"Take on Me" | ||||||||||
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File:Take On Me cover.jpg | ||||||||||
Single by A-ha | ||||||||||
from the album Hunting High and Low | ||||||||||
B-side | "Love Is Reason" | |||||||||
Released | 16 September 1985 | |||||||||
Format | 7", 12" | |||||||||
Recorded | 1984-1985 | |||||||||
Genre | Synthpop, New Wave | |||||||||
Length | 3:10 (Original 1984 version) 3:46 (1985 version) 4:48 (extended version) |
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Label | Warner Bros. | |||||||||
Writer(s) | Magne Furuholmen Morten Harket Pål Waaktaar |
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Producer | Alan Tarney | |||||||||
Certification | Gold (BPI) | |||||||||
A-ha singles chronology | ||||||||||
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"Take on Me" is a single by Norwegian pop band A-ha. Written by the band members, the song was produced by Alan Tarney for the group's first studio album Hunting High and Low, released in 1985. The song combines synthpop with a varied instrumentation that includes acoustic guitars, keyboards, and drums.
The original "Take on Me" was recorded in 1984, and took three releases to chart in the United Kingdom, reaching number two on the UK Singles Chart in November 1985. In the United States, the song reached the top position of the Billboard Hot 100 in October 1985, due in no small part to the wide exposure of its memorable and cutting-edge music video on MTV, directed by Steve Barron. The video features the band in a pencil-sketch animation called rotoscoping, combined with live action. The video won six awards, and was nominated for two others at the 1986 MTV Video Music Awards.
Pål Waaktaar and Magne Furuholmen began their music careers playing in a band called Bridges, together with Viggo Bondi and Øystein Jevanord.[1] In 1981 the band produced Fakkeltog (Torch-light parade), an LP for which all of the music was composed by the group themselves, most of it being written by Waaktaar. Soon after, Bridges disbanded. Waaktaar and Furuholmen relocated to London to try their hand in the music industry there, but after six months of disappointment they returned to Norway.[1] The duo decided to try to get Morten Harket to join them as lead singer. At the time, Harket was singing in a band called Souldier Blue, but he felt that his band was stagnating, and decided to join Waaktaar and Furuholmen. They stayed together for six months, writing some songs and working on demo tapes, including "Lesson One," the song that eventually became "Take on Me." In January 1983 the trio returned to London in search of recording a contract.[1]
The band moved into a flat in London and began calling on record companies and publishing houses. After a few meetings with various A&R personnel, the band signed with a publishing house called Lionheart. A-ha then returned to Norway to earn some money. When they returned to London, they left Lionheart out of frustration.[2] They decided to record new demos, and chose the studio of musician and producer John Ratcliff, intending to re-record five songs. The band signed with Ratcliff, who in return introduced them to his manager, Terry Slater. With this encouragement, the band managed to complete some songs, including "Take on Me." After a few meetings, Slater signed them with Warner Bros. Records.[2]
The band met with Tony Mansfield, an expert in the use of computerized synthesizers, who mixed the demos with electronic instrumentation. The sound was not what A-ha had hoped to achieve, and the album was remixed again. The band rushed to release "Take on Me" as a single in the United Kingdom but failed to make an impact. After this, Warner Brothers' main office in the United States decided to invest in the band, and gave them the opportunity to re-record the song.[2] Terry Slater convinced Alan Tarney to produce the new version. The song was soon completed and re-released in the United Kingdom, but the record label's office in London gave them little support, and the single flopped for the second time.[2]
In the United States, Warner Brothers put the group on high priority, and made the move to invest serious money in a revolutionary video for "Take on Me" using the version produced by Tarney. The single was released in the United States a month after the music video, and immediately appeared in the Billboard Hot 100.[2]
Magne played the main melody on a Roland Juno-60 "MIDI'd up" to a Yamaha DX7. The drum machine used on the second and third releases (rotoscoped video version) was a Linn LinnDrum - Paul overdubbed real cymbals and hi-hat using this drum machine. Morten sang "Take on Me" using a Neumann U47 microphone as well as a Neve microphone pre-amp and Neve equaliser.[3]
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A 24 second sample from "Take on Me," featuring Harket's high-pitched falsetto, with a backing track that mixes acoustic guitars and electronic instrumentation.
