Taboo (Don Omar song)
"Taboo" is the second single from Don Omar's collaborative album Meet the Orphans released in January 24, 2011 through Universal Latino. The song is re-adapted version from Los Kjarkas's song "Llorando se fue" most commonly known for its use in Kaoma's 1989 hit single "Lambada" fused with Latin beats. The song peaked at number one on the Billboard Latin Songs, becoming his third number one single on the chart.
Background
A low-quality preview of the song was posted on October 19, 2009 planned to be included on the now-unreleased album iDon 2.0, the re-release of his 2009 album iDon. The album was never released, and in 2010 the song was mastered and included on Meet the Orphans.
Critical reception
Brian Voerding from Aol Radio Blog said that the song "It's a down-and-dirty dance number that melds traditional island rhythms with a techno-friendly undercurrent and bright synthesizer melodies. [...]" Omar, along with Daddy Yankee and others, is one of the primary faces and souls of Reggaeton, a relatively new term for music that blends reggae with contemporary hip-hop and electronic elements. received and award for "Urban Song of the Year" at the 2012 ASCAP Awards, which are awarded annually by the American Society of Composers, Authors and Publishers in the United States.
Taboo (Wildstorm)
Taboo is the name of a fictional character from the Wildstorm universe that first appeared in Backlash #1 in 1994, she quickly became a major supporting character in the series and Backlash's main love interest.
Fictional character biography
Born in Queens, New York, Amanda Reed's mother died when she was still young. Her father was a substance abuser and was often violent towards Amanda. When she was seventeen years old, Amanda was a prostitute, living on the streets, until she was recruited for the Daemonite organisation known as the Cabal. She was bonded to a symbiote that could form a bio-metallic suit around her and became Taboo. The symbiote had vampiric tendencies though and often Taboo would found herself overcome with bloodlust in battle. She was framed for murder when she wanted to leave the organisation and sent to Purgatory Max, a special prison for super-powered beings in the Arctics.
Five years later, colonel Mark Slayton aka Backlash freed her, hoping to use her knowledge of the Cabal to help his girlfriend, Major Diane Lasalle, who had been left comatose after the Daemonite Lord S'ryn had possessed her during an attempted Daemonite incursion of Skywatch. Together they tracked S'ryn down and fought him. S'ryn managed to escape, but Taboo had proven herself to Backlash. They went for a few drinks, but ended up in bed. Once sobered up, Slayton felt guilty about betraying Diane and tried to keep Amanda at bay, but over time they grew closer.
Taboo (group)
Taboo was a Eurodance group formed in Germany. It was created by producers Nico Dee-Brunetti and Piero Brunetti. They released one single, "I Dream of You Tonight (Bab Ba Ba Bab)". It peaked at number 92 on the German Singles Chart and reached number-one on the RPM Dance Chart in Canada.
Discography
Singles
References
Shakaya (album)
Shakaya is the first studio album by Australian girl duo Shakaya, released in Australia on 18 October 2002 (see 2002 in music) by Columbia. The album has a mix genre of pop and R&B songs — written by the duo themselves and their manager/producer Reno Nicastro.
The album debuted at number five on the Australian ARIA Charts and stayed in the top fifty for two weeks and in the chart for six weeks. It also made an appearance in the Australasian Album Chart, peaking at number two (just missing the number one spot by Barricades & Brickwalls by Kasey Chambers).
Shakaya produced one top ten and two top twenty hits on the Australian ARIA Singles chart: "Stop Calling Me", "Sublime" and "Cinderella".
Track listing
Sublime (philosophy)
In aesthetics, the sublime (from the Latin sublīmis) is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual, or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement, or imitation.
Ancient philosophy
The first known study of the sublime is ascribed to Longinus: Peri Hupsous/Hypsous or On the Sublime. This is thought to have been written in the 1st century AD though its origin and authorship are uncertain. For Longinus, the sublime is an adjective that describes great, elevated, or lofty thought or language, particularly in the context of rhetoric. As such, the sublime inspires awe and veneration, with greater persuasive powers. Longinus' treatise is also notable for referring not only to Greek authors such as Homer, but also to biblical sources such as Genesis.
This treatise was rediscovered in the 16th century, and its subsequent impact on aesthetics is usually attributed to its translation into French by Nicolas Boileau-Despréaux in 1674. Later the treatise was translated into English by John Pultney in 1680, Leonard Welsted in 1712, and William Smith in 1739 whose translation had its fifth edition in 1800.
Sublime (film)
Sublime is a 2007 psychological horror film directed by Tony Krantz and written by Erik Jendresen. It is the second straight-to-DVD "Raw Feed" horror film from Warner Home Video, released on March 13, 2007. The film stars Tom Cavanagh, Kathleen York, Lawrence Hilton-Jacobs, and Katherine Cunningham-Eves.
Plot
The plot centers on the protagonist George Grieves (Cavanagh), who checks into the Mt. Abaddon Hospital for a routine procedure only to find horrors await him. Awakening from what was supposedly a simple colonoscopy, Grieves is told by hospital staff that due to confusion arising from similar patient names he was mistakenly given a sympathectomy to cure sweaty palms.
As the days tick by Mr. Grieves' post-operative experiences grow ever more bizarre until he finally realizes that he is caught inside a nightmare of his own creation and seems unable to escape or awaken back in the real world. He understands that something has gone wrong in his post-operative recovery which is keeping him trapped in this netherworld of manifestations of all of his worst fears but he understands neither what the problem is nor what, if anything, he can do to awaken from it.
