Tarantula (film)

Tarantula is a 1955 American science fiction film from Universal-International, produced by William Alland, directed by Jack Arnold, and starring John Agar, Mara Corday and Leo G. Carroll. The screenplay by Robert M. Fresco and Martin Berkeley was based on a story by Arnold but inspired by Fresco's teleplay for the Science Fiction Theatre episode, "No Food for Thought", which was aired on May 14, 1955.

Plot

A man with Neanderthal features and wearing pajamas stumbles through the Arizona desert, falls and dies. Dr. Matt Hastings (John Agar), a bright, handsome and sympathetic doctor from the small town of Desert Rock, is called to view the body. Asked to give an opinion as to cause of death, he finds himself perplexed. Surprised to learn the deceased was someone he knew – biological research scientist Eric Jacobs – Dr. Hastings suggests he be given permission to perform an autopsy to learn why the man's face is distorted beyond recognition. The sheriff refuses, judging an autopsy unnecessary as Jacobs' associate, Dr. Gerald Deemer (Leo G. Carroll), signed the death certificate and there is no indication of foul play.

Tarantula

Tarantulas comprise a group of large and often hairy arachnids belonging to the Theraphosidae family of spiders, of which approximately 900 species have been identified. This article only describes members of Theraphosidae, although some other members of the same suborder are commonly referred to as "tarantulas". Most species of tarantulas are not dangerous to humans, and some species have become popular in the exotic pet trade.

Overview

Like all arthropods, the tarantula is an invertebrate that relies on an exoskeleton for muscular support. Like other Arachnida a tarantula’s body comprises two main parts, the prosoma (or cephalothorax) and the opisthosoma (or abdomen). The prosoma and opisthosoma are connected by the pedicel, or pregenital somite. This waist-like connecting piece is actually part of the prosoma and allows the opisthosoma to move in a wide range of motion relative to the prosoma.

Tarantulas sizes range from as small as a fingernail to as large as a dinner plate when the legs are fully extended. Depending on the species, the body length of tarantulas ranges from 2.5 to 10 centimetres (1 to 4 in), with leg spans of 8–30-centimetre (3–12 in). Leg span is determined by measuring from the tip of the back leg to the tip of the front leg on the opposite side. Some of the largest species of tarantula may weigh over 85 grams (3 oz); the largest of all, the goliath birdeater (Theraphosa blondi) from Venezuela and Brazil, has been reported to attain a weight of 150 grams (5.3 oz) and a leg-span of up to 30 centimetres (12 in), males being longer and females greater in girth.

Tarantula (DC Comics)

The Tarantula is the name of two fictional comic book characters owned by DC Comics that exist in that company's DC Universe.

John Law

The original Tarantula was a character prominent in the 1940s named John Law. He first appeared in Star-Spangled Comics #1 (October 1941). In his initial Golden Age appearances he wore a yellow-and-purple costume that bore strong resemblance to Wesley Dodds' second Sandman costume. This was later explained in a retcon in the pages of All-Star Squadron as coming from Dodds' associate, Dian Belmont.

Fictional character biography

Tarantula was inspired to be a mystery man by the Crimson Avenger in the days when America entered World War II. The Tarantula possessed no super-abilities, but relied on several gimmicks and his quick wits. He was trained in hand-to-hand combat, as well as some acrobatics, and had a passing interest in stage make-up and stage magic. He used suction cups attached to the soles on his boots to allow him to walk up walls and hang from ceilings. He used a "web-gun" (despite the fact tarantulas don't spin webs) which fired a string of fast-hardening nylon that was used to swing from one anchored point to another. He was even called a "spider man," decades before the "other" Spider-Man made his debut.

Tarantula (Flickerstick album)

Tarantula is the second studio album released on October 12, 2004, by Flickerstick via Idol Records.

Track listing

All songs written by Brandin Lea and Cory Kreig.

1. "Catholic Scars and Chocolate Bars" (4:34)
2. "When You Were Young" (4:15)
3. "Teenage Dope Fiend" (2:49) (released as a single)
4. "Bleeding" (7:33)
5. "Never Enough" (4:38)
6. "The Tourist" (3:51)
7. "Money & Dealers" (3:33)
8. "Girls & Pills" (3:03)
9. "All We Are Is Gone" (6:29)
10. "Rain" (2:47)
11. "Pistol in My Hand" (6:51)
12. "The Ones" (5:12)

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.

List of film periodicals

Film periodicals combine discussion of individual films, genres and directors with in-depth considerations of the medium and the conditions of its production and reception. Their articles contrast with film reviewing in newspapers and magazines which principally serve as a consumer guide to movies.

Magazines and trade publications

Scholarly journals

References

Bibliography