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"Take on Me" is a synthpop song, written in the key of A major,[4] using only diatonic chords[5] and includes instrumentation from acoustic guitars, keyboards, and synthesizers.[6][7] Like the majority of pop music, the song is set in common time. It moves at a very quick tempo of 170 beats per minute.[4] The lyrics are a plea for love,[8] and are constructed in a verse-chorus form with a bridge before the third and final chorus. In the song, Harket demonstrates a vocal range of over two and a half octaves.[4] He sings the lowest pitch in the song, A2, at the beginning of the chorus, on the first syllable of the phrase "Take on me."[4] As the chorus progresses, Harket's voice hits ever higher notes, reaching a falsetto[6][9][10] and hitting the song's highest note (E5) at the end [4] (note values specified in this article using scientific pitch notation). One should also note the temporary change of markings in the drum pattern in the chorus, where for two bars the drums play in half time, only to pick up the same rhythm as before for the climax of the vocal line. A mix of drums,[11][12] acoustic guitars and electronic instrumentation serves as the song's backing track.[6] The verse follows a classic 1950s progression (ii - V - I - vi), whereas the chorus has a I-V-vi structure, with consecutive inversions of the V and vi.
Two videos were made for the song. The first release of "Take on Me" in 1984 includes a completely different recording, and was featured in the first video, which shows the band singing with a blue background.[13] The second video was directed by Steve Barron, and filmed at Kim's Café and on a sound stage in London, in 1985.[14] The video used a pencil-sketch animation / live-action combination called rotoscoping, in which the live-action footage is traced-over frame by frame to give the characters realistic movements.[15] Approximately 3,000 frames were rotoscoped, which took 16 weeks to complete.[16][17]
The video's main theme is a romantic fantasy narrative.[18] It begins with a montage of pencil drawings in a comic book style representing motorcycle racing, in which the hero, played by Morten Harket, is pursued by two opponents, one of whom is played by English actor Philip Jackson. It then cuts to a scene in a cafe, in which a young woman, played by Bunty Bailey (Harket's girlfriend at the time),[14] is seen drinking coffee and reading the comic book in a coffee shop. As the girl reads, the waitress brings her the bill. The comic's hero, after winning the race, seemingly winks at the girl from the page. His pencil-drawn hand reaches out of the comic book, inviting the girl into it. Once inside, she too appears in the pencil-drawn form, as he sings to her and introduces her to his black-and-white world.
Meanwhile, back in the restaurant, the waitress returns to find that the girl is not there. Believing that the girl has left without paying the bill, she angrily crumples and throws the girl's comic book into a bin. This makes Harket's two opposing drivers reappear, armed with a large pipe wrench and apparently aggressive. Harket punches one of the thugs and retreats with the girl into a maze of paper. Arriving at a dead end, he tears a hole in the paper wall so that the girl can escape as a pipe wrench is raised in front of him (it is unclear as to whether this is the thugs' wrench or one Harket plans to use in self-defense). The girl, now back in the real world and found lying beside the bin to the surprise of restaurant guests and staff, grabs the comic from the bin and runs home, where she attempts to smooth out the creases to learn what happens next.
