The Big O is a music album recorded by Roy Orbison for London Records in the United Kingdom, with the music and backing vocals provided by English group, the Art Movement on all tracks except for "Penny Arcade", which was a studio recording and released as a single in the UK in 1969, where it peaked at #27 and would be Orbison's last UK chart success during his lifetime. "Penny Arcade" was also his biggest hit in Australia, spending four weeks at Number One around Christmas, 1969. The second single, "Break My Mind", was Orbison's last Australian chart success during his lifetime, reaching #24 in March 1970. The album was released in Europe in early 1970.
The Big O (Japanese: THE ビッグオー, Hepburn: Za Biggu Ō) is a Japanese animated television series created by designer Keiichi Sato and director Kazuyoshi Katayama for Sunrise. The writing staff was assembled by the series' head writer, Chiaki J. Konaka, who is known for his work on Serial Experiments Lain and Hellsing.
The story takes place forty years after a mysterious occurrence causes the residents of Paradigm City to lose their memories. The series follows Roger Smith, Paradigm City's top Negotiator. He provides this "much needed service" with the help of a robot named R. Dorothy Wayneright and his butler Norman Burg. When the need arises, Roger calls upon Big O, a giant relic from the city's past.
The television series is designed as a tribute to Japanese and Western shows from the 1960s and 1970s. The series is done in the style of film noir and combines the feel of a detective show with the mecha genre of anime. The setpieces are reminiscent of tokusatsu productions of the 1950s and 1960s, particularly Toho's kaiju movies, and the score is an eclectic mix of styles and musical homages.
Big O or The Big O may refer to: