Tamas (film)
Tamas (lit. Darkness) is a 1988 period television film written and directed by Govind Nihalani. It is based on the Hindi novel of the same name by Bhisham Sahni (1974), which won the author the Sahitya Akademi Award in 1975. Set in the backdrop of riot-stricken Pakistan at the time of Partition of India in 1947, the film deals with the plight of emigrant Sikh and Hindu families to India as a consequence of the partition. It was first shown on India's national broadcaster Doordarshan as a mini-series and later as a one-off four-hour-long feature film. At the 35th National Film Awards, it won three awards including the Nargis Dutt Award for Best Feature Film on National Integration. In August 2013, it was shown on History TV18 as a series.
Plot
Nathu (Om Puri), a Chamar, is finishing his work in his shop when the thekedar (Pankaj Kapur) walks in and asks him to entice a pig from a nearby piggery into his shop and kill it for the Veterinary doctor who needs it for medical purposes. Nathu tries to decline saying he has never killed a pig before and doesn't have the necessary skill for it, offering instead to tan the hide if required provided the people from the piggery kill it. Thekedar insists that he wants Nathu to do it and gives him 5 rupees for it and leaves the shop saying that the work must be done by morning when the jamadar will come to take the carcass.
Tamas
Tamas may refer to:
See also
Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
References
External links
Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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