Tear

Tear may refer to:

People

Books and poetry

Games

Film

Music

Albums

Songs

Turntablism

Turntablism is the art of manipulating sounds and creating music using turntables and a DJ mixer. Turntablists generally prefer direct-drive turntables over belt-driven or other types. The word turntablist was originated / developed by Luis "DJ Disk" Quintanilla (Primus, Herbie Hancock, Invisibl Skratch Piklz). And after a phone conversation with Disk, it was later "coined" and used in 1995 by DJ Babu to describe the difference between a DJ who simply plays records and one who performs by physically manipulating the records, stylus, and mixer to produce sounds. The new term coincided with the resurgence of hip-hop DJing in the 1990s.

John Oswald described the art: "A phonograph in the hands of a 'hiphop/scratch' artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced—the record player becomes a musical instrument."

Some turntablists use turntable techniques like beat mixing/matching, scratching, and beat juggling. Some turntablists seek to have themselves recognized as traditional musicians capable of interacting and improvising with other performers.

The Wheel of Time

The Wheel of Time is a series of high fantasy novels written by American author James Oliver Rigney Jr., under the pen name Robert Jordan. Originally planned as a six-book series, The Wheel of Time spanned fourteen volumes, in addition to a prequel novel and a companion book. Jordan began writing the first volume, The Eye of the World, in 1984. It was published in January 1990.

The author died in 2007 while working on what was planned to be the twelfth and final volume in the series. He prepared extensive notes so another author could complete the book according to his wishes. Fellow fantasy author and long-time Wheel of Time fan Brandon Sanderson was brought in to complete the final book, but during the writing process it was decided that the book would be far too large to be published in one volume and would instead be published as three volumes:The Gathering Storm (2009), Towers of Midnight (2010), and A Memory of Light (2013).

The series draws on numerous elements of both European and Asian mythology, most notably the cyclical nature of time found in Buddhism and Hinduism, the metaphysical concepts of balance and duality, and a respect for nature found in Daoism. Additionally, its creation story has similarities to Christianity's "Creator" (Light) and Shai'tan, "The Dark One" (Shaytan is an Arabic word that in religious contexts is used as a name for the Devil). It was also partly inspired by Leo Tolstoy's War and Peace (1869).

Tusk

Tusks are elongated, continuously growing front teeth, usually but not always in pairs, that protrude well beyond the mouth of certain mammal species. They are most commonly canines, as with warthogs, pig, and walruses, or, in the case of elephants, elongated incisors. In most tusked species both the males and the females have tusks although the males' are larger. Tusks are generally curved, though the narwhal's sole tusk is straight and has a helical structure. In the elephant, the tusks were originally second incisors. Continuous growth is enabled by formative tissues in the apical openings of the roots of the teeth.

Uses

Tusks have a variety of uses depending on the animal. Social displays of dominance, particularly among males, are common, as is their use in defence against attackers. Elephants use their tusks as digging and boring tools. Walruses use their tusks to grip on ice and to haul out on ice. The presence of a tusk in only the male narwhals suggests that for these whales the tusk is a secondary sex characteristic.

Tusk (mascot)

Tusk is the name of the official live mascot for the University of Arkansas Razorbacks. The current live mascot is Tusk IV. All Tusks so far have been male (female swine do not have tusks) and from the same lineage.

Tusk travels to every home football game at Fayetteville or Little Rock, certain away football games such as the annual Southwest Classic game against Texas A&M in Dallas and some bowl games, occasional home basketball and baseball games, as well as other select events (such as pep rallies). Tusk is put into a spacious cardinal red holding pen which travels through the crowds, with the cheerleaders on the upper level, making him a crowd favorite. During the actual game, Tusk is moved into Donald W. Reynolds Razorback Stadium where he can be seen by the entire crowd. Tusk has been trained to give kisses to people who are brave enough to do so.

Tusk occupies a 9,000-square-foot (840 m²) indoor facility and a 7,000-square-foot (650 m²) fenced outdoor area just outside Dardanelle, Arkansas. He uses the indoor facility to escape the heat and sun, and the outdoor facility provides him the opportunity to slop in several mud holes. One of the first things that Tusk does each day is to go straight to his mud hole for a mud bath. Since Razorbacks are extremely muscular and have very little body fat, the mud keeps him cooler throughout the day and protects him from the sun and insects. Before any official functions he must attend, Tusk is given a shampoo and wash to make sure he looks his best for the public.

Tusk (album)

Tusk is the twelfth album by the British/American rock band Fleetwood Mac. Released in 1979, it is considered experimental, primarily due to Lindsey Buckingham's sparser songwriting arrangements and the influence of punk rock and new wave on his production techniques. Bassist John McVie has commented that the album sounds like "the work of three solo artists" (Buckingham, Stevie Nicks and Christine McVie), whilst Mick Fleetwood later proclaimed that it is his favourite and the best Fleetwood Mac studio album created by the group. Costing over $1 million to record (a fact widely noted in the 1979 press), it was the most expensive rock album made up to that point.

Tusk peaked at No. 4 in the U.S., spent over five months within the top 40, and was certified double platinum for shipping two million copies. It peaked at No. 1 in the UK and achieved a Platinum award for shipments in excess of 300,000 copies. The album gave the group two U.S. top-ten hit singles, with the Buckingham-penned title track (US #8/UK #6), and the Stevie Nicks composition "Sara" (U.S. #7/UK #37). Further releases from the album, "Not That Funny" (UK only single release), "Think About Me" and "Sisters of the Moon" were less successful; however, the latter two appear in their 'single versions' on the 2002 compilation The Very Best of Fleetwood Mac. "Sara" was cut to 4½ minutes for both the single and the first CD release of the album, but the unedited version has since been restored on the 1988 Greatest Hits compilation and the 2004 reissue of Tusk as well as Fleetwood Mac's 2002 release of The Very Best of Fleetwood Mac. Original guitarist Peter Green also took part in the sessions for Tusk, but his playing on the Christine McVie track "Brown Eyes" is not credited on the album. However, on the alternate version (at 30 seconds longer) that was released on 25 Years – The Chain, Green's distinctive guitar playing can be recognized, especially at the end of the song.