Pola Negri

Pola Negri (born Barbara Apolonia Chałupiec, sometimes spelled Chalupec or Chałupec; 3 January 1897 – 1 August 1987) was a Polish stage and film actress who achieved worldwide fame during the silent and golden eras of Hollywood and European film for her tragedienne and femme fatale roles.

She was the first European film star to be invited to Hollywood, and became one of the most popular actresses in American silent film. Her varied career included work as an actress in theater and vaudeville; as a recording artist, as a ballerina and as an author.

Early life

Negri was born Barbara Apolonia Chałupiec on 3 January 1897 in Lipno, Congress Poland, Russian Empire (present-day Lipno, Poland), the only surviving child (of three) of a Polish mother, Eleonora (née Kiełczewska; died 24 August 1954), who, according to Negri, came from impoverished Polish nobility, and Juraj Chalupec (died 1920), an itinerant Slovakian tinsmith from Nesluša. After her father was arrested by the Russian authorities for revolutionary activities and sent to Siberia, she and her mother moved to Warsaw, where they lived in poverty.

UND

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Howard Barker

Howard E. Barker (born 28 June 1946) is a British playwright.

The Theatre of Catastrophe

Barker has coined the term "Theatre of Catastrophe" to describe his work. His plays often explore violence, sexuality, the desire for power, and human motivation.

Rejecting the widespread notion that an audience should share a single response to the events onstage, Barker works to fragment response, forcing each viewer to wrestle with the play alone. "We must overcome the urge to do things in unison" he writes. "To chant together, to hum banal tunes together, is not collectivity." Where other playwrights might clarify a scene, Barker seeks to render it more complex, ambiguous, and unstable.

Only through a tragic renaissance, Barker argues, will beauty and poetry return to the stage. "Tragedy liberates language from banality" he asserts. "It returns poetry to speech."

Themes

Barker frequently turns to historical events for inspiration. His play Scenes from an Execution, for example, centers on the aftermath of the Battle of Lepanto (1571) and a fictional female artist commissioned to create a commemorative painting of the Venetian victory over the Ottoman fleet. Scenes from an Execution, originally written for Radio 3 and starring Glenda Jackson in 1984, was later adapted for the stage. The short play Judith revolves around the Biblical story of Judith, the legendary heroine who decapitated the invading general Holofernes.