The next panel shows Harket lying seemingly lifeless, and the girl begins to cry. But he wakes up and attempts to break out of his comic-book frames. At the same time, his image appears in the girl's hallway, seemingly torn between real and comic form as he maintains the effort to break his barriers. He escapes from the comic book by becoming human and stands up. Smiling, the girl walks towards him and he embraces her. This final scene is based on the 1980 movie Altered States.[14]
At the 1986 MTV Video Music Awards, the video for "Take on Me" won six awards—Best New Artist in a Video, Best Concept Video, Most Experimental Video, Best Direction, Best Special Effects, and Viewer's Choice—and was nominated for two others, Best Group Video and Video of the Year.[19] It was also nominated for Favorite Pop/Rock Video at the 13th American Music Awards in 1986.[20]
"Take on Me" was originally released in 1984, and was mixed by Tony Mansfield, but failed to make an impact in the United Kingdom.[2] The group re-recorded the song with the help of producer Alan Tarney,[2][14] releasing the new version in late 1984: this release peaked at number three in Norway[23] but failed to reach audiences abroad.[2][24]
In the United States, Warner Bros. invested in the revolutionary second video for "Take on Me," which used Tarney's version of the song. The new video was released to dance clubs and television a month before the record was available in stores or played on the radio.[25] Wide exposure on MTV[24] made the song quickly soar to the top position of the Billboard Hot 100 on 19 October 1985.[26] It remained on the chart for twenty-three weeks, and ended up at the tenth position of the 1985 year-end chart.[27]
"Take on Me" was released for the third time in the United Kingdom in September 1985.[24] The song debuted on the UK Singles Chart at number fifty-five, peaked at number two for three weeks, and received a gold certification by the British Phonographic Industry (BPI).[28] In Norway, A-ha's native country, "Take on Me" reentered the VG-lista singles chart, reaching a new peak of number one, a year after it was first released.[29] The single was largely successful elsewhere, reaching the top of the Eurochart Hot 100 for nine weeks, topping the singles charts in 36 countries[30], including Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland,[31][32][33][34][35] and reaching the top three in France and Ireland.[36][37]
(On this record, Pål Waaktaar is miscredited as Päl Waktaar)
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Certifications [link]
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Preceded by "Oh Sheila" by Ready for the World |
Billboard Hot 100 number-one single 19 October 1985 |
Succeeded by "Saving All My Love for You" by Whitney Houston |
Preceded by "Cheerio" by The Monroes |
Norwegian VG-lista number-one single 23 October 1985 – 6 November 1985 |
Succeeded by "Cheri Cheri Lady" by Modern Talking |
Preceded by "Cheri Cheri Lady" by Modern Talking |
German Singles Chart number-one single 8 November 1985 – 6 December 1985 |
Succeeded by "Nikita" by Elton John |
Swiss Singles Chart number-one single 10 November 1985 – 1 December 1985 |
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Eurochart Hot 100 number-one single 23 November 1985 – 18 January 1986 |
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Preceded by "(I'll Never Be) Maria Magdalena" by Sandra |
Dutch Top 40 number-one single 30 November 1985 |
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Preceded by "I Got You Babe" by UB40 and Chrissie Hynde |
Australian Kent Music Report number-one single 11 November 1985 – 18 November 1985 |
Succeeded by "The Power of Love" by Jennifer Rush |
"Take on Me" | ||||
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File:Take On Me Reel Big Fish.jpg | ||||
Single by Reel Big Fish | ||||
from the album BASEketball | ||||
Released | 1999 | |||
Format | CD single | |||
Genre | Ska punk | |||
Length | 3:14 | |||
Label | Mojo Records | |||
Reel Big Fish singles chronology | ||||
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In 1999, ska punk band Reel Big Fish covered "Take on Me" for the film BASEketball. The song was later released on the BASEketball soundtrack and the international version of their album Why Do They Rock So Hard?.[48][49] The band also performed the song at concerts.[50] Reel Big Fish released a video clip for "Take On Me", directed by Jeff Moore,[51] and features the band playing the song while walking down an aisle in the stadium, and playing a game of BASEketball interlaced with clips from the film. An alternative video for the song's international release that contained only the stadium aisle footage was also released. Reel Big Fish also included a live version of the song in their live album Our Live Album Is Better than Your Live Album and live DVD's You're All In This Together and Reel Big Fish Live! In Concert!.[52]
