"Tempest" is the second single by Sacramento, California-based alternative metal band Deftones, from their seventh studio album, Koi No Yokan. The song debuted on PureVolume's official website on October 3, 2012 along with a video featuring band members Chino Moreno and Sergio Vega giving some insight regarding the track. The song's lyrical content is representative of the supposed end of the world that would have occurred on December 21, 2012, according to various myths related to the Mayan calendar. It was featured in the trailer for the film Jack the Giant Slayer and featured in Furious 7.
Peaking at No. 3 on the US Hot Mainstream Rock Tracks, Tempest became Deftones' most successful single on that chart, surpassing "Change (In the House of Flies)", which peaked at No. 9 in 2001.
The song has been described as post-metal.
Tempest is Balflare's second album, released in 2006.
Tempest is a 1982 American comedy-drama film directed by Paul Mazursky. It is a loosely based, modern-day adaptation of the William Shakespeare play, The Tempest. The picture features John Cassavetes, Gena Rowlands, Susan Sarandon, Raúl Juliá and Molly Ringwald in her feature film debut.
The movie tells the story of Phillip Dimitrius (John Cassavetes), a middle-aged New York City architect who is going through a difficult mid-life crisis.
After learning that his wife Antonia has been having an affair, Dimitrius leaves New York City and moves to a Greek island with his teenage daughter, Miranda (Molly Ringwald). In Athens he meets Aretha Tomalin (Susan Sarandon), a singer, and they become lovers. Mysteriously, he takes a vow of celibacy after they move to the island.
Living on the island is Kalibanos, an eccentric hermit (Raúl Juliá) who was previously its only resident.
Phillip Dimitrius finally seems happy, until one day a twist of fate brings his wife, her new lover Alonzo (Phillip's ex-boss), and Alonzo's son Freddy to the island due to a shipwreck.
Maroon (US & UK /məˈruːn/ mə-ROON,Australia /məˈroʊn/ mə-RONE) is a dark brownish red which takes its name from the French word marron, or chestnut.
The Oxford English Dictionary describes it as "a brownish crimson or claret color."
In the RGB model used to create colors on computer screens and televisions, maroon is created by turning down the brightness of pure red to about one half.
Maroon is derived from French marron ("chestnut"), itself from the Italian marrone, from the medieval Greek maraon.
The first recorded use of maroon as a color name in English was in 1789.
Displayed on the right is the bright tone of maroon that was designated as maroon in Crayola crayons beginning in 1949.
It is a bright medium shade of maroon halfway between brown and rose.
The color halfway between brown and rose is crimson, so this color is also a tone of crimson.
Displayed on the right is the color rich maroon, i.e. maroon as defined in the X11 color names, which is much brighter and more toned toward rose than the HTML/CSS maroon shown above.
Maroons (from the Latin American Spanish word cimarrón: "feral animal, fugitive, runaway") were Africans who escaped from slavery in the Americas and formed independent settlements. The term can also be applied to their descendants.
In the New World, as early as 1512, enslaved Africans escaped from Spanish captors and either joined indigenous peoples or eked out a living on their own. Sir Francis Drake enlisted several cimarrones during his raids on the Spanish. As early as 1655, escaped Africans had formed their own communities in inland Jamaica, and by the 18th century, Nanny Town and other villages began to fight for independent recognition.
When runaway Blacks and Amerinindians banded together and subsisted independently they were called Maroons. On the Caribbean islands, they formed bands and on some islands, armed camps. Maroon communities faced great odds to survive from colonists, obtain food for subsistence living, and to reproduce and increase their numbers. As the planters took over more land for crops, the Maroons began to lose ground on the small islands. Only on some of the larger islands were organized Maroon communities able to thrive by growing crops and hunting. Here they grew in number as more Blacks escaped from plantations and joined their bands. Seeking to separate themselves from Whites, the Maroons gained in power and amid increasing hostilities, they raided and pillaged plantations and harassed planters until the planters began to fear a massive revolt of the enslaved Blacks.
Maroon is a CD album by Muslimgauze. The first edition of 1000 copies was issued in a light brown digipak with a postcard insert, the first 500 copies of which were sealed with a Palestinian Authority stamp. The album was later re-issued in December 2002 with different artwork, in a digipak with a clear tray. The album was "[d]edicated to people forced into direct action due to vile regimes."