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Milva OMRI |
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Milva at a theatre presentation of La variante di Lüneburg (2009) |
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Background information | |
Birth name | Maria Ilva Biolcati |
Also known as | Milva La Rossa, Grande Milva, La Pantera di Goro |
Born | Goro, Emilia-Romagna, Italy |
July 17, 1939
Genres | Pop, schlager, tango, nuevo tango, chanson, easy listening, opera, rock |
Occupations | Singer, actress, TV personality |
Years active | 1959–present |
Labels | Fonit Cetra, Ricordi, Metronome, BMG Ricordi, BMG Ariola, BMG |
Associated acts | Ástor Piazzolla, Ennio Morricone, Thanos Mikroutsikos, Mikis Theodorakis, James Last, Enzo Jannacci, Luciano Berio, Franco Battiato, Francis Lai, Shinji Tanimura, Vangelis |
Website | www.MilvaLaRossa.com |
Maria Ilva Biolcati Commander OMRI (Italian pronunciation: [maˈriːa ilˈva bjolˈkaːti]; born July 17, 1939), known as Milva, is an Italian singer, stage, and film actress and television personality. She is also known as 'La Rossa', (Italian for 'The Red'), due to the colour of her hair, and additionally as the 'Panther of Goro', which stems from the Italian press having nicknamed the three most popular Italian female singers of the 1960s, combining the names of animals and the singers' birth places. The other two were Mina, 'The Tiger of Cremona', and Iva Zanicchi, 'The Eagle of Ligonchio'.
Popular in Italy and abroad, she has triumphed on musical and theatrical stages the world over, and has received popular acclaim in her native Italy, and particularly in Germany where she has often participated in musical events and televised musical programmes. She has also released numerous successful albums in France, Japan, Korea, Greece, Spain and South America.
Having received enormous success both in Italy and internationally, she remains to this day one of the most popular Italian personalities in the fields of music and theatre. Her artisic stature has been officially recognised by the Italian, German and French republics, each of which have bestowed her with the highest honours. She is the only Italian artist in contemporary times, in fact, who is simultaenously: Chevalier of the National Order of the Legion of Honour of the French Republic (Paris, 11 September 2009), Commander of the Order of Merit of the Italian Republic (Rome, 2 June 2007), Officer of the Order of Merit of the Federal Republic of Germany Berlin, 2006 and Officier of the Ordre des Arts et des Lettres (Paris, 1995).
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Maria Ilva Biolcati was born in Goro, province of Ferrara, Italy.
In 1959, Milva won a contest for new voices, and was named the overall winner from more than seven thousand six hundred participants. In 1960 she recorded her first 7" single with Cetra Records: Édith Piaf's song "Milord". Her real debut was on the stage of the Sanremo Music Festival in 1961, where she took third place. She has competed at the Festival a total of 15 times, the last time of which was in 2007. The highest position she has reached is second place in 1962, but she has never won to date.
In 1965, a fortunate meeting led to a definitive change in her career: Italian director Giorgio Strehler helped to develop her skills in staging and singing in Italian theatres (especially the Piccolo Teatro in Milan) and she began to perform a more committed repertoire (songs of the Italian resistance movement, songs from Bertolt Brecht's pieces, etc.). In the following years she starred in Giorgio Strehler's production of Brecht's The Threepenny Opera which was performed in several cities of Western Europe. Milva's albums were certificated gold and platinum in West Germany. In 2006 she was awarded with the First Class of the Bundesverdienstkreuz[1]
In 1962 Milva was the first singer to sing Édith Piaf's repertoire at the prestigious Olympia theatre in Paris. In 1983 she performed the repertoire at the venue again and again received an ovation from the audience and the French press, very surprised how a non-French artist could interpret with such a feeling and energy the songs of Piaf.