"Take on Me" | ||||
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File:Take on Me a1.jpg | ||||
Single by A1 | ||||
from the album The A List | ||||
B-side | "I Got Sunshine" | |||
Released | 14 August 2000 | |||
Format | CD single, 7" | |||
Recorded | 2000 | |||
Genre | Dance-pop | |||
Length | 3:46 | |||
Label | Epic, BMG | |||
Certification | Silver (BPI) | |||
A1 singles chronology | ||||
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In August 2000, British-Norwegian boyband A1 released a cover of "Take on Me" for their second studio album The A List.[53] Despite being panned by music critics, who called it a "lame cover version",[54] and a "note for note copy" that seems like "a re-release of the original";[55] it was commercially successful, topping the charts in the United Kingdom and Norway,[56][57] where it was certified silver by the BPI.[28]
The cover's music video was directed by Stuart Gosling. It features A1 entering the computer world by putting on virtual reality glasses after finding out about a deadly computer virus. After flying for a distance, they find the virus and destroy it, saving the world.[58] The video was inspired by the 1982 science fiction film Tron.[59]
Chart (2000) | Peak position |
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Australian ARIA Singles Chart[60] | 46 |
Danish Singles Chart | 2 |
Dutch Mega Single Top 100[61] | 47 |
German Singles Chart[62] | 61 |
Irish Singles Chart[37] | 12 |
Norwegian Singles Chart[56] | 1 |
Swedish Singles Chart[63] | 9 |
UK Singles Chart[57] | 1 |
Country | Provider | Certification | Sales/shipments |
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Norway | IFPI | Gold[64] | 5,000+ |
United Kingdom | BPI | Silver[28] | 200,000+ |
Preceded by "Music" by Madonna |
UK Singles Chart number-one single 3 September 2000 (1 week) |
Succeeded by "Lady (Hear Me Tonight)" by Modjo |
Norwegian VG-lista number-one single 5 October 2000 – 19 October 2000 (3 weeks) |
Succeeded by "Beautiful Day" by U2 |
Despite being notoriously difficult to sing,[65] the song has inspired many cover versions, including the following:
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The third season of Degrassi: The Next Generation commenced airing in Canada on 17 September 2003, concluded on 5 April 2004 and contains twenty-two episodes. Degrassi: The Next Generation is a Canadian serial teen drama television series. This season depicts the lives of a group of high school freshman and sophomores as they deal with some of the challenges and issues teenagers face such as dysfunctional families, sex, homosexuality, homophobia, theft, self-harm, domestic violence, abortion, emancipation and relationships.
Every episode is named after a song from the 1980s. Filming began on 26 May 2003, and ended in November 2003.
The third season aired Wednesdays at 8:30 p.m. on CTV, a Canadian terrestrial television network, and premiered with a sixty-minute special, "Father Figure", which form the first two episodes of the season. When the season returned to the schedules in January 2004 following a break over the Christmas period, it aired on Mondays at 8:30 p.m. In the United States, it was broadcast on The N, a digital cable network aimed at teenagers and young adults. The season was released on DVD as a three disc boxed set on 28 March 2006 by Alliance Atlantis Home Entertainment in Canada, and by FUNimation Entertainment in the US. Registered users of the Canadian and US iTunes Stores are also able purchase and download the season for playback on home computers and certain iPods.
We're talking away
I don't know what I'm to say
I'll say it anyway
Today's another day
To find you shying away
I'll be coming for our love
Take on me (Take on me)
Take me on (Take on me)
I'll be gone
In a day or two
So needless to say
I'm odds and ends
But that's me stumbling away
Slowly learning that life is OK
Say after me
It's better not to be
Safe than sorry
Oh the things that you say
Is it live or just to play
My worries away
You're all the things
I've got to remember
You're shying away