Patchwork

Patchwork or "pieced work" is a form of needlework that involves sewing together pieces of fabric into a larger design. The larger design is usually based on repeat patterns built up with different fabric shapes (which can be different colors). These shapes are carefully measured and cut, basic geometric shapes making them easy to piece together.

Uses

Patchwork is most often used to make quilts, but it can also be used to make bags, wall-hangings, warm jackets, cushion covers, skirts, waistcoats and other items of clothing. Some textile artists work with patchwork, often combining it with embroidery and other forms of stitchery.

When used to make a quilt, this larger patchwork or pieced design becomes the "top" of a three-layered quilt, the middle layer being the batting, and the bottom layer the backing. To keep the batting from shifting, a patchwork or pieced quilt is often quilted by hand or machine using a running stitch in order to outline the individual shapes that make up the pieced top, or the quilting stitches may be random or highly ordered overall patterns that contrast with the patchwork composition.

Patchwork (album)

Patchwork is Bobbie Gentry's sixth and final album, released in 1971. The first of four albums released that year, although the only album of new material as the other releases that same year were retitled reissues of earlier albums, Patchwork was also written and produced by her.

Track listing

All tracks by Bobbie Gentry.

Side one

Side two

Cover art

The original cover art for the album is an uncredited painting of Gentry. According to the liner notes for the 2004 compilation Chickasaw County Child, the painting, along with the one on the cover of the previous album, Fancy, is believed to have been done by Gentry herself.

References

Tense

Tense may refer to:

See also

Tenseness

In phonology, tenseness or tensing is the pronunciation of a vowel with a relatively longer duration and with the tongue positioned slightly higher and less centralized in the mouth compared with another vowel, thus causing a phonemic contrast between the two vowels. Contrast between vowels on the basis of tenseness is common in many languages, including English; for example, in most English dialects, [iː] (as in the word beet) is the tense counterpart to the lax /ɪ/ (as in bit), and /uː/ (as in kook) is the tense counterpart to the lax /ʊ/ (as in cook). The opposite quality of tenseness, in which a vowel is produced as relatively more shortened, lowered, and centralized, is called laxness or laxing.

Unlike most distinctive features, the feature [tense] can be interpreted only relatively, often with a perception of greater tension or pressure in the mouth, which, in a language like English, contrasts between two corresponding vowel types: a tense vowel and a lax vowel. An example in Vietnamese is the letters ă and â representing lax vowels, and the letters a and ơ representing the corresponding tense vowels. Some languages like Spanish are often considered as having only tense vowels, but since the quality of tenseness is not a phonemic feature in this language, it cannot be applied to describe its vowels in any meaningful way. The term has also occasionally been used to describe contrasts in consonants.

Tense (artwork)

Tense is the title of an art installation made by Turner Prize nominee Anya Gallaccio in 1990. The work consists of printed rolls of wallpaper featuring an orange motif, "the paper was pasted on the walls, and on the floor Gallaccio made an oblong 'carpet' comprising one ton of Valencia oranges which gradually decayed over the duration of the show."

Considering the work in his 2001 essay, Oranges and Lemons and Oranges and Bananas, British art critic, historian and academic Michael Archer said,: "As a somewhat opportune indication that we are dealing here with continuities as much as breaks and new beginnings, it could be pointed out that Anya Gallaccio’s contribution to Bond’s East Country Yard Show was a ton of oranges spread in a large rectangle on the floor. Together with an orange-motif wallpaper plastering one of the walls, the work made reference to the building’s past as a fruit warehouse and its planned future as a luxury residence."

The work was on display at the 1990 exhibition East Country Yard Show.