Water

Water (chemical formula: H₂O) is a transparent fluid which forms the world's streams, lakes, oceans and rain, and is the major constituent of the fluids of organisms. As a chemical compound, a water molecule contains one oxygen and two hydrogen atoms that are connected by covalent bonds. Water is a liquid at standard ambient temperature and pressure, but it often co-exists on Earth with its solid state, ice; and gaseous state, steam (water vapor). It also exists as snow, fog, dew and cloud.

Water covers 71% of the Earth's surface. It is vital for all known forms of life. On Earth, 96.5% of the planet's crust water is found in seas and oceans, 1.7% in groundwater, 1.7% in glaciers and the ice caps of Antarctica and Greenland, a small fraction in other large water bodies, and 0.001% in the air as vapor, clouds (formed of ice and liquid water suspended in air), and precipitation. Only 2.5% of this water is freshwater, and 98.8% of that water is in ice (excepting ice in clouds) and groundwater. Less than 0.3% of all freshwater is in rivers, lakes, and the atmosphere, and an even smaller amount of the Earth's freshwater (0.003%) is contained within biological bodies and manufactured products. A greater quantity of water is found in the earth's interior.

Water (Elitsa & Stoyan song)

"Water" (Bulgarian script: Вода) was the Bulgarian entry in the Eurovision Song Contest 2007, performed in Bulgarian by Elitsa Todorova & Stoyan Yankoulov. This was the first occasion on which the Bulgarian language was used on the Eurovision stage, previous Bulgarian entries being performed in English. Originally titled "Voda", the song had its title translated to English for the Contest.

The song is an up-tempo number with techno influences, as well as a jaw harp and traditional percussion. Todorova sings folk-inspired lyrics dealing with a young girl meeting a young boy riding a horse.

The performance in the semi-final featured the duo wearing what looked like armour, while they were wearing more mainstream clothes in the final. The performances were also notable for the high-energy percussion performances of both musicians.

As Bulgaria had not finished the previous Contest in the top ten, the song was performed in the semi-final. Here, it was performed first (preceding Israel's Teapacks with "Push The Button"). At the close of voting, it had received 146 points, placing 6th in a field of 28 and qualifying Bulgaria for its first final.

Water (Conor Oberst album)

Water is the debut album of Conor Oberst and the first release on Lumberjack Records, the label that would become Saddle Creek. He was only 13 years old at the time. It was released as a cassette tape, and came in 300 copies only, in five different colors on the covers (yellow, blue, green, brown and white).

Track listing

All songs by Conor Oberst.

Credits

Techno

Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

In Detroit techno resulted from the melding of African American music including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave being a notable point of reference. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".