Nathalie... is a 2003 French drama film directed by Anne Fontaine, and starring Fanny Ardant, Emmanuelle Béart, and Gérard Depardieu.
Catherine discovers that her husband Bernard is cheating on her. She decides to pay Parisian prostitute Nathalie to have an affair with her husband, and report back to her.
Nathalie... received generally positive reviews, currently holding a 73% "fresh" rating on Rotten Tomatoes; the consensus states: "A seductive French import that portrays adult issues of jealousy and betrayal with strong lead performances and considerable French charm." On Metacritic, which uses an average of critics' reviews, the film holds a 69/100 rating, indicating "generally favorable reviews".
Director Atom Egoyan remade the film in 2009, now entitled Chloe. The film stars Julianne Moore, Liam Neeson, and Amanda Seyfried. A reviewer in the New York Daily News (Elizabeth Weizmann) contrasting the original with the remake says Egoyan "Having adapted a film—via Erin Cressida Wilson's screenplay—from an erotic French drama called Nathalie, Egoyan appears convinced that he's creating a suspenseful work of art, rather than a mildly kinky bit of arthouse exploitation." However, in his self-promotion, the director of the remake, Egoyan, described Chloe as more erotically charged than Nathalie...
Temptation is a fundamental desire to engage in short-term urges for enjoyment, that threatens long-term goals. In the context of some religions, temptation is the inclination to sin. Temptation also describes the coaxing or inducing a person into committing such an act, by manipulation or otherwise of curiosity, desire or fear of loss.
In the context of self-control and ego depletion, temptation is described as an immediate, pleasurable urge and/or impulse that disrupts an individuals ability to wait for the long-term goals, in which that individual hopes to attain.
More informally, temptation may be used to mean "the state of being attracted and enticed" without anything to do with moral, ethical, or ideological valuation; for example, one may say that a piece of food looks "tempting" even though eating it would result in no negative consequences.
Research suggests that there are paradoxical effects associated with temptation. Including all the forms temptations can present themselves there is a set of options that may facilitate high moral standards in decision making.
Temptation is the fourth studio album by American country singer-songwriter Shelby Lynne, released July 6, 1993. Two songs, "Tell Me I'm Crazy"and "I Need a Heart to Come Home To", were released as singles and one of the tracks, "I Need a Heart to Come Home To", featured on the soundtrack to Tony Scott's 1993 film True Romance.
Following her first three albums, Lynne left her record label Epic and began working with Brent Maher. In a 2009 interview, she said of the move, "After Soft Talk, I knew I had to take control. Hell, if I wasn’t going to be embraced by country radio, I might as well make critically acclaimed albums! I wanted to cross genres and not make that silly-ass country pop." She went on to say, "I consider Temptation the real beginning of my career." Lynne co-wrote two songs on the album, the title track and "Some of That True Love".
Temptation was released on July 6, 1993 on Mercury Records and Morgan Creek. The album reached No. 55 on the US Billboard Country Albums chart and No. 21 on the Heatseekers Albums chart. Two songs from the album were released as singles: "Feelin' Kind of Lonely Tonight", which reached No. 69 on the US Hot Country Songs chart, and "Tell Me I'm Crazy", which failed to chart. "I Need a Heart to Come Home To" was included on the soundtrack of Tony Scott's 1993 film True Romance.
"Temptation" is a song by Canadian rock band The Tea Party from the album Transmission. It was released as a single in Australia and a promotional single in Canada and the USA. The music video was shot in Toronto.
"Temptation" is a standard three-piece rock song with keyboard accompaniment and an introduction composed of tar (lute) and a sped-up drum solo (which if played at normal pace sounds not unlike the introduction to When the Levee Breaks).