She is a highly eclectic artist, performing both pop music, opera (in duet with Luciano Berio), comedy, drama, TV shows (Al Paradise in 1983 won the Rose d'Or of the Montreux Film Festival) and musicals. She also occasionally appeared in some Italian movies of the 1960s, like La bellezza di Ippolita with Gina Lollobrigida. From 1973 to 1980, Milva is on tour (Italy, USA, Greece, France, Germany, Canada, Russia and Japan) with the band "I Milvi" composed by Neno Vinciguerra on piano, Franco Paganelli on guitar, Claudio Barontini on bass, Giovanni Martelli on drums and Marco Gasperetti on flute. The entire band becomes Livorno "Black and Withe" when in concert joins the gospels of the New Folkstudio Singer composed Lois Cantor, Hazel Rogers Nat Bush, Eddie and Jesse Hawkins.
Her singing career has become more complex and various year by year, thanks to the collaboration with the European composers and musicians including Ennio Morricone in 1965, Francis Lai in 1973, Mikis Theodorakis in 1978 (Was ich denke became a best selling album in Germany), Enzo Jannacci in 1980, Vangelis in 1981 and 1986, Franco Battiato in 1982 and 1986.
Her stage productions of Bertolt Brecht's recitals and Luciano Berio's operas have toured the world's theatres. She has performed at La Scala in Milan, at the Deutsche Oper in Berlin, at the Paris Opera, in the Royal Albert Hall in London, at the 1984 Summer Olympics, at the Edinburgh Festival, and others.
In 1984 she performed (with Ástor Piazzolla) the show El tango in the Les Bouffes du Nord Theatre in Paris. This was the beginning of a collaboration with Ástor Piazzolla, interpreting the nuevo tango.
In 1997 her mentor Giorgio Strehler died. She temporarily reduced her theatre activities and focused on music only. She received new inspiration collaborating with Thanos Mikroutsikos, James Last and Shinji Tanimura. Then she performed her fourteenth tour in Japan.
Her 2004 CD and tour was dedicated to the Milanese poetess Alda Merini to whose poetry the music was set.
Milva has a daughter named Martina born in the marriage with Maurizio Corgnati in the early 1960s.
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This is a chronologically-ordered list of Sanremo Music Festival contests in which Milva has entered. Milva has participated 15 times in the famous music festival, held annually, tying the record for most participations along with Peppino di Capri and Toto Cutugno.
Year | Song | Partner | Composer | Place | ||||||||||
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1961 | "Il mare nel cassetto" | Gino Latilla | 3 | |||||||||||
1962 | "Tango italiano" | Sergio Bruni | 2 | |||||||||||
1962 | "Stanotte al Luna Park" | Miriam del Mare | 5 | |||||||||||
1963 | "Ricorda" | Luciano Tajoli | 5 | |||||||||||
1963 | "Non sapevo" | Gianni Lecommare | 10 | |||||||||||
1964 | "L'ultimo tram" | Frida Boccara | N.F. | |||||||||||
1965 | "Vieni con noi" | Bernd Spier | 12 | |||||||||||
1966 | "Nessuno di voi" | Richard Anthony | 9 | |||||||||||
1967 | "Uno come noi" | Los Bravos | N.F. | |||||||||||
1968 | "Canzone" | Adriano Celentano | 3 | |||||||||||
1969 | "Un sorriso" | Don Backy | 3 | |||||||||||
1972 | "Mediterraneo" | — | 12 | |||||||||||
1973 | "Da troppo tempo" | — | 3 | |||||||||||
1974 | "Monica delle bambole" | — | 4 ‡ | |||||||||||
1990 | "Sono felice" | — | 4 ‡ | |||||||||||
1993 | "Uomini addosso" | — | N.F. | |||||||||||
2007 | "The Show Must Go On" | — | 16 | |||||||||||
"—" denotes that Milva entered the contest as a soloist. "‡" Denotes a tie. |
NOTE: N.F. signifies that the song did not qualify for the main event.
This is a chronologically-ordered list of films in which Milva has appeared or provided singing vocals for.
