Waits, released in 1993 on Island Records, featuring studio versions of songs Waits wrote for the play The Black Rider, directed by Robert Wilson and co-written by William S. Burroughs. The play is based on the German folktale Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. The play premiered on March 31, 1990, at the Thalia Theater in Hamburg, Germany. Its world English-language premiere occurred in 1998 at the Edmonton International Fringe Festival.

Waits's would later collaborate with Wilson on the plays Alice (1992) and Woyzeck (2000), the music to which were released on the albums Alice and Blood Money, respectively.

Contents

Track listing [link]

All songs written by Tom Waits, except where noted. Recorded in 1989 by Gerd Bessler at his Music Factory in Hamburg, Germany (2, 3, 6–9, 14–16, 19, 20), and in 1993 by Tchad Blake at the Prairie Sun Recording Studios in Cotati, California (1, 4, 5, 10–13, 17, 18). Musical Director Greg Cohen. All songs mixed by Biff Dawes At Sunset Sound Factory, Hollywood, CA.

  1. "Lucky Day (Overture)" – 2:27
  2. "The Black Rider" – 3:21
  3. "November" – 2:53
    • Tom Waits – piano, banjo, vocal
    • Greg Cohen – bass, accordion
    • Don Neely – saw
  4. "Just the Right Bullets" – 3:35
    • Matt Brubeck – cello
    • Kenny Wollesen – percussion
    • Joe Gore – banjo
    • Ralph Carney – bass clarinet
    • Tom Waits – vocal, piano
    • Larry Rhodes – bassoon
    • Bill Douglas – bass
    • Francis Thumm – organ
  5. "Black Box Theme" (instrumental) – 2:42
    • Tom Waits – Chamberlin
    • Don Neely – saw
    • Bill Douglas – bass
    • Matt Brubeck – cello
    • Kenny Wollesen – percussion
    • Nick Phelps – French horn
    • Larry Rhodes – bassoon
    • Joe Gore – banjo
  6. "'T' Ain't No Sin" (Walter Donaldson / Edgar Leslie) – 2:25
  7. "Flash Pan Hunter/Intro" (instrumental) – 1:10
    • Henning Stoll – Contrabassoon
    • Stefan Schäfer – bass
    • Volker Hemken – clarinet
  8. "That's the Way" (music: Waits, lyrics: Burroughs) – 1:07
    • Hans-Jorn Braudenberg – organ
    • Henning Stoll – viola
    • Stefan Schäfer – bass
    • Volker Hemken – clarinet
    • Tom Waits – vocal
  9. "The Briar and the Rose" – 3:50
    • Hans-Jorn Braudenberg – organ
    • Henning Stoll – viola
    • Stefan Schäfer – bass
    • Volker Hemken – clarinet
    • Tom Waits – vocal
  10. "Russian Dance" (instrumental) – 3:12
    • Tom Waits – Emax strings
    • Matt Brubeck – cello
    • Linda Deluca – viola
    • Bill Douglas – bass
    • Kathleen Brennan, Clive Butters, Tom Waits, Francis Thumm, Joe Marquez – boots
  11. "Gospel Train/Orchestra" (instrumental) – 2:33
    • Linda Deluca – viola
    • Nick Phelps – French horn
    • Larry Rhodes – bassoon
    • Kevin Porter – trombone
    • Ralph Carney – bass clarinet
    • Joe Gore – guitar
    • Kenny Wollesen – percussion
    • Bill Douglas – bass
    • Matt Brubeck – cello
  12. "I'll Shoot the Moon" – 3:51
    • Kevin Porter – trombone
    • Francis Thumm – organ
    • Bill Douglas – bass
    • Ralph Carney – sax
    • Kenny Wollesen – percussion, marimba
    • Joe Gore – guitar
    • Matt Brubeck – cello
    • Tom Waits – vocal
  13. "Flash Pan Hunter" (music: Waits, lyrics: Burroughs) – 3:10
    • Ralph Carney – bass clarinet
    • Matt Brubeck – cello
    • Joe Gore – banjo
    • Larry Rhodes – bassoon
    • Bill Douglas – bass
    • Francis Thumm – organ
    • Kenny Wollesen – percussion
    • Don Neely – saw
    • Tom Waits – vocal
  14. "Crossroads" (music: Waits, lyrics: Burroughs) – 2:43
    • Tom Waits – guitar, Chamberlin, vocal
    • Greg Cohen – bass
    • Gerd Bessler – viola
  15. "Gospel Train" – 4:43
    • Tom Waits – train whistle, vocal, conga, log drum
    • Greg Cohen – percussion, bass
    • Ralph Carney – bass clarinet
    • Bill Douglas – bass
  16. "Interlude" (Greg Cohen) (instrumental) – 0:18
    • Henning Stoll – bassoon
    • Christoph Moinian – French horn
    • Volker Hemken – clarinet
  17. "Oily Night" – 4:23
    • Matt Brubeck – cello
    • Kenny Wollesen – percussion
    • Bill Douglas – bass
    • Ralph Carney – sax, bass clarinet
    • Nick Phelps – French horn
    • Kevin Porter – trombone
    • Larry Rhodes – contra bassoon
    • Joe Gore – banjo, guitar
    • Linda Deluca – viola
    • Featuring "The Boners"
  18. "Lucky Day" – 3:42
    • Tom Waits – organ & vocal
    • Bill Douglas – bass
    • Ralph Carney – baritone horn
    • Matt Brubeck – cello
    • Kenny Wollesen – percussion
    • Joe Gore – guitar
  19. "The Last Rose of Summer" – 2:07
    • Tom Waits – organ, vocal, Chamberlin
    • Greg Cohen – bass
  20. "Carnival" (instrumental) – 1:15
    • Tom Waits – Chamberlin, Emax
    • Greg Cohen – bass

