À gogo

À gogo may refer to:

Art, entertainment, and media

See also

Go-go

Go-go is a popular music subgenre associated with funk that originated in the Washington, D.C., area during the mid-1960s to late-'70s. It remains primarily popular in the area as a uniquely regional music style. A great number of bands contributed to the early evolution of the genre, but the Young Senators, Black Heat, and singer-guitarist Chuck Brown and the Soul Searchers are credited with having developed most of the hallmarks of the style.

Inspired by artists such as the groups mentioned above, go-go is a blend of funk, rhythm and blues, and early hip-hop, with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion.

In technical terms, "Go-go's essential beat is characterized by a syncopated, dotted rhythm that consists of a series of quarter and eighth notes (quarter, eighth, quarter, (space/held briefly), quarter, eighth, quarter)... which is underscored most dramatically by the bass drum and snare drum, and the hi-hat... [and] is ornamented by the other percussion instruments, especially by the conga drums, timbales, and hand-held cowbells."

Gogo (economics)

Gogo is a local, stable and convertible means of exchange proposed for use in Grand Forks, British Columbia, Canada.

Circulation of the Gogo is limited to the area of Grand Forks in southern British Columbia. Its value is based on the value of the Canadian dollar in 1980, and is forever stable at that level. This means that prices in the Gogo will never change.

Acceptance of the Gogo dollar in Grand Forks is minimal, and its success is not comparable with other local currencies, such as Ithaca Hours.

Convertibility

The Gogo is convertible with the Canadian dollar, based on the Consumer Price Index at the time of the exchange. For example, in 2001, 1 Gogo cost $2.20 Canadian, which reflects the decline in value of the Canadian dollar of 2001, related to the value of the Canadian dollar in 1980.

The Gogo is a means of exchange and is not made for storing; this is achieved by setting a 5% charge on a yearly basis. Moreover it can only be exchanged into Canadian Dollars at a rate of 95%.

Yam

Yam or YAM may refer to:

Plants and foods

Geography

Names

Yam (god)

Yam, Yamm, or Yammu was a Levantine sea and river god, popular in the Bronze and Early Iron Ages.

Yam, from the Canaanite word Yam (Hebrew: ים‎) meaning "Sea", also written Yaw, is one name of the Ugaritic god of Rivers and Sea. Also titled Judge Nahar ("Judge River"), he is also one of the 'ilhm (Elohim) or sons of El, the name given to the Levantine pantheon. Others dispute the existence of the alternative names, claiming it is a mistranslation of a damaged tablet. Despite linguistic overlap, theologically this god is not a part of the later subregional monotheistic theology, but rather is part of a broader and archaic Levantine polytheism.

Yam is the deity of the primordial chaos and represents the power of the sea, untamed and raging; he is seen as ruling storms and the disasters they wreak. The gods cast out Yam from the heavenly mountain Sappan (modern Jebel Aqra; Sappan is cognate to Tsephon). The seven-headed dragon Lotan is associated closely with him and he is often described as the serpent. He is the Canaanite equivalent of the Sumerian Tiamat, the primordial mother goddess.

Yam (route)

Yam (Mongolian: Өртөө, Örtöö, checkpoint) is a supply point route messenger system employed and extensively used and expanded by Genghis Khan and used by subsequent Great Khans and Khans.

Relay stations were used to give food, shelter and spare horses for Mongol army messengers. Genghis Khan gave special attention to Yam because Mongol armies traveled very fast, so their messengers had to be even faster, covering 200–300 km per day. The system was used to speed up the process of information and intelligence.

The system was preserved in Russian Tsardom after the disintegration of the Golden Horde.

Description

The Yam operated with a chain of relay stations at certain distances to each other, usually around 140 miles or 200 kilometers. Messengers for example would go to the next relay station and give the information to the second messenger and rest and let the second messenger go to the third relay station to hand the document to the third messenger. This way information or documents were constantly on the move without each messenger getting tired. In each relay station there would be spare horses, food, and shelter.

Tap (film)

Tap is a 1989 drama film written and directed by Nick Castle. It stars Gregory Hines and Sammy Davis, Jr.

Plot

Max Washington (Gregory Hines), just released from prison after serving time for burglary, is a talented tap dancer. His late father owned a dance studio that is now run by Little Mo (Sammy Davis, Jr.), whose daughter Amy Simms (Suzzanne Douglas) gives lessons to children. Back on the streets, Max isn't interested in dancing again but he is interested in seeing Amy, his former girlfriend. A local gangster, Nicky, doesn't care for Max personally but does try to recruit him to take part in a robbery. Amy has a job as dancer in an upcoming Broadway show and tells its choreographer about Max, hoping to land him a role in the chorus. Max is reluctant to agree to it, then incensed when he is humiliated during the auditions. Max must decide whether to swallow his pride and dance the way the man wants, or give up his art once and for all and return to a life of crime.

Production