The telex network is a switched network of teleprinters similar to a telephone network, for the purposes of sending text-based messages. The term refers to the network, not the teleprinters; point-to-point teleprinter systems had been in use long before telex exchanges were formed starting in the 1930s. Teleprinters evolved from telegraph systems, and like the telegraph they used the presence or absence of a pre-defined level of current to represent the mark or space symbols. This is as opposed to the analog telephone system, which used differing voltages to encode frequency information. For this reason, telex exchanges were entirely separate from the telephone system, with their own signalling standards, exchanges and system of "telex numbers" (the counterpart of a telephone number). When telephone and telex exchange equipment was co-located, which was not uncommon, the different signalling systems would sometimes cause interference.
Telex provided the first common medium for international record communications using standard signalling techniques and operating criteria as specified by the International Telecommunication Union. Customers on any telex exchange could deliver messages to any other, around the world. To lower line usage, telex messages were normally first encoded onto paper tape and then read into the line as quickly as possible. The system normally delivered information at 50 baud or approximately 66 words per minute encoded using the International Telegraph Alphabet No. 2. In the late days of the telex networks, end-user equipment was often replaced by modems and phone lines as well, reducing the telex network to what was effectively a directory service running on the phone network.
Telex, also known in Vietnamese as Quốc ngữ điện tín (lit. "national language telex", is a convention for encoding Vietnamese text in plain ASCII characters. Originally used for transmitting Vietnamese text over telex systems, it is now a popular input method for computers.
The Telex input method is based on a set of rules for transmitting accented Vietnamese text over telex (máy điện tín) first used in Vietnam during the 1920s and 1930s. Telex services at the time ran over infrastructure that was designed overseas to handle only a basic Latin alphabet, so a message reading "vỡ đê" ("the dam broke") could easily be misinterpreted as "vợ đẻ" ("the wife is giving birth"). Nguyễn Văn Vĩnh, a prominent journalist and translator, is credited with devising the original set of rules for telex systems.
In later decades, common computer systems came with largely the same limitations as the telex infrastructure, namely inadequate support for the large number of characters in Vietnamese. Mnemonics like Telex and Vietnamese Quoted-Readable (VIQR) were adapted for these systems. As a variable-width character encoding, Telex represents a single Vietnamese character as one, two, or three ASCII characters. By contrast, a byte-oriented code page like VISCII takes up only one byte per Vietnamese character but requires specialized software or hardware for input.
Telex was a Belgian synthpop group formed in 1978 by Marc Moulin, Dan Lacksman and Michel Moers, with the intention of "making something really European, different from rock, without guitar — and the idea was electronic music."
In 1979, mixing the aesthetics of disco, punk and experimental electronic music, they released a stripped-down synthesized cover version of "Twist à St. Tropez" by Les Chats Sauvages. They followed up with an ultra-slow cover of "Rock Around the Clock", a relaxed and dispassionate version of Plastic Bertrand's punk song "Ça Plane Pour Moi", and a mechanical cover of "Dance to the Music", originally by Sly Stone. Telex built its music entirely from electronic instruments, employing joyously irreverent humor. The group's debut album, Looking for Saint Tropez, featured the worldwide hit single "Moskow Diskow".
In 1980, Telex's manager asked the group to enter the Eurovision Song Contest. The group entered and were eventually sent to the finals, although they apparently hoped to come in last.
Mi cuerpo se hace tuyo, el tuyo mío a la vez
Se mezclan nuestras almas, deseo en nuestra piel
La noche se hace eterna para lentamente amar
Perfecto es el momento ven, vamos a empezar
Y ahora sientes que puedes tocar el cielo en mí (puedes tocar el cielo en mí)
Mientras nuestros cuerpos se humedecen enredados entre sí
Hazme tuya, sólo una vez más
Hazme mía, una eternidad
Si volvieras hacerme volar
Si me mueves al ritmo de la música, lalala…
Cálidas caricias me hacen enloquecer
Ausentes a este mundo, entregados al placer
El amanecer se acerca, testigo fiel será
Pues tus ojos reflejan claridad en tu despertar
Y ahora tu dulzura vuelve hacerme revivir (hacerme revivir)
Mi piel envulta en un abrazo despertándo junto a ti
Hazme tuya, sólo una vez más
Hazme mía, una eternidad
Si volvieras hacerme volar
Si me mueves al ritmo de la música, lalala…
Olvida el tiempo y déjate llevar
Hazme tuya una vez más, olvida el tiempo y déjame amar
Hazme tuya una vez más, olvida el tiempo y déjame amar
Hazme tuya, sólo una vez más
Hazme mía, una eternidad
Si volvieras hacerme volar
Si me mueves al ritmo de la música, lalala…