Bhoomi is the Prakrit word for Earth and may refer to:
Bhoomi is a project jointly funded by the Government of India and the Government of Karnataka to digitize the paper land records and create a software mechanism to control changes to the land registry in Karnataka. The project was designed to eliminate the long-standing problem of inefficiency and corruption in the maintenance of land records at dispersed and poorly supervised and audited block-level offices known as "taluka" offices in South India and "tehsildar" offices in North India. The project development and implementation was done by National Informatics Centre.
Many experiments with computerization have failed due to corruption and other factors.
Bhoomi (ভূমি)(literally means earth) is a Bengali urban folk music group based in Kolkata, West Bengal, India. Starting its journey in 1999 it soon become hugely popular and performed in various local, national and international platforms. In July 2006 they performed at the United Nations headquarters in New York. Bhoomi has also performed in Montreal Jazz Festival in 2008.
This is the only band which defines its music as ‘urban folk'. The band uses a fusion of modern, urban lyrics with rural Bengali folk tunes like baul, which was a very early style of music by wandering minstrels in rural Bengal or Bhatiyali (traditionally sung by the boatmen on the Ganges and also the Padma in Bangladesh). They have also re-done (remix would be an injustice to the band's style) old folk songs which were unknown to the modern day urban Bengali and revived such gems with an infusion of fresh music and a lively spirit and pep to the old songs.
The band's efforts have been to expand their brand of urban music beyond the college campus and youth circuit to the older listeners. One of their main inspirations behind their music is everyday city life, which they experience and which is experienced by so many people everywhere.
Taree is a town on the Mid North Coast, New South Wales, Australia. Taree and nearby Cundletown were settled in 1831 by William Wynter. Since then Taree has grown to a population of around 20,000 people and is the centre of a significant agricultural district. It is 16 km from the sea coast, and 317 km north of Sydney. Taree can be reached by train via the North Coast Railway, and by the Pacific Highway.
Taree is within the local government area of the City of Greater Taree, the state electorate of Myall Lakes and the Federal electorate of Lyne.
The name Taree is derived from "tareebit" the local native Biripi word meaning tree by the river, or more specifically, the Sandpaper Fig (Ficus coronata).
Taree was laid out as a private town in 1854 by Henry Flett, the son-in-law of William Wynter who had originally settled the area in 1831. 100 acres (40 ha) had been set aside for the private township and 40 lots were initially sold. Taree was declared a municipality on 26 March 1885 and the first municipal council was elected by the residents. In 1844, the government of New South Wales had established Wingham at the head of navigation of the Manning River as its administrative centre which hindered Taree becoming the major centre of the region.
Taree may refer to:
"Taree" is a song by American rock band Soundgarden. Written by bassist Ben Shepherd (music) and frontman Chris Cornell (lyrics), the song appears as the seventh track on the band’s sixth studio album, King Animal (2012).
Before releasing King Animal, Soundgarden uploaded a string of promotional commentary videos, shot in the Moore Theatre in Seattle, Washington, to its official YouTube account in October and early November 2012. A video involving guitarist Kim Thayil and bassist Ben Shepherd discussing "Taree" was posted online on November 4, 2012, although it had already premiered on MSN two days earlier. In this interview, Shepherd stated that he wrote the music to "Taree" prior to the disbanding of Soundgarden in April 1997:
Shepherd added that in the years following the only singers he expected to record in "Taree" were Cornell, Mark Lanegan, or Paul Rodgers. He did a demo of the song with Soundgarden drummer Matt Cameron while making his solo album In Deep Owl, and decided to show it to the band once King Animal went into production. According to Metro, the song is in 14/4 time. In the past, Kim Thayil has said that Soundgarden usually did not consider the time signature of a song, until after the band had written it, and said that the use of unorthodox meters was ‘‘a total accident.’’ Additionally, Thayil uses the wah wah pedal, sometimes cited as being his signature effect, on the track.