Taxi! is a 1932 American Pre-Code film starring James Cagney and Loretta Young. The movie was directed by Roy Del Ruth.
The film includes two famous Cagney dialogues, one of which features Cagney conducting a conversation with a passenger in Yiddish, and the other when Cagney is speaking to his brother's killer through a locked closet, "Come out and take it, you dirty yellow-bellied rat, or I'll give it to you through the door!." The provenance of this sequence led to Cagney being famously misquoted as saying, "You dirty rat, you killed my brother."
Also, Taxi! marks the first occasion when Cagney dances on screen, as Matt and Sue enter a Peabody contest at a nightclub. To play his competitor in a ballroom dance contest, Cagney recommended his pal, fellow tough-guy-dancer George Raft, who was uncredited in the film. In a lengthy and memorable sequence, he scene culminates with Raft and his partner winning the dance contest against Cagney and Young, after which Cagney slugs Raft and knocks him down. As in The Public Enemy (1931), several scenes in Taxi! involved the use of live machine-gun bullets. After a few of the bullets narrowly missed Cagney's head, he outlawed the practice in his future films.
A taxicab, also known as a taxi or a cab, is a type of vehicle for hire with a driver, used by a single passenger or small group of passengers, often for a non-shared ride. A taxicab conveys passengers between locations of their choice. This differs from other modes of public transport where the pick-up and drop-off locations are determined by the service provider, not by the passenger, although demand responsive transport and share taxis provide a hybrid bus/taxi mode.
There are four distinct forms of taxicab, which can be identified by slightly differing terms in different countries:
Taxi is the eighth solo studio album by Bryan Ferry, the former lead vocalist for Roxy Music. The album was released on Virgin Records in April 1993, over five years after the release of his previous album Bête Noire. This was Ferry's third solo album since the second demise of Roxy Music in 1983, ten years earlier. The album was a commercial and critical success, peaking at No. 2 in the U.K., it was certified Gold by the BPI.
The first single, "I Put A Spell On You" was the album's only top 20 hit in the U.K., peaking at No. 18. The second single, "Will You Love Me Tomorrow" narrowly missed the U.K. top 20, peaking at No. 23. The third and final single, "Girl Of My Best Friend" peaked at 57.
When Ferry was asked about the album, he said "Since I started work on the Taxi album, everything has gone great for me. The last two years have been terrific, but I had three or four miserable years. Doing the Taxi album was the start of getting things right. Just getting something done quickly and efficiently was very gratifying. Finishing something I liked and getting back into singing again, getting away from my own writing temporarily was a good thing."
Acid is a computer virus which infects .COM and .EXE files including command.com. Each time an infected file is executed, Acid infects all of the .EXE files in the current directory. Later, if an infected file is executed, it infects the .COM files in the current directory. Programs infected with Acid will have had the first 792 bytes of the host program overwritten with Acid's own code. There will be no file length increase unless the original host program was smaller than 792 bytes, in which case it will become 792 bytes in length. The program's date and time in the DOS disk directory listing will not be altered.
The following text strings are found in infected files:
In computer science, ACID (Atomicity, Consistency, Isolation, Durability) is a set of properties that guarantee that database transactions are processed reliably. In the context of databases, a single logical operation on the data is called a transaction. For example, a transfer of funds from one bank account to another, even involving multiple changes such as debiting one account and crediting another, is a single transaction.
Jim Gray defined these properties of a reliable transaction system in the late 1970s and developed technologies to achieve them automatically.
In 1983, Andreas Reuter and Theo Härder coined the acronym ACID to describe them.
The characteristics of these four properties as defined by Reuter and Härder:
Atomicity requires that each transaction be "all or nothing": if one part of the transaction fails, the entire transaction fails, and the database state is left unchanged. An atomic system must guarantee atomicity in each and every situation, including power failures, errors, and crashes. To the outside world, a committed transaction appears (by its effects on the database) to be indivisible ("atomic"), and an aborted transaction does not happen.
ACiD Productions (ACiD) is a digital art group. Founded in 1990, the group originally specialized in ANSI artwork for BBSes. More recently, they have extended their reach into other graphical media and computer software development. During the BBS-era, their biggest competitor was iCE Advertisements.
ACiD Productions was founded in 1990 as ANSI Creators in Demand by five members: RaD Man, Shadow Demon, Grimm, The Beholder, and Phantom. Their work originally concentrated in ANSI and ASCII art, but the group later branched out into other artistic media such as tracker music, demo coding, and multimedia software development (e.g., image viewers). Membership rose from five members in 1990 to well over seven hundred by 2003.
In the mid-1990s, ACiD created subsidiary groups responsible for these broader areas. For example, Remorse is the official ACiD sub-label responsible for ASCII art and other text-based graphics. Similarly, pHluid is responsible for module tracking and music production, and ACiDic handles bulletin board software modification and enhancement.
(R. Pollard)
{chorus}
Come to me
Say you will say you won't
Come to me
Say you will say you won't
Come to me
Say you will say you won't
Come to me
Say you will say you won't
And I must get high workin that line
And I must get high workin that line
Don't hide come to me
I'm workin that mile -Don't hide come to me