Talaash: The Answer Lies Within

Talaash: The Answer Lies Within is a 2012 Indian neo-noir psychological thriller film directed by Reema Kagti. It was produced by Excel Entertainment and Aamir Khan Productions. The movie stars Aamir Khan, Rani Mukerji and Kareena Kapoor in lead roles and Nawazuddin Siddiqui, Vivan Bhatena, Rajkummar Rao, Shernaz Patel and Sheeba Chaddha in supporting roles. The soundtrack of the movie is scored by Ram Sampath, with lyrics written by Javed Akhtar. Principal photography of the film took place during March–November 2011, primarily in Mumbai, Pondicherry and London. The movie received a UA certificate from the Censor Board of India. The film released on 30 November 2012.Talaash had worldwide earnings of over ₹1.74 billion (US$26 million), becoming one of the highest grossing film of 2012.....

Plot

Late at night on a deserted road, well-known actor Armaan Kapoor (Vivan Bhatena) loses control of his car for no evident reason, apparently trying to avoid something, and drives into the sea. Inspector Surjan Shekhawat (Aamir Khan) with his assistant Devrath Kulkarni (Rajkummar Rao) begins an investigation into Armaan's death. Surjan's personal life is in turmoil since his 8-year-old son, Karan, drowned recently during a family outing. His wife, Roshni (Rani Mukerji), is still grieving and Surjan has developed a guilt complex.

2012 (film)

2012 is a 2009 American science fiction disaster film directed by Roland Emmerich. It stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Thandie Newton, Danny Glover, and Woody Harrelson. The film was produced by Centropolis Entertainment and distributed by Columbia Pictures. Filming began in August 2008 in Vancouver, although it was originally planned to be filmed in Los Angeles. The plot follows Jackson Curtis as he attempts to bring his family to refuge, amidst the events of a geological and meteorological super-disaster. The film includes references to Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012.

After a prolonged marketing campaign comprising the creation of a website from the point of view of the main character, and a viral marketing website on which filmgoers could register for a lottery number to save them from the ensuing disaster, the film was released internationally on November 13, 2009. Critics gave 2012 mostly mixed reviews, praising its special effects and dark tone compared to Emmerich's other work, but criticizing its screenplay and 158-minute length. However, it was a huge commercial success, and one of the highest-grossing films of 2009.

Talaash (album)

Talaash (Urdu: تلاش, literal English translation: "search") is the second studio album of the Pakistani sufi rock band Junoon, released on September 3, 1993. The album was to be their first with bassist Brian O'Connell, who joined the band after Nusrat Hussain departed from the band to pursue his career as a solo artist and released his debut album Amrit in 1992. This was also the first Junoon album produced by Salman Ahmad and O'Connell, both also went on releasing several other albums by Junoon before O'Connell left the band after Dewaar in 2003. The album also served as a soundtrack for the Pakistani television show Talaash, which featured the band and its novel storyline was based on the band.

The only single from the album was "Talaash" which is a socio-political song written by lead guitarist Salman Ahmad. Other popular songs from the album include "Heeray", "Woh" and "Bheegi Yaadein". The instrumental song "Aap Aur Hum" (also known as "Jugalbandi") was covered by American rock band Black Leaf Clover, adding vocals, additional instrumentation, and titling it "Breathe" in 2009.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.