The Black Rider | ||||
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File:TomWaits-TheBlackRider.jpg | ||||
Soundtrack album by Tom Waits | ||||
Released | September 1993 | |||
Recorded | 1989, 1993 | |||
Genre | Cabaret Avant-garde |
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Length | 56:08 | |||
Label | Island | |||
Producer | Tom Waits | |||
Tom Waits chronology | ||||
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Allmusic | ![]() ![]() ![]() ![]() ![]() |
Robert Christgau | ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
The Black Rider is an album by Tom Waits, released in 1993 on Island Records, featuring studio versions of songs Waits wrote for the play The Black Rider, directed by Robert Wilson and co-written by William S. Burroughs. The play is based on the German folktale Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. The play premiered on March 31, 1990, at the Thalia Theater in Hamburg, Germany. Its world English-language premiere occurred in 1998 at the Edmonton International Fringe Festival.
Waits's would later collaborate with Wilson on the plays Alice (1992) and Woyzeck (2000), the music to which were released on the albums Alice and Blood Money, respectively.
Contents |
All songs written by Tom Waits, except where noted. Recorded in 1989 by Gerd Bessler at his Music Factory in Hamburg, Germany (2, 3, 6–9, 14–16, 19, 20), and in 1993 by Tchad Blake at the Prairie Sun Recording Studios in Cotati, California (1, 4, 5, 10–13, 17, 18). Musical Director Greg Cohen. All songs mixed by Biff Dawes At Sunset Sound Factory, Hollywood, CA.
Hans-Jörn Brandenburg, Volker Hemken, Henning Stoll, Christoph Moinian, Dieter Fischer, Jo Bauer, Frank Wulff, and Stefan Schäfer were The Devil's Rhubato Band (Hamburg); Ralph Carney, Bill Douglas, Kenny Wollesen, Matt Brubeck, Joe Gore, Nick Phelps, Kevin Porter, Lawrence "Larry" Rhodes, Francis Thumm, Don Neely, Linda Deluca were The Rhubato West Group (San Francisco).
Songs performed in the play, but not included on the album: "Chase the Clouds Away" and "In the Morning".
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The Black Rider: The Casting of the Magic Bullets is a self-billed "musical fable" in the avant-garde tradition created through the collaboration of theatre director Robert Wilson, musician Tom Waits, and writer William S. Burroughs. Wilson was largely responsible for the design and direction. Burroughs wrote the book, while Waits wrote the music and most of the lyrics. The project began in about 1988 when Wilson approached Waits. The story is based on a German folktale called Der Freischütz, which had previously been made into an opera by Carl Maria von Weber. It premiered at Hamburg's Thalia Theatre on 31 March 1990. November Theatre produced its world English-language premiere in 1998 at the Edmonton International Fringe Festival in Canada, and the American English-language premiere at the New York International Fringe Festival in 1999. Det Norske Teatret in Oslo staged a Norwegian (Nynorsk) version in 1998, with Lasse Kolsrud as Pegleg. Only the dialogue was translated, the songs were performed in English.
The Black Rider is a 1954 British low budget thriller film directed by Wolf Rilla and starring Jimmy Hanley, Rona Anderson and Leslie Dwyer.
Young reporter and amateur biker Jerry Marsh investigates sightings of a hooded black figure on a motorbike. It turns out a gang of smugglers use a haunted castle as their base, deterring curious locals by pretending to be ghosts.
Britmovie wrote, "(the) plot is seemingly lifted almost intact from the pages of a Boys' Own adventure or the writings of children’s author Enid Blyton...Of particular note here is Lionel Jeffries (The Revenge of Frankenstein 1958) as the villain of the piece. Although only in his late 20s, Jeffries already looks much older than his years and effortlessly brings to the role the gravitas it requires...Jeffries also succeeds in making A.R. Rawlinson’s mediocre dialogue sound far better than it actually is...This is a surprisingly stylish piece of filmmaking overall. Most importantly, (Wolf) Rilla succeeds in keeping the narrative moving at a brisk pace. At a time when low-budget British productions remained resolutely studio-bound, The Black Rider features a refreshing amount of exterior footage. Among the lengthiest sequences occurring outdoors an obstacle course at fete that takes on an almost newsreel-like quality" ; while TV Guide wrote, "the only thing discomfiting about this film is the poor direction and inept acting."