Tearing (/ˈtiərɪŋ/), lacrimation, or lachrymation, (from Latin lacrima, meaning "tear") is the secretion of tears, which often serves to clean and lubricate the eyes in response to an irritation of the eyes. Tears formed through crying are associated with strong internal emotions, such as sorrow, elation, emotion, love, awe or pleasure. Laughing or yawning may also lead to the production of tears.
In humans, the tear film coating the eye, known as the precorneal film, has three distinct layers, from the most outer surface:
Having a thin tear film may prevent one's ability to wear contact lenses, as the amount of oxygen needed is higher than normal, and contact lenses stop oxygen from entering the eye. Eyes with thin tear film will dry out while wearing contact lenses. Special eye drops are available for contact lens wearers. Certain types of contact lenses are designed to let more oxygen through to the eye.
The lacrimal glands secrete lacrimal fluid, which flows through the main excretory ducts into the space between the eyeball and lids. When the eyes blink, the lacrimal fluid is spread across the surface of the eye. Lacrimal fluid gathers in the lacrimal lake, and is drawn into the puncta by capillary action, then flows through the lacrimal canaliculi at the inner corner of the eyelids entering the lacrimal sac, then on to the nasolacrimal duct, and finally into the nasal cavity. An excess of tears, as with strong emotion, can thus cause the nose to run.
Instant Pleasure is Rockell's second album, released on October 10, 2000 on Robbins Entertainment. It is more pop oriented than her debut and was mostly produced by Tony Moran and Hex Hector. The album features the hit singles "What U Did 2 Me", "Tears" and "The Dance".
Singles - Billboard (North America)
2112 (pronounced "twenty-one twelve") is the fourth studio album by Canadian rock band Rush. Released on April 1, 1976, it features the seven-part title suite composed by Geddy Lee and Alex Lifeson, with lyrics written by Neil Peart telling a dystopian story set in the year 2112. It is sometimes described as a concept album although the songs on the second side are unrelated to the suite. Rush repeated this arrangement on the 1978 album Hemispheres.
2112 is one of two Rush albums listed in the book 1001 Albums You Must Hear Before You Die (the other being Moving Pictures). In 2006, a poll of Planet Rock listeners picked 2112 as the definitive Rush album. In 2012, it was ranked second on Rolling Stone's list of 'Your Favorite Prog Rock Albums of All Time', as voted for in a reader's poll, one of three Rush albums included (the others being Moving Pictures and Hemispheres).
A deluxe edition was released in 2012 as both a CD/DVD and a CD/Blu-ray. The CD featured the entire album remastered, as well as three live bonus tracks from their 1981 concert at Northlands Coliseum. The DVD and Blu-ray included the album in three different HD formats, as well as on-screen lyrics, liner notes, and a digital comic book depicting the story of the title track.
You know what's makin' me mad?
Day after day I'm catchin' all of this slack
Seems you gotta wear a suit, unless you wanna jacked
'Cause in the '90s, y'all, these fools got a set of them thangs
Where if you ain't wearin' a three-piece suit, you gotta gang bang
I walked in a rest', 'bout to order
And people starin' like I had manure on my pants
Grabbin' they purse, checkin' they wallets in the back
And thinkin' I'ma rob em, 'cause I'm in all black
Yo, my Corduroys are cuffed with a crease down the middle
Snake skin around my waist, so my pants hang a little
But I don't deal the package of crack
So what's the reason for the dirty looks?
Yo, check my name in your books
Seem like every time I slap on my Starter cap
And step for a breath of fresh air
I end up fillin' up a questionnaire
"What's your name?" "Where you're goin?"
"Yo, what gang are you from?"
They tell me "Don't get smart" and so I play dumb
'Cause when I tell em where I stay, it doesn't get better
Live in South Central, they assume you got a jail record
A stereotypical attitude
That if you look like me, you gotta run with a crew
'Cause when I step upon the scene everybody's gettin' petrol
No matter what the color
(What's up?)
I'm gettin' sweated for my dress code
(Wear a shirt and tie and run with the creeps)
(That's why they dress just like suckers)
(Ha?)
(Suckers)
(What?)
(Suckers)
What is this, a prison? I'm buggin' off the way that I'm livin'
Seems everywhere I turn I'm assumin' the position
At school I'm gettin' tired of hearin' the same old thing
Here come the rickety security, sweatin me for my earring
I don't carry a gun, though they consider me a threat
I guess I got em scared by the way that I dress
Unlike you I couldn't afford to shop at Macy's or Penny's
So it's off to the swap meet for a fresh pair of Dickey's
So what you're tellin' me, is now I'm a crook
Who wrote the book on how a kid in my position's supposed to look?
Get me a fade and a pair of tight pants
I get a chance with the girls who wouldn't give me a glance
A big funny lookin' hat just to cover my naps
A pair of patten leather shoes might keep me out of scraps
If I made that turn, it might save me some trouble
But I gotta watch my back, on the alert for a squabble
Don't go here, don't go there, brothers comin' up missin'
Got a pocket full of money, and I'm still getttin' dissed
'Cause it's a scam or a phase of my life that I'm goin' through
If you dress like me, you gotta run with a crew
I'm tickin' like a time bomb, ready to explode
Even in my front yard
(What's up?)
I'm gettin' sweated for my dress code
(Alright, fellas, no tennis shoes, no hats, no khakis, alright?)
Let's take a trip to the club scene
(Somebody tell me what's goin' on)
You gotta wear a silk shirt just to dance to a funky song
Bouncers makin' enemies for minimum wage
But they're the first ones to run when the club gets sprayed
Don't wanna let me in, because I'm wearin' my beeper
And if you're sportin' gold, then you gotta be a dope dealer
(I paid 17.50 to hear a funky rhyme flow
And they're sweatin' at the do' like I just entered a fashion show)
Yo, they put a curfew on Westwood, to keep me in my neighborhood
My hat's to the back, so I must be up to no good
(I got a jacket on my back for the fact that I rap
And they heard I was from Compton, so they ran they pennies back)
Scared of me for what, no, I don't wear tux
And if I ever got a Grammy, man, I'd bail in some Chuck
Tailors to show the whole world it's alright to be yourself
Should I change the way I dress, so I can look like the rest?
Wearin' red, black and green, but they don't know what it means
Put on a African medallion, now they're down with the team
Penetratin' for a click, first they wouldn't, now they switched
But they ain't gettin' rich
(Ain't that a bitch?)
Go strike a GQ pose, I got soul in my stroll
So they ban my video
(For what?)