Gordon MacRae (March 12, 1921 – January 24, 1986) was an American actor and singer, best known for his appearances in the film versions of two Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956), and playing Bill Sherman in On Moonlight Bay (1951) and By The Light of the Silvery Moon (1953).
Born Albert Gordon MacRae in East Orange in Essex County in northeastern New Jersey, MacRae graduated in 1940 from Deerfield Academy in Deerfield, Massachusetts, and he thereafter served as a navigator in the United States Army Air Forces during World War II. Prior to this, he attended Nottingham High School in Syracuse, New York.
He made his Broadway debut in 1942, acquiring his first recording contract soon afterwards. Many of his hit recordings were made with Jo Stafford. It was in 1948 that he appeared in his first film, The Big Punch, a drama about boxing. He soon began an on-screen partnership with Doris Day and appeared with her in several films.
In 1950, he starred with Doris Day in "Tea for Two" (a reworking of "No, No, Nanette"), then in 1951, he starred again with Doris Day in On Moonlight Bay, followed by the 1953 sequel By the Light of the Silvery Moon. That same year, he also starred opposite Kathryn Grayson in the third film version of The Desert Song. This was followed by leading roles in two major films of Rodgers and Hammerstein musicals, Oklahoma! (1955) and Carousel (1956), both films opposite Shirley Jones.
Tea for Two can refer to:
Tea for Two is a 1950 American musical film directed by David Butler. The screenplay by Harry Clork and William Jacobs was inspired by the 1925 stage musical No, No, Nanette, although the plot was changed considerably from the original book by Otto Harbach and Frank Mandel; and the score by Harbach, Irving Caesar, and Vincent Youmans was augmented with tunes by other composers.
Set in the Roaring Twenties, the story centers on Nanette Carter (Doris Day), a Westchester socialite with show business aspirations. She offers to invest $25,000 in a Broadway show if her boyfriend, producer Larry Blair (Billy De Wolfe), casts her in the starring role. What she doesn't realize is Larry is two-timing her with ingenue Beatrice Darcy (Patrice Wymore), whom he envisions as the lead. When he accepts Nanette's offer, she imposes upon her wealthy, penny-pinching uncle, J. Maxwell Bloomhaus (S.Z. Sakall), to lend her the money.
He's willing to do so, on one condition - for the next 24 hours, his niece must answer "no" to every question she's asked. Comic complications ensue when the cast arrives at Nanette's estate to rehearse; and composer and pianist Jimmy Smith, who has romantic designs on the girl, falls victim to the bet she's made with her uncle. Nanette wins, only to discover Uncle Max has lost all his money in the stock market crash. The only person still solvent is attorney William Early (Bill Goodwin), and Nanette's assistant Pauline Hastings (Eve Arden) sets out to charm him into backing the show.
Tea for Two was a 10" LP album released by Columbia Records on September 4, 1950 under catalog number CL-6149, featuring Doris Day, with Axel Stordahl conducting the orchestra on some pieces, and the Page Cavanaugh Trio as backup musicians on others. It contained songs from the soundtrack of the movie of the same name.
When they begin the beguine
It brings back the sound of music so tender,
It brings back a night of tropical splendor,
It brings back a memory ever green.
I'm with you once more under the stars,
And down by the shore an orchestra's playing
And even the palms seem to be swaying
When they begin the beguine.
To live it again is past all endeavor,
Except when that tune clutches my heart,
And there we are, swearing to love forever,
And promising never, never to part.
What moments divine, what rapture serene,
Till clouds came along to disperse the joys we had
tasted,
And now when I hear people curse the chance that was
wasted,
I know but too well what they mean;
So don't let them begin the beguine
Let the love that was once a fire remain an ember;
Let it sleep like the dead desire I only remember
When they begin the beguine.
Oh yes, let them begin the beguine, make them play
Till the stars that were there before return above you,
Till you whisper to me once more,
Darling, I love you!
And we suddenly know What heaven we're in,
When they begin the beguine