Beam may refer to:
In musical notation, a beam is a horizontal or diagonal line used to connect multiple consecutive notes (and occasionally rests) in order to indicate rhythmic grouping. Only eighth notes (quavers) or shorter can be beamed. The number of beams is equal to the number of flags that would be present on an un-beamed note.
The span of beams indicates the rhythmic grouping, usually determined by the time signature. Therefore, beams do not usually cross bar lines, or major sub-divisions of bars. If notes extend across these divisions, this is indicated with a tie.
In modern practice beams may span across rests in order to make rhythmic groups clearer.
In vocal music, beams were traditionally used only to connect notes sung to the same syllable. In modern practice it is more common to use standard beaming rules, while indicating multi-note syllables with slurs.
Notes joined by a beam usually have all the stems pointing in the same direction (up or down). The average pitch of the notes is used to determine the direction – if the average pitch is below the middle staff-line, the stems and beams usually go above the note head, otherwise they go below.
The beam of a ship is its width at the widest point as measured at the ship's nominal waterline. The beam is a bearing projected at right-angles from the fore and aft line, outwards from the widest part of ship. Beam may also be used to define the maximum width of a ship's hull, or maximum width plus superstructure overhangs.
Generally speaking, the wider the beam of a ship (or boat), the more initial stability it has, at expense of reserve stability in the event of a capsize, where more energy is required to right the vessel from its inverted position.
Typical length-to-beam ratios for small sailboats are from 2:1 (dinghies to trailerable sailboats around 20 ft or 6 m) to 5:1 (racing sailboats over 30 ft or 10 m).
Large ships have widely varying beam ratios, some as large as 20:1.
Rowing shells designed for flatwater racing may have length to beam ratios as high as 30:1, while a coracle has a ratio of almost 1:1 – it is nearly circular.
The beam of many monohull vessels can be calculated using the following formula:
Shh or Shhh or SHH can refer to:
Shhh! is the second studio album by Mexican-American cumbia group A.B. Quintanilla y Los Kumbia Kings and the second studio album by Mexican-American musician A.B. Quintanilla. It was released on February 27, 2001 by EMI Latin. This album became their first number one album on the United States Billboard Top Latin Albums chart for six non-consecutive weeks in 2001. It is not given the Parental Advisory warning even though it has Explicit Lyrics.
This information from Allmusic.
Personnel
Steven Ellison (born October 7, 1983), known by his stage name Flying Lotus or sometimes FlyLo, is an experimental multi-genre music producer, electronic musician, DJ and rapper from Los Angeles, California.
Flying Lotus has released five studio albums—1983 (2006), Los Angeles (2008), Cosmogramma (2010), Until the Quiet Comes (2012) and You're Dead! (2014)—to increasing critical acclaim. He has produced much of the bumper music on Cartoon Network's Adult Swim programming block. He also contributed remixes for fellow Plug Research artists including Mia Doi Todd.
In 2012, Ellison began rapping under the persona Captain Murphy, based on the Sealab 2021 character of the same name. Ellison kept this fact a secret for several months, finally revealing his identity several weeks after the release of his first rap mixtape, Duality.
Flying Lotus was born Steven Ellison on October 7, 1983, in Los Angeles, California. He is the grand-nephew of the late jazz pianist Alice Coltrane, and her husband saxophonist John Coltrane. He is also the first cousin once removed of musician Ravi Coltrane. Additionally, he is the grandson of singer-songwriter Marilyn McLeod, who is notable for having written Diana Ross's "Love Hangover" and Freda Payne's "I Get High (On Your Memory)", and who is the sister of Alice Coltrane. McLeod has been called by one writer "the biggest influence on Ellison's music".
I've gone away and went through hell and back and...
I never was and will again
All the tears i've held inside
Why it had to be this long
And I have failed to see
I would've wanted you gone
I, but it's just too soon
all the times i kept you outside
Why you had to be so strong
And i have failed to see
These dreams they haunt me back
Praise fate
Cause I'm coming home