Year | Title | Character | Director | Notes | Ref |
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1962 | Canzoni a tempo di twist (Italy: Original title) | Stefano Canzio | Film | [2] | |
1962 | La bellezza di Ippolita aka "Die schöne Ippolita" (Austria / Germany: German title) |
Adriana | Giancarlo Zagni | Film, co-starring with Gina Lollobrigida | [3] |
1962 | Appuntamento in Riviera (Italy: Original title) | Singing voice | Mario Mattoli | Film | [4] |
1972 | D'amore si muore (Italy: Original title) aka "For Love One Dies" (International: English title) |
Leyla | Carlo Carunchio | Film | [5] |
1982 | Via degli specchi (Italy: Original title) aka "Die Straße der Spiegel" (Germany: German title) |
Veronica | Giovanna Gagliardo | Film, co-starring with Claudio Bigagli and Nicole Garcia | [6] |
1986 | Mon beau-frère a tué ma soeur (France: Original title) aka "My Brother-in-law Killed My Sister" (International: English title) |
Renata Palozzi | Jacques Rouffio | Film, co-starring with Michel Serrault and Michel Piccoli | [7] |
1988 | "Wherever You Are..." aka "Au-delà du vertige" (France: French title) |
Italian diplomat's wife | Krzysztof Zanussi | Film, starring Julian Sands | [8] |
1988 | Prisonnières (France: Original title) aka "Women in Prison" (International: English title) |
Lucie Germon | Charlotte Silvera | Film | [9] |
1991 | Amaurose (Germany: Original title) | Dieter Funk | Film | [10] | |
1995 | Celluloid aka "Celluloide" (Italy: Original title) |
Carlo Lizzani | Film, starring Giancarlo Giannini and Massimo Ghini | [11] | |
1995 | Tod für fünf Stimmen (Germany: Original title) aka "Death for Five Voices" (International: English title) |
Herself | Werner Herzog | Film | [12] |
Year(s) | Title | Role | Notes |
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1983 | Al paradise | Television host | [13] |
Chevalier of the National Order of the Legion of Honour of the French Republic — Paris, 11 September 2009
Commander of the Order of Merit of the Italian Republic — Rome, 2 June 2007
Officer of the Order of Merit of the Federal Republic of Germany — Berlin, 2006
Officier of the Ordre des Arts et des Lettres — Paris, 1995
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Tempi moderni come i tempi delle coppie affini
dove conti cazzate come gli ultimi saranno i primi,
i primi sono loro e loro restano mi pare chiaro,
meglio se rubi meglio come Ruby e ora mi pare chiaro.
Sembri simpatico ma non passi l’idoneità e dopo un po’ ti rimandiamo a casa.
Prendevo un treno che va a paradiso città a regola d’arte ora il mio treno se va bene parte.
Impara dalle streghe, tempi di chat in sex, tua sorella tredici anni e ha più fan dei Talking Heads,
la mia ex mi voleva morto mia madre mi voleva antico
il mio prete mi voleva gli ho risposto no non sei il mio tipo,
e ora non vedi com’è, ora non vedi com’è,
qua si esporta democrazia dove non ce n’è,
tempi moderni in canzoni d’amore da mò le scrivo
il motivo così le condividi e ti senti più figo.
E' tempo di decidere che pesci prendere, è tempo di nuotare di riuscire a sopravvivere, tempo di crescere, il tempo che ho da dare, tempo al tempo e tocca a me la ruota da girare. Tempi di sale, da tatuare, tempi duri da masticare, tempo di crescere evitando d'annegare, tempo al tempo e non ho tempo più da dare.
Ancora io respiro, anche se la mia strada è disastrata come è triste il mio destino. Ancora io respiro, sperando che il mio viaggio mi sorprenda e mi soddisfi finchè vivo. Per tutta la gente che mi è stata vicina, nei buchi della vita di dolori piena, ma quando passerà purtroppo questa sera, il tempo non si ferma anzi se ne vola.
Storie strette come le manette in sette sopra biciclette tempi moderni danno il culo e fanno le vallette,
vuoi fare punti allo scoperto non sei esperto
in classifica la tua squadra ha un handicap come il figlio d’umberto,
ora attento a quello che dici o lo dico ai miei amici agli amici degli amici e gli amici,
mille sul web del tipo quella che mi stressava ma non aveva uno col quale uscire di casa,
non basta la parola dopo serve una poesia, prende poi la nostalgia e la voglia di volare via,