Tar (band)

Tar was an American post-hardcore band, formed in 1988 in Chicago, Illinois. Throughout their career they released four studio albums, two extended plays, and a number of singles before breaking up in 1995. They were known for their dry sense of humor.

History

The precursor to Tar was a hardcore punk outfit called Blatant Dissent, which formed in DeKalb, Illinois where singer/guitarist John Mohr and drummer Mike Greenlees were attending Northern Illinois University. Joining Mohr and Greenlees in Tar were original bassist Tim Mescher (only until 1991 and who also played for Snailboy), bassist Tom Zaluckyj and guitarist Mark Zablocki. Zaluckyj and Mohr played unique instruments, crafted of aluminum, designed by Ian Schneller of Specimen Products.

The band released albums on the Amphetamine Reptile and Touch and Go Records labels before disbanding in 1995. During its career, the band released a total of four singles, four albums, two mini albums, and contributed songs to six compilations and split singles. The band toured nationally and internationally with bands such as Jawbox, Arcwelder, and the Jesus Lizard. In 1994 the band made the decision to call it quits after releasing one final album.Over and Out was written and recorded over a period of a year and a half, produced by the band and engineered by Steve Albini and Bob Weston, and released in 1995.

+/- (band)

+/-, or Plus/Minus, is an American indietronic band formed in 2001. The band makes use of both electronic and traditional instruments, and has sought to use electronics to recreate traditional indie rock song forms and instrumental structures. The group has released two albums on each of the American indie labels Teenbeat Records and Absolutely Kosher, and their track "All I do" was prominently featured in the soundtrack for the major film Wicker Park. The group has developed a devoted following in Japan and Taiwan, and has toured there frequently. Although many artists append bonus tracks onto the end of Japanese album releases to discourage purchasers from buying cheaper US import versions, the overseas versions of +/- albums are usually quite different from the US versions - tracklists can be rearranged, artwork with noticeable changes is used, and tracks from the US version can be replaced as well as augmented by bonus tracks.

History

Bandō

Bandō may refer to:

People

Other

See also

Bando (disambiguation)

Rede Bandeirantes

Rede Bandeirantes (Portuguese pronunciation: [ˈʁedʒi bɐ̃dejˈɾɐ̃tʃis], Bandeirantes Network), officially nicknamed Band, is a television network from Brazil, based in São Paulo. Part of the Grupo Bandeirantes de Comunicação, it aired for the first time in 1967. Currently, is the fourth TV network in Brazil by the ratings.

History

Rede Bandeirantes was founded on May 13, 1967, by João Saad, nephew of São Paulo state governor Ademar de Barros and owner of Rádio Bandeirantes. In 1969 the main TV building suffered a massive fire, which forced Saad to replace his broadcasting equipment with new ones. By 1972, TV Bandeirantes was the first Brazilian television network to fully broadcast in color, the same year that Rede Globo did the same. Later in the 1970s Bandeirantes became a national broadcasting network, helped partly by the hit Saturday afternoon program Clube do Bolinha, the Japan-theme program Japan Pop Show and a 2nd wave of drama programs which started in 1979.

Walter Clark took over the network in 1982 and remodeled the station's programming after Rede Globo, while the network's present logo debuted that same year, with Cyro Del Nero as its designer, the very logo was also shown nationwide given the fact that it - together with Rede Globo - had also at the same time began nationwide satellite broadcasting as well. This was also the same year that the network began a 18-year tradition of broadcasting the biannual electoral debates in the local levels.

Tarì

A tarì (طري lit. "fresh" or "newly minted money" in Arabic) was the Christian designation of a type of gold coin of Islamic origin minted in Sicily, Malta and Southern Italy from about 913 to 1859.

History

In the Islamic world, this type of coin was designated under the name ruba'i, or quarter-dinar, as it weighed 1.05g of gold. The ruba'i had been minted by the Muslims in Sicily, unlike the Muslim rulers of North Africa, who preferred the larger dinar. It became highly popular as it was smaller and therefore more convenient than the large-sized 4.25g dinar.

The tarì were so widespread that imitations were made in southern Italy (Amalfi and Salerno) from the mid-tenth century, which only used illegible "pseudo-Kufic" imitations of Arabic. When the Normans invaded Sicily in the 12th century, they issued tarì coins bearing legends in Arabic and Latin.Roger II of Sicily issued such coins, becoming the only Western ruler at that time to mint gold coins. Their title was 16¹⁄₃ carat, with some adjunction of silver and copper. The tarì were also produced by the Hohenstaufens and the early Angevins.

The Color of Time

The Color of Time (aka Tar) is a 2012 drama film written and directed by twelve New York University film students: Edna Luise Biesold, Sarah-Violet Bliss, Gabrielle Demeestere, Alexis Gambis, Shruti Ganguly, Brooke Goldfinch, Shripriya Mahesh, Pamela Romanowsky, Bruce Thierry Cheung, Tine Thomasen, Virginia Urreiztieta and Omar Zúñiga Hidalgo. It stars James Franco, Henry Hopper, Mila Kunis, Jessica Chastain and Zach Braff. It premiered on November 16, 2012 at the Rome Film Festival. It was released in the United Kingdom in 2014 under the new title Forever Love. The film was released in the United States in theaters and on demand beginning on December 12, 2014.

Plot

The different parts of Pulitzer Prize winner C.K. Williams' life told through his poems. Flashbacks of his childhood, his teens, college years, to when he meets and marries his wife, Catherine (Kunis) and the birth of his children and parenthood. The film is narrated by different versions of Williams (Franco, Hopper, March, Unger), depicting the different aspects of Williams through the years.

Tar (Azerbaijani instrument)

Craftsmanship and performance of the tar and the skills related to this tradition play a significant role in shaping the cultural identity of Azerbaijanis. The Tar (Persian: تار‎‎) is a long-necked plucked lute, traditionally crafted and performed in communities throughout Azerbaijan and Iran. Tar features alone or with other instruments in numerous traditional musical styles. It also considered by many to be the country’s leading musical instrument.

In 2012 art of Azerbaijani craftsmanship and performance art of the tar was added to the Representative List of the Intangible Cultural Heritage of Humanity.

Craftsmanship

Tar makers transmit their skills to apprentices, often within the family. Craftsmanship begins with careful selection of materials for the instrument: mulberry wood for the body, nut wood for the neck, and pear wood for the tuning pegs. Using various tools, crafters create a hollow body in the form of a figure eight, which is then covered with the thin pericardium of an ox. The fretted neck is affixed, metal strings are added and the body is inlaid with mother-of-pearl.