Yowie is one of several names given to a hominid reputed to live in the Australian wilderness. The creature has its roots in Aboriginal oral history. In parts of Queensland, they are known as quinkin (or as a type of quinkin), and as joogabinna, in parts of New South Wales they are called jurrawarra, myngawin, puttikan, gubba, doolaga, gulaga and thoolagal. Other names include yahoo, yaroma, noocoonah, wawee, pangkarlangu, jimbra and tjangara.
As is the case with the North American Sasquatch, many people discount the existence of the yowie considering it more likely to be a combination of misidentification, folklore and hoax. Yowie-type creatures are common in Aboriginal Australian legends, particularly in the eastern Australian states.
The yowie is described to be a cryptid which resembles the Himalayan Yeti and the North American Sasquatch. The yowie is usually said to be a hairy and ape-like creature standing upright at between 2.1 m (6 ft 11 in) and 3.6 m (12 ft). The yowie's feet are said to be much larger than a human's, but alleged yowie tracks are inconsistent in shape and toe number, and the descriptions of yowie foot and footprints provided by yowie witnesses are even more varied than those of bigfoot. The yowie's nose is said to be wide and flat.
The Yowie is a creature from Australian folklore.
Yowie may also refer to:
Yowie is a confectionery and publishing brand originating in Australia. It was one of the top selling chocolates in Australia in the late 1990s and early 2000s, selling over a million units a week. After a break of nearly a decade, Yowie returned to the retail market in 2014.
Yowie began as the brainchild of English-born advertising man, illustrator and author Geoff Pike. After serving in the navy, Pike jumped ship in Australia, finding work as a jackaroo on remote cattle stations. He became enchanted by Australia’s outback and its unique wildlife, and devoted his free time to nursing injured and orphaned animals back to health.
Many decades later, after a successful career in advertising, Pike drew on these early bush experiences and his love of wild places to create the Yowie Kingdom, a fictional magical realm free of the destructive influence of humanity, where threatened wildlife finds a safe haven.
Inspired by Australian folklore, Pike borrowed the legendary human-like creature the Yowie, reputed to roam the Australian bush. To watch over the fictional Yowie Kingdom and its animals and plants, Pike created six Yowie characters, each related to a well-known Australian animal, and each one guardian of key wild habitats:
"Talula" is a song by Tori Amos, released as the second single from her 1996 album Boys For Pele. It reached #22 on the UK Singles Charts and appears in the Jan de Bont film Twister.
The single version, entitled "The Tornado Mix", is remixed by BT, who previously worked with Amos on "Blue Skies", and includes a minor dance beat. In the UK, "Talula (The Tornado Mix)" replaced the original version of the song on the album and eventual repressings in the US.
BT also remixed an extended mix called the "Synethasia Mix" which appeared on copies of the single.
The song is about the concept of ideal woman and the fear of losing someone. The lyrics includes references to queens like Marie Antoinette and Anne Boleyn.
The B-side "Sister Named Desire" is a reference to Delirium's sister/brother Desire of Sandman, created by Amos' friend Neil Gaiman. The character of Delirium is frequently inspired by Tori, although Delirium was created before Gaiman met her. "Desire" was later remastered for the compilation Where's Neil When You Need Him?, which featured tracks inspired by Gaiman's work. This is not the first nor last time Tori has mentioned Neil Gaiman; he is referenced in her songs: "Tear In Your Hand", "Space Dog", "Horses", "Hotel", "Carbon", and "Not Dying Today".
Take my hand, hold on tight
Don't feel shame if you like
You and I, we are safe,
So high to play these games with me!
When you give me so irate
Make me wait for you
The time it takes to hate always fades too soon
Cause I could tell that you want me when...
So why did you make me wait
Keep me so irate,
Chorus:
So irate, so irate
Boy you!
You're so irate, so irate
Boy you!
I'll start fight for...
Seems like I'm half away to fall from you
You always seem to keep me so irate
Make me wait for you
The time takes to... always fades too soon!
Cause I can tell that you want me when...
So I... keep me so irate,
Chorus:
So irate, so irate
Boy you!
You're so irate, so irate
Boy you!
(Kiss me so) so irate
(Kiss me so) so irate
Boy you!
(Kiss me so) so irate
(Kiss me so) so irate
Ay, ay, ay, ay
(Kiss me so) so irate
(Kiss me so) so irate
(Boy you)
(Kiss me so) so irate
(Kiss me so) so irate