Hans-Jörn Brandenburg, Volker Hemken, Henning Stoll, Christoph Moinian, Dieter Fischer, Jo Bauer, Frank Wulff, and Stefan Schäfer were The Devil's Rhubato Band (Hamburg); Ralph Carney, Bill Douglas, Kenny Wollesen, Matt Brubeck, Joe Gore, Nick Phelps, Kevin Porter, Lawrence "Larry" Rhodes, Francis Thumm, Don Neely, Linda Deluca were The Rhubato West Group (San Francisco).

Songs performed in the play, but not included on the album: "Chase the Clouds Away" and "In the Morning".

Alka-Seltzer release [link]

Side one [link]

  1. "Black Rider (Opening)"
  2. "November"
  3. "The Right Bullets"
  4. "The Briar and the Rose"
  5. "George Schmid"
  6. "Chase the Clouds Away"
  7. "Flash Pan Hunter"

Side two [link]

  1. "Instrumental"
  2. "? by W. S. Burroughs"
  3. "In the Morning"
  4. "Gospel Train"
  5. "I'll Shoot the Moon"
  6. "Instrumental"
  7. "The Last Rose of Summer"

References [link]


https://wn.com/The_Black_Rider_(album)

The Black Rider

The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada, and the American English-language premiere at the New York International Fringe Festival in 1999. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated, the songs were performed in English.

The Black Rider (film)

The Black Rider is a 1954 British low budget thriller film directed by Wolf Rilla and starring Jimmy Hanley, Rona Anderson and Leslie Dwyer.

Plot

Young reporter and amateur biker Jerry Marsh investigates sightings of a hooded black figure on a motorbike. It turns out a gang of smugglers use a haunted castle as their base, deterring curious locals by pretending to be ghosts.

Cast

  • Jimmy Hanley ... Jerry Marsh
  • Rona Anderson ... Mary Plack
  • Leslie Dwyer ... Robert Plack
  • Lionel Jeffries ... Martin Bremner
  • Beatrice Varley ... Mrs. Marsh
  • Michael Golden ... Rakoff
  • Valerie Hanson ... Karen
  • Vincent Ball ... Ted Lintott
  • Edwin Richfield ... Geoff Morgan
  • Kenneth Connor ... George Amble
  • Robert Rietti ... Mario
  • James Raglan ... Rackton
  • Frank Atkinson ... Landlord
  • Edie Martin ... Elderly Lady
  • Peter Swanwick ... Holiday-maker
  • Critical reception

    Britmovie wrote, "(the) plot is seemingly lifted almost intact from the pages of a Boys' Own adventure or the writings of children’s author Enid Blyton...Of particular note here is Lionel Jeffries (The Revenge of Frankenstein 1958) as the villain of the piece. Although only in his late 20s, Jeffries already looks much older than his years and effortlessly brings to the role the gravitas it requires...Jeffries also succeeds in making A.R. Rawlinson’s mediocre dialogue sound far better than it actually is...This is a surprisingly stylish piece of filmmaking overall. Most importantly, (Wolf) Rilla succeeds in keeping the narrative moving at a brisk pace. At a time when low-budget British productions remained resolutely studio-bound, The Black Rider features a refreshing amount of exterior footage. Among the lengthiest sequences occurring outdoors an obstacle course at fete that takes on an almost newsreel-like quality" ; while TV Guide wrote, "the only thing discomfiting about this film is the poor direction and inept acting."

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