Tartuffe, or The Impostor, or The Hypocrite (/tɑːrˈtʊf, -ˈtuːf/;French: Tartuffe, ou l'Imposteur, pronounced: [taʁtyf u lɛ̃pɔstœʁ]), first performed in 1664, is one of the most famous theatrical comedies by Molière. The characters of Tartuffe, Elmire, and Orgon are considered among the greatest classical theatre roles.
Molière wrote Tartuffe in 1664. Almost immediately following its first performance that same year at the Versailles fêtes, it was censored by King Louis XIV, probably due to the influence of the archbishop of Paris, Paul Philippe Hardouin de Beaumont de Péréfixe, who was the King's confessor and had been his tutor. While the king had little personal interest in suppressing the play, he did so because, as stated in the official account of the fête:
"...although it was found to be extremely diverting, the king recognized so much conformity between those that a true devotion leads on the path to heaven and those that a vain ostentation of some good works does not prevent from committing some bad ones, that his extreme delicacy to religious matters can not suffer this resemblance of vice to virtue, which could be mistaken for each other; although one does not doubt the good intentions of the author, even so he forbids it in public, and deprived himself of this pleasure, in order not to allow it to be abused by others, less capable of making a just discernment of it."
Tartuffe (Herr Tartüff) is a German silent film produced by Erich Pommer for UFA and released in 1926. It was directed by F. W. Murnau, photographed by Karl Freund and written by Carl Mayer from Molière's original play. Set design and costumes were by Robert Herlth and Walter Röhrig.
The film starred Emil Jannings as Tartuffe, Lil Dagover as Elmire and Werner Krauss as Orgon.
Based on the play Tartuffe, the film retains the basic plot, but Murnau and Mayer pared down Molière's play, eliminating most of the secondary characters and concentrating on the triangle of Orgon, Elmire and Tartuffe. They also introduced a framing device, whereby the story of Tartuffe becomes a film-within-a-film, shown by a young actor as a device to warn his grandfather about his unctuous but evil housekeeper.
I saw some photos of a happy family
Hanging up on the thrift shop wall
I paid the man and i brought them back home
I feel better now when they don't call
Every once in a while
I see your face when i stare at the ceiling
I truly regret
The day i wrote you off
Always dreamed that one day i'd leave home
And now i do it again and again
And here i go looking for my new home
Or shall i say looking for a best friend
Every once in a while
I see your face when i stare at the ceiling
I truly regret