Faces (Earth, Wind & Fire album)

Faces is the tenth studio album, a double-LP by R&B artists Earth, Wind & Fire, released in 1980 on ARC/Columbia Records. The album reached number 2 and number 10 on the Billboard Black and Pop albums charts.

It has been certified gold in the US by the RIAA. In a 2007 interview when asked which EWF album is his favorite Earth, Wind & Fire leader Maurice White replied "Probably Faces because we were really in tune, playing together and it gave us the opportunity to explore new areas".

The lead-off single was "Let Me Talk". The songs "You", and "Sparkle" followed as single releases. Unlike previous Earth, Wind and Fire albums, there was no U.S. tour in support of the album. This was also the last Earth Wind and Fire recording with guitarist Al McKay, who left the group the next year. This album is noted for featuring Steve Lukather, guitarist for EWF's label mate Toto, on the songs "Back on the Road" and "You Went Away".

2 extra interludes have been included as part of the album since the release of the Columbia Master's collection in 2011. The track "Oriental" comes directly before "Faces" while "Pipe Organ" follows it.

Faces (Star Trek: Voyager)

"Faces" is the 14th episode of Star Trek: Voyager.

Plot

Lieutenant Paris (now Junior Grade, evinced by the partially filled pip on his collar), Chief Engineer Torres and Ensign Durst fail to return from an away mission to a planet. The away team have been captured by the Vidiians, and a Vidiian scientist has used advanced medical technology to create two forms of Torres from her mixed DNA, one pure Klingon and one pure human. The scientist hopes to create a cure for the Phage, a deadly disease that afflicts his entire race, by studying the unusual resistance that Klingon metabolism has to it. Commander Chakotay takes a team to investigate and discovers that the caves in which the away team were working have shifted. They deduce that the caves are illusions: advanced holography as used by the Vidiians in a previous encounter with the Voyager crew.

The human version of Torres, meanwhile, is kept imprisoned with Paris and Durst. The Vidiian scientist studying Klingon Torres sees her going through the first symptom of severe agony, but she is fighting off the disease. Meanwhile, Paris, still in the holding cells, finds B'Elanna as a full human. While there, B'Elanna explains her origins, of how her father left when she was five and how she did everything to hide her Klingon heritage as a child. Klingon B'Elanna tries to use her feminine charm to have the scientist release her, but his desire to find a cure overrules his lust. In the holding cells, two guards arrive and take Ensign Durst. The human B'Elanna is scared as opposed to her Klingon half's relentless tenacity. After reviewing what they know from the last time the Vidiians encountered Voyager, the crew begin running simulations on how to get past the Vidiian force fields. In a naive effort to calm his prisoner, the Vidiian scientist kills Durst and uses his face to cover his Phage-ravaged features to try to better impress Klingon B'Elanna.

Faces (John Berry album)

Faces is an album released by American country music artist John Berry. It was released in 1996 by Capitol Nashville. It peaked at #9 on the Top Country Albums chart, and was certified Gold by the Recording Industry Association of America. The album's singles "Change My Mind," "She's Taken a Shine" and "I Will, If You Will" all reached Top 20 on the Hot Country Songs charts.

Track listing

  • "She's Taken a Shine" (Richard Bach, Greg Barnhill) - 3:39
  • "Change My Mind" (Jason Blume, A. J. Masters) - 3:16
  • "I Will, If You Will" (Randy Goodrum, John Barlow Jarvis) - 3:04
  • "He Doesn't Even Know Her" (Michael Bolton, Gary Burr) - 3:25
  • "Faithfully" (Chuck Jones, Pam Rose) - 3:12
  • "Livin' on Love" (Craig Fuller, Gary Nicholson) - 4:12
  • "Time to Be a Man" (John Berry, Nicholson) - 5:07
  • "Forty Again" (John Greenebaum, Troy Seals, Eddie Setser) - 3:21
  • "Love Is Everything" (Barnhill, Jim Daddario) - 3:41
  • "I Give My Heart" (Billy Kirsch, Allen Shamblin) - 3:31
  • Personnel

  • Eddie Bayers - drums
  • Barry BeckettWurlitzer electric piano
  • Everyone (film)

    Everyone is a 2004 gay-themed Canadian film written and directed by Bill Marchant. The film shot in Vancouver, British Columbia is about a gay couple, Ryan (Matt Fentiman) and Grant (Mark Hildreth) having a wedding ceremony in their backyard. They have invited the family and all the emotional baggage that comes with it.

    Cast

  • Matt Fentiman as Ryan
  • Mark Hildreth as Grant
  • Brendan Fletcher as Dylan
  • (in alphabetical order)

  • Katherine Billings as Rebecca
  • Michael Chase as Gale
  • Suzanne Hepburn as Trish
  • Bill Marchant as Shepard
  • Cara McDowell as Rachel
  • Andrew Moxham as Kalvin
  • Stephen Park as Luke
  • Carly Pope as Rena
  • Tom Scholte as Roger
  • Nancy Sivak as Madeline
  • Debra Thorne as Betty
  • Anna Williams as Jenny
  • Awards

  • 2004: Won Golden Zenith prize for "Best Film from Canada" at Montreal World Film Festival
  • 2005: Nominated for "Feature Length Drama: Best Lead Performance by a Male" for lead role actors Matt Fentiman and Mark Hildreth at Leo Awards
  • 2005: Nominated for "Feature Length Drama: Best Supporting Performance by a Male" for Brendan Fletcher
  • Tell

    A tell, or tel (from Arabic: تَل, tall,Hebrew: תֵּל,) is a type of archaeological mound created by human occupation and abandonment of a geographical site over many centuries. A classic tell looks like a low, truncated cone with a flat top and sloping sides. The term is mainly used of sites in the Middle East, where it often forms part of the local place name.

    Archaeology

    A tell is a hill created by many generations of people living and rebuilding on the same spot. Over time, the level rises, forming a mound. The single biggest contributor to the mass of a tell are mud bricks, which disintegrate rapidly. Excavating a tell can reveal buried structures such as government or military buildings, religious shrines and homes, located at different depths depending on their date of use. They often overlap horizontally, vertically, or both. Archaeologists excavate tell sites to interpret architecture, purpose, and date of occupation. Since excavating a tell is a destructive process, physicists and geophysicists have developed non-destructive methods of mapping tell sites.

    Tell (poker)

    A tell in poker is a change in a player's behavior or demeanor that is claimed by some to give clues to that player's assessment of their hand. A player gains an advantage if they observe and understand the meaning of another player's tell, particularly if the tell is unconscious and reliable. Sometimes a player may fake a tell, hoping to induce their opponents to make poor judgments in response to the false tell. More often, people try to avoid giving out a tell, by maintaining a poker face regardless of how strong or weak their hand is.

    Examples

    A tell may be common to a class of players or unique to a single player. Some possible tells include leaning forward or back, placing chips with more or less force, fidgeting, doing chip tricks, displaying nervous tics or making any changes in one's breathing, tone of voice, facial expressions, direction of gaze or in one's actions with the cards, chips, cigarettes or drinks.

    An underlying rule to many tells is: "weak means strong, strong means weak." Thus, players who hold weak poker hands attempt to convince other players at the table that they are strong: staring down an opponent, throwing chips down forcefully into the pot in an effort to discourage others from calling. Alternatively, players who hold strong hands tend to try to disguise their hand as being weak. They attempt to fly under the radar by being a passive player at the table - not making direct eye contact, softly tossing the chips in, being friendly and talkative. They are deliberately trying not to come across as intimidating, so as to entice a call.

    Tell Magazine

    Tell Magazine is a weekly magazine published in Nigeria. In 2007, BBC News described it as "one of Nigeria's most respected business magazines".

    Foundation

    Tell magazine published its first edition on 15 April 1991. All five of the founding editors had worked at Newswatch, where they learned to create in-depth, investigative feature stories. They left that magazine due to low pay and disagreements with senior management, hoping that the new magazine would be more fulfilling. Although the magazine's founders had high ambitions, they were not initially hostile to the government. However, they were determined to be free of government or political influence.

    Babangida era

    The magazine questioned whether General Ibrahim Babangida was sincere in saying he would hand over to a civilian government. The 2 May 1993 edition with headline "Transition: 21 Traps against handover" was seized, and had to be reprinted in tabloid format. Two more major seizures occurred before Babangida was forced from power in August 1993. In all, 500,000 copies were seized in the last four months of Babangida's rule. Tell's circulation rose to as many as 100,000 copies each week in the build-up to the June 1993 presidential election and in the subsequent confusion. Facing harassment from security forces, the magazine began printing underground in July 1993. On 15 August 1993 police raided the offices and arrested editor-in-chief Nosa Igiebor and editors Kola Ilori, Onome Osifo-Whiskey and Ayodele Akinkuoto. holding them for 12 days.

    Podcasts:

    PLAYLIST TIME:

    Tell Everyone

    by: Rod Stewart

    (ronnie lane)
    May the smile on your face
    Come straight from your heart
    Takes a lady like you
    To write that for me
    To wake up with you
    Makes my morning so bright
    Wipes the sleep from my eyes
    When you tell me your dreams
    And it goes on and on
    Way beyond and out of reach
    It’s a well known old secret
    Go and tell everyone
    Tell everyone
    The smile on your face
    Comes straight from your heart
    If you look you will find
    And you wrote that for me
    Ooh-hoo-hoo




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