The Antichrist (German: Der Antichrist) is a book by the philosopher Friedrich Nietzsche, originally published in 1895. Although it was written in 1888, its controversial content made Franz Overbeck and Heinrich Köselitz delay its publication, along with Ecce Homo. The German title can be translated into English as both "The Anti-Christ" and "The Anti-Christian".
Nietzsche claimed in the Foreword to have written the book for a very limited readership. In order to understand the book, he asserted that the reader "... must be honest in intellectual matters to the point of hardness to so much as endure my seriousness, my passion." The reader should be above politics and nationalism. Also, the usefulness or harmfulness of truth should not be a concern. Characteristics such as "Strength which prefers questions for which no one today is sufficiently daring; courage for the forbidden" are also needed. He disdained all other readers.
The Antichrist is a Christian concept based on the exegesis of Second Temple (500 BC–50 AD) Jewish texts that refer to anti-messiahs (see List of fictional Antichrists).
Antichrist or Antikrist may also refer to:
The Antichrist is the seventh album by German thrash metal band Destruction, released in 2001 through Nuclear Blast.
All songs written and composed by Destruction.
Writing, performance and production credits are adapted from the album liner notes.
The Antichrist (Italian: L'anticristo, also known as The Tempter and Blasphemy) is a 1974 Italian horror film directed by Alberto De Martino.
Ippolita is a paralyzed young woman with serious mental problems stemming from the death of her mother. Her crisis of faith and the intervention of a well-meaning psychologist lead Ippolita to remember her past life as a witch during the Inquisition. Eventually, Ippolita becomes possessed and starts seducing local men, only to kill them. An exorcism seems to be the only solution to stop the madness.