Trace

Trace may refer to:

Mathematics

Computer science and electronics

Trace (album)

Trace is the first album by Son Volt, released in 1995. The band was formed the previous year by Jay Farrar after the breakup of the influential alt-country band Uncle Tupelo. The album reached #166 on the Billboard 200 album chart and received extremely favorable reviews. According to Allmusic, "Throughout Son Volt's debut, Trace, the group reworks classic honky tonk and rock & roll, adding a desperate, determined edge to their performances. Even when they rock out, there is a palpable sense of melancholy to Farrar's voice, which lends a poignancy to the music." The album was in the top 10 of Rolling Stone's 1995 critics' list.

"Drown" was a minor college and rock radio hit. It charted at #10 on the Billboard Mainstream Rock Tracks chart and #25 on the Billboard Modern Rock Tracks chart. It remains their only single to chart on either of the charts.

Track listing

All of the songs were written by Farrar except "Mystifies Me", written by Ronnie Wood.

Trace (linguistics)

In transformational grammar, a trace is an empty (phonologically null) category that occupies a position in the syntactic structure. In some theories of syntax, traces are used in the account of constructions such as wh-movement and passive. Traces are important theoretical devices in some approaches to syntax.

Concept

A trace is usually what occupies the empty (null) position in the syntactic structure that is left behind when some element undergoes movement. For example, in a case involving wh-movement, a structure like

is transformed into

the wh-word what being moved to the front of the sentence. In theories that posit traces, the position from which the wh-word was moved (in this case, the position of the direct object of eating), is considered to be occupied by a trace. In relevant linguistic texts, the trace may be denoted by a letter t; so the second sentence above may be written:

Traces are considered primarily in Chomskyan transformational grammar and its various developments. They are distinguished from other empty syntactic categories, commonly denoted PRO and pro. More details and examples can be found in the article on empty categories.

Tabu (1931 film)

Tabu (pronounced [ˈtapu]; also called Tabu, a Story of the South Seas) is a 1931 silent film directed by F.W. Murnau, a docufiction. The film is split into two chapters, the first called "Paradise" depicts the lives of two lovers on a South Seas island until they are forced to escape the island when the girl is chosen as a holy maid to the gods. The second chapter, "Paradise Lost", depicts the couple's life on a colonised island and how they adapt to and are exploited by Western civilisation. The title of the film comes from the Polynesian concept of tapu (spelled tabu in Tongan before 1943), from which is derived the English word "taboo."

The film's story was written by Robert J. Flaherty and F.W. Murnau; with the exception of the opening scene, the film was directed solely by Murnau. This was his last film; he died in the hospital after an automobile accident on March 11, 1931, a week before the film's premiere in New York.

Cinematographer Floyd Crosby won an Academy Award for Best Cinematography for his work on this film. In 1994, Tabu was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Tabu (2012 film)

Tabu is a 2012 Portuguese independent drama film in the style of a black-and-white film directed by Miguel Gomes, the title of which references F. W. Murnau's silent film of the same name, Tabu.

The film competed at the 62nd Berlin International Film Festival, where it won the Alfred Bauer Award (Silver Bear for a feature film that opens new perspectives) and The International Federation of Film Critics (FIPRESCI) prizes.Sight & Sound film magazine listed it at #2 on its list of best films of 2012.

Tabu is the Portuguese film with the widest international distribution as of 2012 and the fifth from Portugal to be commercially released in New York (Film Forum, December 2012), after The Art of Amalia by Bruno de Almeida (2000, Quad Cinema), O Fantasma by João Pedro Rodrigues (2003, IFC Center) and, in 2011, The Strange Case of Angelica by Manoel de Oliveira (IFC Center) and Mists by Ricardo Costa (Quad Cinema).

Plot

The film takes place shortly before the Portuguese Colonial War began.

Tabu (TV series)

Tabu was an eight-part, Finnish sketch comedy programme produced and shown between 1986 and 1987. The series was produced for MTV3 by professional Helsinki actor-company Ryhmäteatteri.

The series had a troubled production history, suffering from low ratings and creative disagreements with Mainostelevisio. The series also departed from established skit-comedy shows of past with skits lasting up to several minutes, featuring multifaceted characters and frequently acts of violence, swearing, innuendo and other disturbing or chaotic material. MTV3 felt that Ryhmäteatteri had not produced the type of show they had hoped for which eventually lead to censoring of swearwords from several episodes.

Despite its troubles, Tabu eventually won Venla awards in both 1986 and 1987, has enjoyed reruns on both MTV3 and SubTV as well as had a full DVD release.

The show was also an important early step for actors Aake Kalliala and Pirkka-Pekka Petelius working for MTV3, as they had previously worked for their competitor YLE and would go on create the break-out sketch show Pulttibois two years later.